scholarly journals Survey on Decentralized Fingerprinting Solutions: Copyright Protection through Piracy Tracing

Computers ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 26 ◽  
Author(s):  
David Megías ◽  
Minoru Kuribayashi ◽  
Amna Qureshi

Copyright protection is one of the most relevant challenges in the network society. This paper focuses on digital fingerprinting, a technology that facilitates the tracing of the source of an illegal redistribution, making it possible for the copyright holder to take legal action in case of copyright violation. The paper reviews recent digital fingerprinting solutions that are available for two particularly relevant scenarios: peer-to-peer distribution networks and broadcasting. After analyzing those solutions, a discussion is carried out to highlight the properties and the limitations of those techniques. Finally, some directions for further research on this topic are suggested.

2019 ◽  
Vol 22 (01) ◽  
pp. 37-54
Author(s):  
Elly Hernawati

Copyright is one of the Intellectual Property Rights components and should be paid attention to. Even more in technology era that developing, copyright protection needed to be enhanced, so that the right of creator, Copyright holder or owner of relevant rights can be protected and urge people to create. Indirectly, good and healthy business climate could be fostered.  Not all people have skill to create, that is why those people who have skill to create must be protected and even awarded, hoping that people urged to create. One of the creations that protected are song and music. In creating song or music, creator involve recording producer, music director or arranger. Regarding the creation, creator holds moral and economy rights, while parties involved hold the relevant rights to it. Collective Management Agency is an agency that help creator or relevant rights owner in managing and distributing the creation which is song or music that being commercialized. Yet the creator must be the member of the agency beforehand. Commercialization of a song or music by user can rise problem. Protection to the song or music is for the whole thing, including lyric, notation, arrangement and song title. The utilization of a song or music should be still protecting the parties that hold the copyright and the relevant right to it.


2018 ◽  
Vol 3 (1) ◽  
pp. 25
Author(s):  
Luh Putu Sudini

This article aims at describing the role of Yayasan Karya Cipta Indonesia (YKCI) in copyright protection in Indonesia and the mechanism of royalty payment on Indonesian songs to the YKCI. The approach used in this study is normative approach as this study is conducted on secondary, primary, and tertiary legal materials, such as books, legal journals, and expert (secondary data) research results; its main legislation is Law no. 19 of 2002 on Copyright (primary data); English and Indonesia dictionaries and tertiary law which is the result of library research, supported by legal materials in the form of documents from field research results. From the collected legal materials, analysis in the method of the qualitative descriptive was conducted. The results indicated that YKCI's role as an administrator body in copyright protection is to collect royalties from parties that use songs or music commercially and help dispute resolution between creators, users or record producers of songs or music creations. Furthermore, the mechanism of royalty payments to YKCI shall be initiated by the authorization of YKCI by the creator or the copyright holder of the song, so on the basis of such power of attorney, YKCI exercises the collection or withdrawal of royalties by a percentage mechanism from the dealer's selling price through a permit saving per song at a rate for recording into a cassette, CD, VCD, and other media. Law Number 19 of 2002 on Copyright should be accompanied by the willingness and ability of the apparatus in enforcing it so that what to be achieved with the Act can be obtained. In addition, it is recommended that the government immediately issue provisions on the roles, duties and functions of the Copyright Council as well as the organic rules that explain the authority of YKCI which may be the appointment of the Director-General of Intellectual Property Rights (IPR) as endorsement of a collective society in order to attract royalties. The government also needs to make a standard contract of licensing agreement between the Copyright of Songs and Music in the event of announcement. In addition, YKCI also needs to be open including to the power of attorney (Creator of the song) so that the Creator can know the frequency of their song announcement and the large royalty that must be obtained.


Author(s):  
Haotian Yao ◽  
Yue Xiang ◽  
Shuai Hu ◽  
Gang Wu ◽  
Junyong Liu

IEEE Access ◽  
2020 ◽  
Vol 8 ◽  
pp. 195240-195252
Author(s):  
Anas Ahmad Abudaqa ◽  
Ashraf Mahmoud ◽  
Marwan Abu-Amara ◽  
Tarek R. Sheltami

2017 ◽  
Vol 2017 (1) ◽  
pp. 1718-1721 ◽  
Author(s):  
Hamada Almasalma ◽  
Jonas Engels ◽  
Geert Deconinck

2009 ◽  
Vol 07 (01) ◽  
pp. 413-425
Author(s):  
H. D. PHANEENDRA ◽  
M. S. SHIVAKUMAR

In a number of Internet applications, we need to search for objects to download them. This includes peer-to-peer (P2P) file sharing, grid computing and content distribution networks. Here the single object will be searched for in multiple servers. There are many searching algorithms in existence today for this purpose based on the concept of classical physics and classical algorithms. The principles of quantum mechanics can be used to build and analyze a quantum computer and its algorithms. Quantum searching is such an algorithm. In this paper we are proposing a search method based on the quantum physics and quantum algorithms. Our method, the targeted quantum search is found to be more cost effective than any other classical searching algorithms like linear and two-way linear, simulated annealing, including broadcast based searching. Our targeted quantum search method is analyzed and simulated to show the best results.


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