William Plomer, Transnational Modernism and the Hogarth Press

2010 ◽  
pp. 128-149 ◽  
Author(s):  
John K. Young
Keyword(s):  
Transnational Modernism ◽  
Hogarth Press

Leonard Woolf

2019 ◽  
Author(s):  
Fred Leventhal ◽  
Peter Stansky
Keyword(s):  
Virginia Woolf ◽  
Publishing House ◽  
Early Death ◽  
International Affairs ◽  
John Maynard Keynes ◽  
Bloomsbury Group ◽  
Unusual Position ◽  
Leonard Woolf ◽  
Hogarth Press ◽  
The Village

This is a wide-ranging biography of Leonard Woolf (1880–1969), an important yet somewhat neglected figure in British life. He is in the unusual position of being overshadowed by his wife, Virginia Woolf, and his role in helping her is part of this study. He was born in London to a father who was a successful barrister but whose early death left the family in economic difficulty. Though he abandoned his Judaism when young, being Jewish was deeply significant in shaping Leonard’s ideas, as well as the Hellenism imbibed as a student at both St Paul’s and Trinity College, Cambridge. Despite his secularism, there were surprisingly spiritual dimensions to his life. At Cambridge he was a member of the secret discussion group, the Apostles, as were his friends Lytton Stracheyand John Maynard Keynes, thus becoming part of the later Bloomsbury Group. He spent seven years as a successful civil servant in Ceylon, which later enabled him to write brilliantly about empire as well as a powerful novel, The Village in the Jungle. Returning to London in 1911, he married Virginia Woolf the next year. In 1917 they founded the Hogarth Press, a successful and significant publishing house. During his long life he became a major figure, a prolific writer on a range of subjects, most importantly international affairs, especially the creation of the League of Nations, a range of domestic problems, and issues of imperialism, particularly in Africa. He was a seminal figure in twentieth-century British life.

Literary London

2021 ◽  
pp. 226-245
Author(s):  
Helen Southworth
Keyword(s):  
Large Network ◽  
Bloomsbury Group ◽  
The Press ◽  
Literary Subject ◽  
Group Members ◽  
Night And Day ◽  
Leonard Woolf ◽  
Hogarth Press ◽  
Jacob's Room

Focusing on the period up to 1924, this chapter explores Virginia Woolf’s engagement with London as much-loved home, as literary subject (from Night and Day to Jacob’s Room and Mrs Dalloway), and as professional milieu. It considers Woolf’s roots in Hyde Park Gate, her move from Kensington to Bloomsbury after the death of her father, Leslie Stephen, and the establishment of the Bloomsbury Group. At the same time, this chapter widens the lens to look at the larger London literary scene. This was a resource to which Woolf gained access through a large network of friends, including, but not limited to, other Bloomsbury Group members, and professional contacts acquired through her work as publisher along with Leonard Woolf at the Hogarth Press. The chapter closes with Woolf’s move back into the ‘centre of things’ in Bloomsbury in 1924 as both she and the press began to outgrow Richmond.

The Hogarth Press

2021 ◽  
pp. 245-261
Author(s):  
Alice Staveley
Keyword(s):  
Short Fiction ◽  
The State ◽  
Woman Writer ◽  
Private And Public ◽  
History Of ◽  
The Impact ◽  
Hogarth Press ◽  
Creative Production ◽  
State Of The Field ◽  
Feminist Materialism

‘Yet I’m the only woman in England free to write what I like. The others must be thinking of series’ & editors.’ Woolf’s 1925 homage to the impact of the Hogarth Press on her career is well known, signifying a new sense of herself as a woman writer in command of the means of creative production. Less well known is how pervasive were her private and public negotiations with the narratological implications of the feminist materialism she cultivated as a printer and publisher. This article reviews the state of the field, re-reads her early short fiction in the context of her typesetting experiments, which resonate with the conflicted history of women in the printing trades, and argues for a revisionist understanding of Woolf’s feminist modernism as isomorphic with the Hogarth Press.

The Oxford Handbook of Virginia Woolf

2021 ◽  
Keyword(s):  
Secondary Students ◽  
Virginia Woolf ◽  
Magical Realism ◽  
Natural World ◽  
The Novel ◽  
Post Secondary ◽  
The Core ◽  
The Times ◽  
The Many ◽  
Hogarth Press

With thirty-nine original chapters from internationally prominent scholars, The Oxford Handbook of Virginia Woolf is designed for post-secondary students, scholars, and common readers. Feminist to the core, each chapter offers an overview that is at once fresh and thoroughly grounded in prior scholarship. Six parts focus on Woolf’s life, her texts, her experiments, her as a professional, her contexts, and her afterlife. Opening chapters on Woolf’s life address the powerful influences of family, friends, and home. Part II on her works moves chronologically, emphasizing Woolf’s practice of writing essays and reviews alongside her fiction. Chapters on Woolf’s experimentalism pay special attention to the literariness of Woolf’s writing, with opportunity to trace its distinctive watermark while ‘Professions of Writing’, invites readers to consider how Woolf worked in cultural fields including and extending beyond the Hogarth Press and the Times Literary Supplement. Part V on ‘Contexts’ moves beyond writing to depict her engagement with the natural world as well as the political, artistic, and popular culture of her time. The final part, ‘Afterlives’, demonstrates the many ways Woolf’s reputation continues to grow. Of particular note, chapters explore three distinct Woolfian traditions in fiction: the novel of manners, magical realism, and the feminist novel.

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