scholarly journals A WORK OF ART IN THE SPACE OF NETWORK CULTURE: CREATIVITY AS BRICOLAGE

2020 ◽  
Vol 13 (2) ◽  
pp. 257-269
Author(s):  
Aynur Safina ◽  
Liliana Gaynullina ◽  
Ekaterina Cherepanova
Keyword(s):  
New Media ◽  
Digital Technologies ◽  
Communication Technologies ◽  
Main Function ◽  
Media Art ◽  
Work Of Art ◽  
Network Culture ◽  
Methodological Basis ◽  
New Media Art ◽  
General Change

The development of modern informational-communication technologies has led to the occurrence of the new unique sociocultural phenomenon – a network culture, with irony as the dominating rhetoric. In the space of network culture, under digital technologies, the forms, types, and functions of art, and creativity in general, change. The paper states that communication becomes the main function of art, while a work of art more and more becomes an object of communication. The authors propose to broaden the volume of creativity conception, going beyond the classical interpretation towards a broader understanding of this phenomenon, namely, creativity as bricolage. The methodological basis of the bricolage model of creativity, relevant for the new media art, is the concept of “bricolage” developed by Claude Lévi-Strauss.

scholarly journals Rescuing new media art from technological obsolescence

DAT Journal ◽  
2019 ◽  
Vol 4 (3) ◽  
pp. 37-46
Author(s):  
Rene G. Cepeda
Keyword(s):  
New Media ◽  
Digital Technologies ◽  
Media Art ◽  
New Media Art ◽  
Advantages And Disadvantages ◽  
Basic Framework ◽  
Technological Obsolescence

As time passes and digital technologies become obsolete, more and more new media artworks face the possibility of being lost forever. As many new media artworks depend on certain technologies, when these technologies are replaced with other or are not available any more, steps should be taken to make older artworks compatible with newer technologies that replace them. Using Jon Ippolito’s concepts of storage, emulation, migration and reinterpretation, this text attempts to provide a basic framework to understand each different concept and the advantages and disadvantages to their implementation. This is all done using Gilbertto Prado’s restoration of Desertesejo (2000/2014/2018) to illustrate the process. 

New Media Art Research Focused on Tactile Symbols

2019 ◽  
Vol 6 (2) ◽  
pp. 14-20
Author(s):  
Lu Jingqi ◽  
Su Dam Ku ◽  
Yeonu Ro ◽  
Hyung Gi Kim
Keyword(s):  
New Media ◽  
Media Art ◽  
New Media Art ◽  
Art Research

The Art of Shadows in New Media Art

2020 ◽  
Vol 7 (1) ◽  
pp. 10-13
Author(s):  
Wenyi LI ◽  
Hyung-gi Kim
Keyword(s):  
New Media ◽  
Media Art ◽  
New Media Art

Sensory-Coevolution in New Media Art

2015 ◽  
Vol 2 (2) ◽  
pp. 13
Author(s):  
Wonjin Song ◽  
Joonki Paik
Keyword(s):  
New Media ◽  
Media Art ◽  
New Media Art

Reviews

Screen Bodies ◽  
2018 ◽  
Vol 3 (2) ◽  
pp. 86-98
Author(s):  
Josh Morrison ◽  
Sylvie Bissonnette ◽  
Karen J. Renner ◽  
Walter S. Temple
Keyword(s):  
New York ◽  
New Media ◽  
The Body ◽  
Media Art ◽  
University Of Minnesota ◽  
Body Images ◽  
New Media Art

Kate Mondloch, A Capsule Aesthetic: Feminist Materialisms in New Media Art (Minneapolis: University of Minnesota Press, 2018), 151 pp. ISBN: 9781517900496 (paperback, $27) Alberto Brodesco and Federico Giordano, editors, Body Images in the Post-Cinematic Scenario: The Digitization of Bodies (Milan: Mimesis International, 2017). 195 pp., ISBN: 9788869771095 (paperback, $27.50) Cynthia J. Miller and A. Bowdoin Van Riper, editors, What’s Eating You? Food and Horror on Screen (New York: Bloomsbury Academic, 2017). 370pp., ISBN: 9781501322389 (hardback, $105); ISBN: 9781501343964 (paperback, $27.96); ISBN: 9781501322419 (ebook, $19.77) Kaya Davies Hayon, Sensuous Cinema: The Body in Contemporary Maghrebi Cinema (New York: Bloomsbury, 2018). 181pp., ISBN: 9781501335983 (hardback, $107.99)

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