scholarly journals Transitioning Broadcast to Cloud

2021 ◽  
Vol 11 (2) ◽  
pp. 503
Author(s):  
Yuriy Reznik ◽  
Jordi Cenzano ◽  
Bo Zhang

We analyze the differences between on-premise broadcast and cloud-based online video delivery workflows and identify technologies needed for bridging the gaps between them. Specifically, we note differences in ingest protocols, media formats, signal-processing chains, codec constraints, metadata, transport formats, delays, and means for implementing operations such as ad-splicing, redundancy and synchronization. To bridge the gaps, we suggest specific improvements in cloud ingest, signal processing, and transcoding stacks. Cloud playout is also identified as critically needed technology for convergence. Finally, based on all such considerations, we offer sketches of several possible hybrid architectures, with different degrees of offloading of processing in cloud, that are likely to emerge in the future.

Author(s):  
Francesco Piazza ◽  
Stefano Squartini ◽  
Stefania Cecchi ◽  
Simone Fiori ◽  
Simone Orcioni ◽  
...  

Author(s):  
Mirko Luca Lobina ◽  
Luigi Atzori ◽  
Davide Mula

Many audio watermarking techniques presented in the last years make use of masking and psychological models derived from signal processing. Such a basic idea is winning because it guarantees a high level of robustness and bandwidth of the watermark as well as fidelity of the watermarked signal. This chapter first describes the relationship between digital right management, intellectual property, and use of watermarking techniques. Then, the crossing use of watermarking and masking models is detailed, providing schemes, examples, and references. Finally, the authors present two strategies that make use of a masking model, applied to a classic watermarking technique. The joint use of classic frameworks and masking models seems to be one of the trends for the future of research in watermarking. Several tests on the proposed strategies with the state of the art are also offered to give an idea of how to assess the effectiveness of a watermarking technique.


2020 ◽  
Vol 9 (2) ◽  
pp. 11
Author(s):  
Qianqian Wu

This paper is aimed at analyzing the impact of COVID-19 on the Chinese online video industry. The hypothesis is that since people had more time to spend on leisure during the quarantine, the online video industry should be positively affected. Using methods such as collecting data from consulting firm’s research reports, analyzing news events, and summarizing evidence from security firm’s capital market research reports, I concluded that the pandemics did bring a short-term increase in people’s attention to the online video industry, opened up new opportunities for creative business models, yet also posed potential threads shall the virus strike again in the future.


Sign in / Sign up

Export Citation Format

Share Document