scholarly journals Burning Down the House: Mythological Chaos and World Order on Gotlandic Picture Stones

2021 ◽  
Vol 13 (1) ◽  
pp. 99-119
Author(s):  
Nanouschka Myrberg

The Gotlandic picture stone monuments of the oldest type constitute a material manifestation of a "concept" which basically deals with world order and balance, from the single picture to the monument as a whole. This concept is detectable in myths, sagas and material culture alike. Only by paying more attention to the female agents of the sagas is it possible to reach an understanding ofthe common content of ideas between the different expressions. That the elements play an important role in the sagas is reflected in the setting and execution of monuments and artefacts.

2020 ◽  
pp. 352-366
Author(s):  
Adam King

Etowah’s ascent to regional prominence in the 14th century was accompanied by marked changes in the site and its material culture. One of those changes was the creation of an elite mortuary mound and the placement of people with foreign and finely-crafted objects in it. Many of those objects were made in the Central Mississippi Valley and some came from the Cahokian sphere. The nature and distribution of those objects leads me to infer that they came with people rather than through exchange. The people were prominent families who left Cahokia in search of new places to be important. The objects were their ritual regalia and paraphernalia. Within a generation of their arrival, both played an integral role in the creation of a new world order at Etowah.


2021 ◽  
pp. 1-13
Author(s):  
Ran Barkai

Indigenous hunter-gatherers view the world differently than do WEIRD (Western, Educated, Industrialized, Rich and Democratic) societies. They depend—as in prehistoric times—on intimate relationships with elements such as animals, plants and stones for their successful adaptation and prosperity. The desire to maintain the perceived world-order and ensure the continued availability of whatever is necessary for human existence and well-being thus compelled equal efforts to please these other-than-human counterparts. Relationships of consumption and appreciation characterized human nature as early as the Lower Palaeolithic; the archaeological record reflects such ontological and cosmological conceptions to some extent. Central to my argument are elephants and handaxes, the two pre-eminent Lower Palaeolithic hallmarks of the Old World. I argue that proboscideans had a dual dietary and cosmological significance for early humans during Lower Paleolithic times. The persistent production and use of the ultimate megaherbivore processing tool, the handaxe, coupled with the conspicuous presence of handaxes made of elephant bones, serve as silent testimony for the elephant–handaxe ontological nexus. I will suggest that material culture is a product of people's relationships with the world. Early humans thus tailored their tool kits to the consumption and appreciation of specific animal taxa: in our case, the elephant in the handaxe.


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