‘Current Liquidisations Ltd.’: Israel’s ‘Mediterranean’ Identity in Amos Oz’s The Same Sea

Hydrofictions ◽  
2020 ◽  
pp. 108-147
Author(s):  
Hannah Boast

This chapter examines the role that the Mediterranean Sea came to play in Israel’s national identity from the 1990s onwards. Through a reading of Amos Oz’s The Same Sea (1999), it counters claims that a turn to the Mediterranean offered a ‘post-ideological’ identity appropriate to the era of the Oslo Accords. It shows instead that the phenomenon of ‘Mediterraneanism’, or Yam Tikhoniut, was continuous with earlier Zionist goals, notably in reaffirming Israel’s affiliation with Europe and its distance from the ‘Orient’. Oz’s novel is further identified as depicting the arrival of global capitalism in Israel through its portrayals of tourism, and through its use of liquid metaphors and formal techniques that connect economic growth at home to underdevelopment abroad.

2020 ◽  
Vol 2020 (261) ◽  
pp. 145-162
Author(s):  
Sébastien Quenot

AbstractThe policy of normalisation of the Corsican language carried out by Corsica’s institutions encounters the statute of languages in France, which supports the linguistic supremacy and monopoly of French in the public area. The vitality of Corsican underlined in the first general sociolinguistic survey makes it endangered even if a large majority of people support bilingualism and the project of co-officiality is approved by the Corsican Assembly. What are the main ways and results of public policy to save, revitalize and normalize the Corsican language in the context of the success of the assimilation of French minorities, a crisis of national identity in France, and cultural globalisation for a small population of 320,000 people who live on an island in the Mediterranean Sea?


2015 ◽  
Vol 116 (1) ◽  
pp. 69-74 ◽  
Author(s):  
L Pérez ◽  
ML Abarca ◽  
F Latif-Eugenín ◽  
R Beaz-Hidalgo ◽  
MJ Figueras ◽  
...  

2008 ◽  
Vol 34 (4) ◽  
pp. 514-515 ◽  
Author(s):  
Giovanni Di Guardo

MedienJournal ◽  
2017 ◽  
Vol 37 (3) ◽  
pp. 7
Author(s):  
Gisela K. Cánepa

Nation branding plays a central role within neoliberal governmentality, operating as a technology of power in the configuration of emerging cultural and political formations such as national identity, citizenship and the state. The discussion of the advertising spot Perú, Nebraska  released as part of the Nation Branding campaign Marca Perú  in May of 2011, constitutes a great opportunity to: (i) argue about the way in which audiovisual advertisement products, designed as performative devises, operate as technologies of power; and (ii) problematize the terms in which it founds a new social contract for the Peruvian multicultural national community. This analysis will allow me to approach neoliberalism as a cultural regime in order to discuss the ideological nature of the uncontested celebratory discourse that has emerged in Perú and which explains the economic growth of the last decades as the outcome of a national entrepreneurial spirit that would be distinctive of Peruvian cultural identity.


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