Art nouveau et néo-impressionnisme : les ateliers de Signac

1991 ◽  
Vol 92 (1) ◽  
pp. 72-78 ◽  
Author(s):  
Philippe Thiébaut
Keyword(s):  
2002 ◽  
Vol 90 (335) ◽  
pp. 387-394
Author(s):  
Florence Leclerc ◽  
Pierre Labrude
Keyword(s):  

2019 ◽  
Vol 7 (1) ◽  
Author(s):  
Teresa Palomar ◽  
Miguel Silva ◽  
Marcia Vilarigues ◽  
Isabel Pombo Cardoso ◽  
David Giovannacci

Abstract This work presents the results of the evaluation of two Art Nouveau glass windows from the Casa-Museu Dr. Anastácio Gonçalves (Lisbon, Portugal) with IR-thermography during the summer solstice. According to the measurements, the surface temperature of glass depended on the outdoor environmental temperature and, mainly, on the direct solar radiation. Colored glasses presented a higher surface temperature due to the absorption of their chromophores at near-IR wavelengths. Enamels and grisailles showed higher surface temperatures than their support glasses due to both their chemical composition and color. The protective glazing, with small slits in one of the window panels, induced a hot-air pocket in its upper part due to the insufficient ventilation.


2011 ◽  
Vol 35 (2) ◽  
pp. 110-116 ◽  
Author(s):  
Daniel B. Hess

During the early 20th century, the urban housing supply in Estonia expanded quickly to meet growing housing demand, resulting in tenement districts conceived for maximum profitability of rental units. In Karlova, a district near the city center of Tartu, about five hundred wooden houses, built between 1911 and the early 1920s and displaying simple Art Nouveau details, are set amid a charming district with a distinct milieu. This article focuses on three time periods during which the development of its built environment gave Karlova its distinctiveness: (1) the years leading up to World War I; (2) the interwar period; and (3) the two decades since 1991, or the post-transition period. Although the district was neglected during the Soviet era, it remains remarkably intact and has even experienced, since the 1990s, gentrification. The high-quality housing stock and charming built environment has much to offer to its diverse population of students, professionals, families, and longtime residents. Santrauka Dvidešimtojo amžiaus pradžioje gyvenamųjų namų pasiūla Estijoje greitai augo atitikdama į augančius gyvenamojo ploto poreikius. Minėtos situacijos rezultatas - daugiabučių namų kvartalai sukurti taip, kad iš nuomojamų patalpų būtų gaunamas maksimalus pelnas. Karlova – kvartalas netoli Tartu centro. Jį sudaro apie penki šimtai medinių namų, pastatytų tarp 1911 ir 1920 metų. Pastatams būdingos paprastos Art Nouveauarchitektūrinės detalės, jie pastatyti išskirtinėje patrauklioje aplinkoje. Pateikiamame straipsnyje nagrinėjami trys laikotarpiai, per kuriuos užstatymo kaita aptariamoje teritorijoje sukūrė išskirtinį jos tapatumą: 1) laikotarpis iki Pirmojo pasaulinio karo; 2) tarpukaris; 3) du dešimtmečiai po 1991 m. Nežiūrint to, kad sovietiniais metais teritorija buvo nesaugoma ir ja nesirūpinama, Karlova išsaugojo nepažeistą architektūrinį urbanistinį vientisumą, o po 1990 m. teritorijoje prasidėjo gentrifikacijos procesai. Aukštos kokybės gyvenamasis užstatymas ir žavi urbanistinė aplinka gali daug pasiūlyti įvairioms gyventojų grupėms: studentams, profesionalams, šeimoms ir vyresnio amžiaus žmonėms.


2021 ◽  
Author(s):  
Charlotte Ashby
Keyword(s):  

2021 ◽  
Vol 6 (2) ◽  
pp. 191-201
Author(s):  
Gabriel Weisberg

Abstract The essay traces the role of Marie Nordlinger (1876-1961) against her ties with Siegfried Bing, Marcel Bing, Marcel Proust and Charles Lang Freer. Nordlinger first worked in the ateliers of art nouveau later becoming a confidante of the Bings who helped sell Japanese prints in the United States especially to Charles Lang Freer when she visited the country.


Author(s):  
Anna Maria Damigella

The essay considers three different aspects of Gabriele d’Annunzio’s encounters with artists and trends in contemporary foreign figurative arts in the early 1900s and during his stay in Paris, connected to the novel Il fuoco and the city of Venice, and new interests in scenography and theatre. They concern the famous German portraitist Franz von Lenbach and the image of Eleonora Duse, and the Art Nouveau decorative arts, in particular the glass vases by Emile Gallé that d’Annunzio saw and admired with the guide of his friend Robert de Montesquiou and the batik fabrics by the Dutch Agathe Wegerif-Gravestein. The topics are part of a large overall study on d’Annunzio and European contemporary arts from 1883 to 1915.


1970 ◽  
Vol 14 (3) ◽  
pp. 24-41 ◽  
Author(s):  
Krystyna Kirschke ◽  
Paweł Kirschke ◽  
Elżbieta Komarzyńska-Świeściak

There are more than a hundred historic public buildings in the centre of Wrocław, adapted to fulfill modern commercial function. Against the background of today’s cosmopolitan shopping centers and office buildings, these buildings are distinguished by stylish architecture, maintained in eclectic, Art Nouveau or modernist forms. In the process of renewal of such monumental buildings, there is a need to reconcile the requirement for maximum protection of the historic material with safety and comfort of use. The multi-disciplinary construction design constituting the basis for the adaptive reuse of the heritage building must be preceded by conservation research and concept designs simulating possible program options. This allows linking the assessment of the value of the architecture with a choice of the matching function corresponding to the location and historic structure of the building. The further multi-disciplinary design process and implementation of such a project should be based on the Research by Design scheme. This allows for control of the implementation of the project and to rationalize the necessary upgrade of the facility with the application of such space and technical solutions that limit the destruction of its historic substance. The paper presents conclusions from several adaptive reuse projects carried out in such a way, in which it was possible to create high-class department stores, banks, hotels or prestigious offices inside the heritage buildings. The essence of these developments was to preserve the authenticity of the monumental building, while providing the necessary infrastructure, plant rooms and equipment guaranteeing safety and comfort of use.


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