Chapter 1: The Twilight of the Middle Ages

Keyword(s):  
2021 ◽  
pp. 22-57
Author(s):  
Rita Copeland

Chapter 1 traces the millennial length of a theoretical discourse about affectio that begins with Cicero’s De inventione before turning to a tradition of stylistic teaching that arose in parallel with that speculative rhetorical thought and that was to have much more profound consequences for medieval rhetorical practice. Cicero’s De inventione was the main Latin rhetorical treatise, along with Rhetorica ad Herennium, that the Middle Ages inherited from antiquity. Cicero treats emotion (affectio) as a topic of invention, and understands it in philosophical terms as a perturbation of the soul. That philosophical approach was elaborated in medieval commentaries. The chapter then turns to late antique handbooks of style. Style came to constitute a separate study; through these influences, style also became the main conduit for teaching emotion and rhetorical persuasion.


2020 ◽  
pp. 7-15
Author(s):  
Nicholas Mee

Chapter 1 discusses labyrinths and mazes as motifs symbolizing the solar cycle from mythology to the Christian era. The labyrinth is engraved on neolithic monuments such as Newgrange in Ireland’s Boyne Valley. The tale is told of Daedalus and the Cretan labyrinth and how Theseus overcame the Minotaur and escaped with the help of Ariadne’s thread. The meaning of the labyrinth in classical mythology is considered. The labyrinth remained an important symbol in the Middle Ages. It is found on the Mappa Mundi in Hereford Cathedral and in other medieval cathedrals such as Chartres. The chapter also discusses the relationship between the labyrinth and the cosmography of Dante’s Divine Comedy.


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