Lévy, un ami qui vous veut du bien: the (mis)appropriation of Islamic practices in Bernard-Henri Lévy’s fulfilling of France’s mission civilisatrice

2021 ◽  
Vol 46 (4) ◽  
pp. 463-478
Author(s):  
Fabrice Roger

This article analyses the dynamics of cultural (mis)appropriation underpinning Bernard-Henri Lévy’s (BHL) catchphrase islam des Lumières. Be it against the backdrop of global terrorism in Qui a tué Daniel Pearl?, that of Franco-French societal issues in Ce grand cadavre à la renverse, that of French interventionism in La Guerre sans l’aimer, or that of homegrown terrorism in “Le moment churchillien de la Ve république,” BHL warns against the danger of a certain form of Islam whilst advocating an “enlightened” Islam that is, for him, compatible with French republican values. To this end, he (mis)appropriates conspicuous Islamic practices by claiming that they have nothing to do with Islam. Thus, BHL’s islam des Lumières is invisible and reduced to a cultural heritage that is void of religious practices. Drawing from cultural studies, social sciences, postcolonial studies, and African American studies, this article will argue that BHL is a “well-meaning colonizer;” a paternalist who seeks to fulfil France’s mission civilisatrice by (mis)appropriating Islamic practices in order to tell Muslims how to live their faith.

2021 ◽  
Author(s):  
Ana Kocić Stanković

My purpose in compiling this book was to produce a “student-friendly” course book in African American Studies, the elective course I designed and introduced into the English Department curriculum at the Faculty of Philosophy, University of Niš. The book is meant to provide a brief introduction into the history and culture of African Americans in the U.S., but could also be of interest to the general public, and, hopefully, may add to the practice of teaching African American literature and history already established at Serbian universities. The main purpose of the book is to get the readers/students acquainted with the key events in African American history, the most important political and cultural figures and the most prominent themes in African American culture. One of the goals would also be to spark further interest in this topic area and open possibilities for similar postgraduate academic courses. As most available books in African American studies deal either with history or literature, I have made an attempt to consider the subject from the perspective of cultural studies, integrating historical data with sociological, political and cultural commentary. I have deemed that such an integrative approach would provide the best insight into the study area and give the fullest picture of the African American contribution to the U.S. and world history and culture. The book is divided into eight chapters covering the period from the origins of the Atlantic slave trade to the contemporary period. The concept of individual chapters is as follows: an outline of the most important events, developments and historical figures of a particular period is followed by two or three brief excerpts from some of the most important works by major African American writers which illustrate the most important theme(s) covered in the chapter, accompanied by a brief commentary with topics and questions for further study.


Sign in / Sign up

Export Citation Format

Share Document