Ken Russell's Wartime Imagery

2015 ◽  
Vol 12 (4) ◽  
pp. 539-555 ◽  
Author(s):  
Kevin M. Flanagan

This article traces Ken Russell's explorations of war and wartime experience over the course of his career. In particular, it argues that Russell's scattered attempts at coming to terms with war, the rise of fascism and memorialisation are best understood in terms of a combination of Russell's own tastes and personal style, wider stylistic and thematic trends in Euro-American cinema during the 1960s and 1970s, and discourses of collective national experience. In addition to identifying Russell's recurrent techniques, this article focuses on how the residual impacts of the First and Second World Wars appear in his favoured genres: literary adaptations and composer biopics. Although the article looks for patterns and similarities in Russell's war output, it differentiates between his First and Second World War films by indicating how he engages with, and temporarily inhabits, the stylistic regime of the enemy within the latter group.

2020 ◽  
Vol 41 (3) ◽  
pp. 328-352
Author(s):  
Carla Assmann

It is well known how the planning model of a “car-oriented city” was common among Western experts in the post-Second World War period, but here we claim this approach was common in both sides of divided Berlin. Investigating East- and West-Berlin’s reconstruction, here we analyse the relationship between the transnational sphere of circulation and its local realisations. Focusing on the leading figures of urban planning in West- and East-Berlin (who acted as “transfer agents”, participating in the transnational discourse) let us to better frame Berlin’s urban history in the 1960s and 1970s. The example of Lyon as France’s most “car-friendly city” is included in the analysis, so to transcend traditional perspectives of Cold War-antagonism, as well as to show the diverse and multilateral ways of exchange. Finally, the findings of the article will put the established periodisation of the “car-oriented city” in question.


2018 ◽  
Vol 17 (1) ◽  
pp. 215-219
Author(s):  
REGINA KUNZEL

Psychoanalysis is at once a system of thought, a toolkit for cultural diagnosis and criticism, and a therapeutic practice. In Dagmar Herzog's exciting new book Cold War Freud: Psychoanalysis in an Age of Catastrophes, psychoanalysis is among the most transformative intellectual events of the twentieth century and is itself transformed by that century's roiling forces, shaping and profoundly shaped by politics and culture. Foregrounding the historicity of psychoanalysis requires Herzog to wrest psychoanalysis from its own claims to historical transcendence. “While psychoanalysis is often taken to be ahistorical in its view of human nature,” Herzog writes, “the opposite is the case” (2). After Freud's death, during the heyday of psychoanalysis in the 1940s and 1950s, through challenges to its authority in the 1960s and 1970s, to what Herzog calls its “second golden age” in the 1980s, the analytic frame offered by psychoanalysis (and the debates it generated) helped people grapple with the aftermath of the horrors of the Second World War and offered novel ways of thinking about the most important questions of the postwar decades: about aggression, guilt, trauma, the capacity for violence, indeed about “the very nature of the human self and its motivations” (1).


Ethnography ◽  
2016 ◽  
Vol 18 (4) ◽  
pp. 450-470
Author(s):  
Lina Jakob

This article focuses on the ‘ Kriegsenkel’ – the German ‘grandchildren of the Second World War’. Born in the 1960s and 1970s, Kriegsenkel feel that through processes of transgenerational transmission unresolved war experiences were passed on to them by their families and are largely responsible for their emotional problems – from depression and anxiety disorders to relationship break-ups and career problems. I explore how, after decades of public taboos on the suffering of the majority population, this emergent identity is constructed and addressed entirely within the framework of Western therapeutic culture. Sociologists have long critiqued therapy culture for promoting political disengagement and attitudes of victimhood. Based on more than 80 ethnographic interviews, I argue that this view needs to be moderated to account for the ways in which individuals use therapeutic culture to exert agency and devise strategies to actively deal with emotional distress in an environment where wartime suffering is considered politically sensitive.


Author(s):  
Julia Brannen

This chapter reflects on the shifting public discourses in Britain concerning mothers and the labour market from the end of the Second World War and shows how the framing of research questions reflects these changing public discourses. At the end of the Second World War, women were ejected from many of the jobs in which they had worked in wartime to create work for returning servicemen. This ejection marked a watershed in women's lives and a backward step in female emancipation. The author began research on mothers in the labour market in the late 1970s. At that time, home was still promoted as the ‘best place’ to rear young children and mothers the best people to do so. This narrative shifted in the late 1980s, reflecting not only the rapid growth in the employment of mothers with young children but the increased emphasis placed by government on market forces and the notion of ‘individual choice’. Reflecting these changes, the social research agenda also shifted. In the 1960s and 1970s, motherhood was a small field of inquiry occupied mainly by those concerned with family life or child development. Gradually, much of the territory of ‘family studies’ was taken over by feminist sociologists whose work threw the spotlight on to patriarchy and women's oppression.


2020 ◽  
pp. 1-24
Author(s):  
Samuel Garrett Zeitlin

This article situates Carl Schmitt's The Tyranny of Values (1960/1967/1979) within the context of Schmitt's 1940s and 1950s op-ed campaign for full amnesty for Nazi war criminals as well as the context of the Veit Harlan trials and the 1958 Lüth judgment of the German Constitutional Court. The article further examines the revisions to Schmitt's 1967 version of the text in the light of Karl Löwith's criticisms of Schmitt in an article in the Frankfurter Allgemeine Zeitung from 1964. The article argues that The Tyranny of Values is a work of post-Second World War Nazi apologetics, in which Nazi racial theory can be seen being put to polemical ends in the 1960s and 1970s. The article concludes with broader reflections on the relation of Schmitt's The Tyranny of Values to Nazi discourse in the aftermath of the Second World War and the history of Nazism post-1945.


Author(s):  
Jeff Crisp

This chapter provides a historical perspective on the role of the United Nations in the areas of humanitarian action and coordination. It examines the UN’s emerging engagement in this domain in the aftermath of the Second World War, as well as the growth of the organization’s humanitarian role during the period of decolonization in the 1960s and 1970s. The chapter argues that the end of the Cold War created a humanitarian landscape that was more complex and dangerous than had previously been the case, giving rise to a range of acute policy dilemmas in relation to the protection and provision of assistance to refugees, displaced people, and other civilians. The chapter suggests that effective interagency coordination has been a chronic challenge for the UN in the humanitarian realm and provides a critical review of the different organizational arrangements that have been established to address this concern.


Author(s):  
Donald Wright

In theory, Canada is one nation. ‘Nationalisms’ shows that the reality is more complex. English Canada, Quebec, and First Nations groups have distinct identities, as does Newfoundland. The First World War divided English Canada and Quebec over conscription, and the Second World War also tested Canada’s national fault lines. The Quiet Revolutions made the 1960s and 1970s a period of excitement, cultural experimentation, and even violence, which was quashed by Prime Minister Pierre Trudeau. Legally, Quebec is a province but after referendums in the 1980s and 1990s, its struggle for independence was successful in everything but name.


2006 ◽  
Vol 93 (1) ◽  
pp. 106-137 ◽  
Author(s):  
FRANK MORT

ABSTRACT Historians of the sexual and cultural changes associated with the ““permissive”” moment of the 1960s have tended to emphasize a progressive narrative of reform focused on national policies and their social outcomes. This article explores a diffierent dynamic, highlighting the ways in which a series of scandalous and transgressive events, associated with particular networks of metropolitan culture in London, played a significant role in reshaping sexual beliefs and attitudes within English society during the postwar period.


1997 ◽  
Vol 21 (2) ◽  
pp. 19-27 ◽  
Author(s):  
Michael Bohman

The following article by Professor Michael Bohman begins with a brief historical analysis of child development theory in relation to adoption and fostering after the end of the Second World War. The author goes on to review research findings from a series of Swedish adoption surveys which began under his supervision in the 1960s and continue to this day. Much attention is given to the significance of genetic and environmental factors towards shaping the development of adopted children into adulthood. Problems of social and psychological adjustment are discussed, as are the genetic aspects of criminality and alcohol misuse in a group of adult adopted people.


This introductory chapter describes the life and career of Luigi Nono (1924–1990). It also provides an overview of the present volume. Born on January 29, 1924, in Venice, Nono's education and musical apprenticeship took place during the crucial years of the Second World War and its immediate aftermath, in a family and intellectual milieu which were solidly middle class while being fundamentally hostile to fascism. In 1950, Nono approached his first orchestral composition, Variazioni canoniche sulla serie dell'op. 41 di Arnold Schönberg—Schoenberg's opus 41. During the 1960s and 1970s, political commitment, social conflict, denunciation, and the treatment of individual psychology always in relation to the collective drama became constants of Nono's production as the concept of engagement took on for him the value of a “moral imperative” (Jean-Paul Sartre) to match the aesthetic imperative.


Sign in / Sign up

Export Citation Format

Share Document