scholarly journals De lykkelige skatteborgere

2016 ◽  
Vol 44 (121) ◽  
pp. 83-100
Author(s):  
Jonas Ross Kjærgård
Keyword(s):  
Eighteenth Century ◽  
French Revolution ◽  
Public Debate ◽  
The Novel ◽  
The Public ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Century Thought ◽  
The French Revolution

The article offers a contextualized reading of Louis-Sébastien Mercier’s forbidden bestseller The Year 2440 (1771). It focuses on Mercier’s financial politics as these are presented both in the novel and in the author’s intervention in the public debate immediately prior to the outbreak of the French revolution. Based on a reading of the 1789 Declaration of the Rights of Man and of the Citizen, the article argues that there is a link between happiness, rights and fiscality, which has rarely been examined. Intervening in this field of discourse, Mercier is co-responsible for the establishment of the unhappiness/happiness-dichotomy that characterizes much of the French late eighteenth century thought on happiness.

The Satire of Walker's Vagabond on Rousseau and Godwin

PMLA ◽  
1937 ◽  
Vol 52 (1) ◽  
pp. 215-229 ◽  
Author(s):  
Hugh H. MacMullan
Keyword(s):  
Eighteenth Century ◽  
Mary Wollstonecraft ◽  
William Godwin ◽  
The Novel ◽  
View Point ◽  
Large Section ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Century Thought

George Walker, a London bookseller and publisher, author of several Gothic tales, printed in 1799 a satirical novel, The Vagabond, directed against the Jacobins and their philosophic forerunners. The author's purpose was a serious one, to refute and counteract the works that had poured from the Jacobin presses. As a result the novel, though amusing and fanciful in the manner of the Anti-Jacobin, represents a consistent view-point and an earnest desire to show the beauties of society as then organized. In its way, it is a summary of the reactionary position, and, by giving the opinions of the opponents of Rousseau, Hume, Mary Wollstonecraft, Holcroft, Paine, William Godwin, and others, illustrates a large section of late eighteenth-century thought.

scholarly journals Being Immortal in Paris: Violence and Prophecy during the French Revolution

2016 ◽  
Vol 71 (02) ◽  
pp. 217-245
Author(s):  
Francisco Javier Ramón Solans
Keyword(s):  
Eighteenth Century ◽  
Political Violence ◽  
French Revolution ◽  
Political Instability ◽  
Religious Discourse ◽  
Emotional Needs ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
The Relationship ◽  
The French Revolution

This article uses the case of Catherine Théot and her prophetic activity in late eighteenth-century Paris to reflect on the relationship between event and prophecy in the era of the French Revolution. Despite appearing fixed and immobile, Théot's prophecies were constantly changing and evolving, giving rise to hybrid discourses influenced by various currents including both Jansenism and revolutionary discourses. The Théot affair thus provides an occasion to reflect on contemporary supernatural interpretations of the French Revolution. In this context, her prophecies can be read as a response to the emotional needs triggered by political instability, the fear of war and political violence, and religious changes. In conclusion, the article points to a religious discourse that existed on the margins of the dialectic between revolution and counterrevolution, but was nevertheless closely linked to it though the effects of the Revolutionary Wars and the Terror.

From ‘La Grande Chartreuse’ to The British Album

2020 ◽  
pp. 22-57
Author(s):  
Samantha Matthews
Keyword(s):  
Eighteenth Century ◽  
French Revolution ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Origin Myth ◽  
The French Revolution

By analysing the late-eighteenth-century reception of ‘The Album of the Fathers’ at the Monastery of the Grande Chartreuse, the chapter offers an exemplary instance of the issues at stake in album culture. The book was instrumental in promoting the elite practice of inscribing occasional texts in albums. In 1789 fashionable newspapers the World and the Oracle publicly fought over ownership of a transcript from the album and of ‘Della Cruscan’ poetry. The quarrel gave rise to scurrilous journalism, satirical prose, and parodic verse in which the term ‘album’ and its occasional and heterogeneous aesthetic was claimed and contested. In William Gifford’s attack on the Della Cruscans, Bell’s poetry anthology The British Album (1790) became shorthand for poetry’s debasement through cultural feminization. The Grande Chartreuse album disappeared during the French Revolution, but created a grand origin myth for the Romantic album.

William ‘Bill’ Doyle and the Origins of the French Revolution

2013 ◽  
Author(s):  
Tim Blanning
Keyword(s):  
Eighteenth Century ◽  
Recent Work ◽  
French Revolution ◽  
Old Regime ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Marxist Interpretation ◽  
Breaking Work ◽  
The French Revolution

This chapter discusses Bill Doyle's contribution to the study of the origins of the French Revolution. It shows how his early work delivered a powerful critique of the dominant Marxist interpretation, already under attack from revisionists led by Alfred Cobban. It examines the three editions of his book Origins of the French Revolution, with both continuities and changes identified. Particular importance is assigned to Doyle's ground-breaking work on the part played by venality in eroding the old regime monarchy. A second topic of major importance to which Doyle's researches have contributed a great deal is the role of the Parlements. This is placed in the context of Doyle's critique of the notion of an ‘aristocratic reaction’ in late-eighteenth century France. The chapter concludes with a discussion of his most recent work on aristocracy.

HOW TO WRITE ABOUT INFLUENCE: ASSESSING EDMUND BURKE'S CONSERVATIVE LEGACIES

2019 ◽  
Vol 63 (2) ◽  
pp. 495-505
Author(s):  
CLAIRE RYDELL ARCENAS
Keyword(s):  
Eighteenth Century ◽  
French Revolution ◽  
Edmund Burke ◽  
The Sublime ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Open Question ◽  
The French Revolution ◽  
The Revolution

Edmund Burke is difficult to classify. Born in Ireland in 1730, he entered parliament in 1765 having already achieved literary distinction for several philosophical works, including On the origins of the sublime and beautiful (1757). His subsequent career as a Whig statesman, politician, and reformer spanned the tumultuous decades of the late eighteenth century and culminated, less than a decade before his death, in his famous polemic against the French Revolution, Reflections on the revolution in France (1790). Over the course of his life, Burke opined with such frequency on so many topics that the nature of his ‘philosophy’ remains an open question, and scholars continue to offer strikingly different interpretations of his life and legacies. ‘Burke's legacy to history’, historian Richard Bourke summarized, ‘has been a complicated affair’.

The Practical and Symbolic Functions of Pre-Rameau Opera at the Paris Opéra before Gluck

2020 ◽  
pp. 25-50
Author(s):  
Michel Noiray
Keyword(s):  
Eighteenth Century ◽  
The Public ◽  
Italian Opera ◽  
Paris Opera ◽  
Late Eighteenth Century ◽  
The Press ◽  
Late Eighteenth

This chapter explains how a uniquely long-lived canon evolved in revivals of operas by Jean-Baptiste Lully and his immediate successors—chiefly André Campra and André-Cardinal Destouches—right up to the early 1770s. The Académie Royale de Musique was unique as the only theater to resist Italian repertory, except in two brief controversial periods. A dogmatic commitment to the old style and repertory survived after Lully’s death, quite separate from the operas of Jean-Philippe Rameau. Opposition to this unique practice broke out occasionally among the public, but such opinion was not widely supported in the press. It is striking that the main critics of ancienne musique, as it was called—Rousseau, Paul Henri d’Holbach, and Friedrich Melchior von Grimm—all came from outside France. This chapter is paired with Franco Piperno’s “Italian opera and the concept of ‘canon’ in the late eighteenth century.”

scholarly journals Interpretations of Emanuel Swedenborg’s image of the afterlife in the novel Oneiron by Laura Lindstedt

2020 ◽  
Vol 29 ◽  
Author(s):  
Tiina Mahlamäki ◽  
Tomas Mansikka
Keyword(s):  
Eighteenth Century ◽  
Western Culture ◽  
First Century ◽  
The Novel ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Twenty First Century ◽  
Postmodern Novel ◽  
Western Esotericism ◽  
The Relationship

This article discusses the relationship between Western esotericism and literature. As an example of a secular author who uses and benefits from esoteric texts, ideas and thoughts as resources in creating a literary artwork, the article analyses Laura Lindstedt’s novel Oneiron. A Fantasy About the Seconds After Death (2015). It contextualises the novel within the frames of Western esotericism and literature, focusing on Emanuel Swedenborg’s impact on discourses of the afterlife in literature. Laura Lindstedt’s postmodern novel indicates various ways that esoteric ideas, themes, and texts can work as resources for authors of fiction in twenty-first century Finland. Since the late eighteenth century Swedenborg’s influence has been evident in literature and among artists, especially in providing resources for other-worldly imagery. Oneiron proves that the ideas of Swedenborg are still part of the memory of Western culture and literature.

The Time of the Trap Door

Killing Times ◽  
2019 ◽  
pp. 54-86
Author(s):  
David Wills
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Supreme Court ◽  
French Revolution ◽  
Death Penalty ◽  
Islamic State ◽  
Trap Door ◽  
Late Eighteenth Century ◽  
Time Period ◽  
Late Eighteenth

This chapter offers an examination of the refining of the instant of execution that takes place with the introduction of trap door gallows in the seventeenth century and, more spectacularly and explicitly, in the late eighteenth century with the French Revolution and the guillotine. The death penalty is thereby distinguished from torture and a post-Enlightenment conception of punishment is introduced, lasting to the present. But the guillotine is bloody, and that underscores a complex visuality of the death penalty that also obtains during the same time period, playing out across diverse genres such as the execution sermon, political and scientific discourses relating to the guillotine, Supreme Court descriptions of crimes, and practices of an entity such as the Islamic State. What develops concurrent with the guillotine—yet remains constant through all those examples--is a form of realist photographic visuality.

The One and the Manor

2016 ◽  
Author(s):  
Daniel M. Stout
Keyword(s):  
Eighteenth Century ◽  
Social Organization ◽  
Edmund Burke ◽  
The Novel ◽  
Mansfield Park ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Possessive Individualism ◽  
The One ◽  
Jane West

Chapter two reassesses the conservatism of Jane Austen’s 1814 novel, Mansfield Park. It argues that we have misunderstood the novel by reading it in relation to the late eighteenth-century philosophy of Edmund Burke and socially conservative novelists like Jane West when, in fact, Mansfield Park is governed by a much older of social organization—the manor—not based on the liberal assumption of possessive individualism. Seeing the novel through the lens of the manor, the chapter argues, helps explain many of its most perplexing and difficult features: among them, the meekness of Fanny Price; the dissatisfactions of its ending; and the often distant or impersonal strategies of narration.

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