scholarly journals Sette scritti politici liberi

Author(s):  
Immanuel Kant

At the end of the eighteenth century, before and during the French Revolution, Kant wrote intensively about politics. This book brings together the translations of his principal philosophical-political works, with the editor's annotations, from the essay on Enlightenment through to the writing on progress. The texts are subject to a Creative Commons licence, so that they can be amended without restrictions, retaining the same rights. Open access publication alone can achieve freedom in the public use of reason. The decision to free a classic work from economic monopoly and censure is intended to demonstrate that open access is not an academic theory but a reality that can give value and meaning to the establishment of a public university. Making Kant read means much more than merely reading him.

Author(s):  
Antoine Lilti

This chapter will explain how celebrity, which appeared in the eighteenth century as a new characteristic of cultural life became, during the French Revolution, a key mechanism of political life as well. It will start by outlining the specific features of celebrity, which is based on the curiosity of contemporaries about individuals and on sentimental empathy, and is distinguished from traditional forms of renown such as glory and reputation. It will then discuss how traditional forms of power were transformed, at the end of the eighteenth century, both by the new figure of the “public” and by changing means of communication (especially the periodical press and engraved portraits). Finally, the article will examine the highly ambivalent relationship that the French Revolutionaries negotiated with the new demand for “popularity”—that is, the affective attachment to an actor that introduces the mechanisms of celebrity into the heart of political action.


2010 ◽  
Vol 17 (2) ◽  
pp. 185-209 ◽  
Author(s):  
François R. Velde

The French government currently honors a very unusual debt contract: an annuity that was issued in 1738 and currently yields €1.20 per year, payable to the descendants of its original recipient. I tell the story of this unique debt, which serves as an anecdotal but symbolic summary of French public finances since the eighteenth century. Created by a powerful nobleman for one of his servants, it survived the turmoil of the French Revolution, became part of the public debt and has been scrupulously honored to this day, even though its value has been eroded away by decades of inflation.


2004 ◽  
Vol 37 (4) ◽  
pp. 544-567 ◽  
Author(s):  
Michael J. Sauter

Recent work on the eighteenth-century public sphere has recast the debate about the Enlightenment's responsibility for the French Revolution. Historians have argued that the print public sphere and its concomitant forms of sociability, such as salons, reading clubs, and coffee houses created social spaces from which criticism of the state emerged. This elite criticism corroded the Old Regime's foundations and the revolutionary crash of 1789, if it was not directly the intellectuals' fault, was sufficiently related to their mental labors to show that enlightened publicness had consequences.


2016 ◽  
Vol 44 (121) ◽  
pp. 83-100
Author(s):  
Jonas Ross Kjærgård

The article offers a contextualized reading of Louis-Sébastien Mercier’s forbidden bestseller The Year 2440 (1771). It focuses on Mercier’s financial politics as these are presented both in the novel and in the author’s intervention in the public debate immediately prior to the outbreak of the French revolution. Based on a reading of the 1789 Declaration of the Rights of Man and of the Citizen, the article argues that there is a link between happiness, rights and fiscality, which has rarely been examined. Intervening in this field of discourse, Mercier is co-responsible for the establishment of the unhappiness/happiness-dichotomy that characterizes much of the French late eighteenth century thought on happiness.


Most of the eminent French scientists of the eighteenth century lived in Paris and were members of the Académie Royale des Sciences. But academies also flourished in twenty or more provincial cities, and in Dijon there was a chemist who achieved during his lifetime an international reputation equal to that of any of his compatriots. Louis Bernard Guyton was born at Dijon on 4 January 1737 (1). Like his father he studied law, and from 1756 to 1762 he practised as an advocate. Dijon was the ancient capital of Burgundy and the seat of one of the French provincial parliaments, or royal courts of law, in which offices carrying social prestige and exemption from certain taxes could be bought and sold, and in 1762 Guyton’s father obtained for him the office of avocat-général du roi , one of the public prosecutors. Guyton then added to his name ‘de Morveau’, from a family property near the city, and he retained this name, sign ing himself simply ‘De Morveau’ until the French Revolution, when, like many Frenchmen, he dropped the ‘de’ and became ‘Guyton-Morveau’, then ‘Guyton’ and finally ‘Guyton-Morveau’ again.


Author(s):  
Takashi Hibiki

The article “One-dimensional drift-flux correlations for two-phase flow in medium-size channels” written by Takashi Hibiki, was originally published electronically on the publisher’s internet portal (currently SpringerLink) on 17 April 2019 without open access. After publication in Volume 1, Issue 2, page 85–100, the author(s) decided to opt for Open Choice and to make the article an open access publication. Therefore, the copyright of the article has been changed to © The Author(s) 2020 and the article is forthwith distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, duplication, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made.


Author(s):  
Michael Sonenscher

This chapter discusses the phrase, sans culottes, and its key role within the larger context of the French Revolution. The phrase has a bearing on the sequence of events that led from the fall of the Bastille to the beginning of the Terror. This is because the name sans-culottes was actually a neologism with a rather curious history. Although it can be taken initially to refer to someone simply wearing ordinary trousers, rather than the breeches usually worn in eighteenth-century public or professional life, the words themselves also had a more figurative sense. In this latter usage, the condition of not having breeches, or being sans culottes, had to do with the arrangements and values of eighteenth-century French salons. In this setting, the condition of not having breeches, or being sans culottes, was associated with a late seventeenth- or early eighteenth-century salon society joke.


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