scholarly journals Španělská synagoga: rekonstrukce a nová stálá expozice Židé v českých zemích v 19. a 20. století

2022 ◽  
Vol 58 (2) ◽  
pp. 39-48
Author(s):  
Iveta Cermanová ◽  
Michaela Sidenberg ◽  
Jana Šplíchalová

The Jewish Museum in Prague, one of the oldest public Judaic collections since 1906, has opened the new permanent exhibition Jews in the Bohemian Lands, 19th-20th Centuries in the Spanish Synagogue. After a year and half-long reconstruction, the exhibition features the Jewish history in the Bohemian lands, with the help of priceless original objects as well as the use of digital technology. The exhibition has been awarded the Gloria Musaealis 2020 Special Prize in the Museum Project category.

2021 ◽  
Vol 18 ◽  
pp. 105-126
Author(s):  
Jonathan Webber

The purpose of this article is to offer a critical comment on the permanent exhibition of the Galicia Jewish Museum in Kraków. The exhibition is innovative in museological terms. It is not about the Jewish history of Galicia, nor is it arranged using conventional chronology, nor is it comprehensive. Rather it is divided into five sections, based on a five-part set of ideas, simple ideas intended to help visitors make sense of the complex realities surrounding the present-day situation of the Jewish heritage seventy-five years after the Holocaust. Let me now briefly outline how these five ideas are represented museologically, the five sections in which the exhibition is organized. The opening section directly presents the popular Jewish stereotype that post-Holocaust Poland is nothing but a vast Jewish graveyard. So this section of the exhibition consists entirely of the raw, shocking sight of desolation – for example, photos of ruined synagogues or ruined Jewish cemeteries. The 23 photos on show in this section include the appalling condition of the synagogue in Stary Dzików (a small town near the Ukrainian border) as it looked in the 1990s and of the devastated Jewish cemetery in Czarny Dunajec (a small town near the Slovak border) at that time. Emphasizing what has been lost by showing the Jewish past of Poland in ruins, and how in that sense the effects of the Holocaust on the built Jewish heritage are still visible, even today, is certainly a powerful and provocative way to begin an exhibition in a Jewish museum.


2018 ◽  
Vol 18 ◽  
pp. 237-249
Author(s):  
Yulia Oreshina

Understanding museum as a tool of mediation, premediation and remediation of cultural memory, I focus in this article on two case studies — the Jewish Museum in Sarajevo and Jewish Historical Museum in Belgrade. While the Jewish Museum in Sarajevo positiones the city of Sarajevo as the first center of Jewish life in Balkans, the Jewish Historical Museum in Belgrade claims to be the only museum in ex-Yugoslavia presenting the history of Jews in the entire region. Both museums, therefore, claim to be the most important museums on this topic in the region, and certainly in a way compete to each other. What are the real stories hidden under these narratives, and which political and historical circumstances influence the fact that these two museums represent such contrasting stories? With the help of content analysis of the museum exhibitions, I detalize the narratives presented in the both case studies. In the focus of my interest is contextualization of Jewish history in the region and juxtaposition of the ways it is presented in the chosen museums. Obviously, Jewish Historical Museum in Belgrade still represents the unifying Yugoslavian narrative, serving as an umbrella museum for the entire region. In case of Sarajevo, close connection between ongoing process of victimization of the recent past of the city and mythologization of preYugoslavian life in Sarajevo, together with idealization of Bosnian-Jewish relations can be observed. Additionally, I look into the way of representation of the topic of the Holocaust. In the both case studies, the way of narration of the Holocaust is closely linked to the dominant historical narrative of the country, and the museum exposition serves as yet another justification of it. In both cases, the narrative of the Holocaust is shadowed by the previously existing historical tradition — in Yugoslavian times, the Holocaust was predominantly connected to the Ustasha regime and was symbolized by Jasenovac. Nevertheless, within current political realities, the Holocaust memory and the memory of Jewish life in Serbia and in Bosnia and Herzegovina undergoes certain changes and becomes instrumentalized in many contexts.


2020 ◽  
pp. 227-240
Author(s):  
Habib Kazdaghli

This chapter charts the genesis of the Museum of Jewish-Tunisian Heritage in Tunis. Jewish culture has been exhibited in Tunisian museums since the beginning of the French Protectorate in 1881. Until recently, however, the idea of a museum entirely dedicated to Jewish-Tunisian history and culture was simply unconceivable in Tunisia, as Judaism was solidly understood as being tied to Israeli politics. Kazdaghli explains how the Jewish-Tunisian community, domestically and overseas, have seized the so-called ‘Jasmine Revolution’ and the democratic ideals it purports to push for the establishment of a joint-venture Museum of Jewish-Tunisian Heritage in Tunis. In a context of new democratic achievements, the museum project is publicised as an instrument of social change, a partner to the democratic transition. However, the chapter shows that such a project proves a difficult exercise as the organising committee navigates cultural taboos surrounding Judaism in Tunisian society, as well as conflicting patrimonial opinions within the community itself, in Tunisia and within the diaspora.


2010 ◽  
Vol 20 (1) ◽  
pp. 9-13 ◽  
Author(s):  
Glenn Tellis ◽  
Lori Cimino ◽  
Jennifer Alberti

Abstract The purpose of this article is to provide clinical supervisors with information pertaining to state-of-the-art clinic observation technology. We use a novel video-capture technology, the Landro Play Analyzer, to supervise clinical sessions as well as to train students to improve their clinical skills. We can observe four clinical sessions simultaneously from a central observation center. In addition, speech samples can be analyzed in real-time; saved on a CD, DVD, or flash/jump drive; viewed in slow motion; paused; and analyzed with Microsoft Excel. Procedures for applying the technology for clinical training and supervision will be discussed.


2020 ◽  
Author(s):  
Holly E. Oemke ◽  
Leslie Schlachter ◽  
Joshua Bederson
Keyword(s):  

2018 ◽  
Vol 40 (2) ◽  
pp. 595-614
Author(s):  
Seung Jun Oh ◽  
Koang Chul Wi
Keyword(s):  

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