Mediated Action and Network of Actors

Author(s):  
Antonio Díaz Andrade ◽  
Samuel Ekundayo

Both actor-network theory and activity theory call attention to the coexistence of people and technology. Although both theories provide analytical tools to understand the nature of the reciprocal action-shaping of humans and nonhumans, each puts emphasis on different conceptual elements of human activity. In this paper, the authors examine both activity theory and actor-network theory and present their similarities and differences, limitations, and complementarities. Using the theoretical lenses of both theories, the authors trace the evolution of an ordinary artifact to illustrate how researchers on the sociology of technology and innovations can benefit from these parallel theoretical approaches.

Author(s):  
Antonio Díaz Andrade ◽  
Samuel Ekundayo

Both actor-network theory and activity theory call attention to the coexistence of people and technology. Although both theories provide analytical tools to understand the nature of the reciprocal action-shaping of humans and nonhumans, each puts emphasis on different conceptual elements of human activity. In this paper, the authors examine both activity theory and actor-network theory and present their similarities and differences, limitations, and complementarities. Using the theoretical lenses of both theories, the authors trace the evolution of an ordinary artifact to illustrate how researchers on the sociology of technology and innovations can benefit from these parallel theoretical approaches.


Author(s):  
Cheri Lemieux Spiegel

This chapter examines how multiple, often competing, identities of the street artist Banksy are constructed through a variety of media. It uses actor network theory and activity theory to trace and analyze the contexts, or networks, wherein Bansky’s identity is constructed. Banksy’s identity is of particular interest because he is an anonymous figure, and he actively abstains from social media. This examination of how he is constructed online sheds light on the agency that individuals have in constructing their identity in digital spaces. The insight from this investigation should be of great relevance for all professionals as they consider the non-professional writing they do, or chose not to do, beyond their office walls, within the public domain.


2015 ◽  
pp. 1827-1841
Author(s):  
Cheri Lemieux Spiegel

This chapter examines how multiple, often competing, identities of the street artist Banksy are constructed through a variety of media. It uses actor network theory and activity theory to trace and analyze the contexts, or networks, wherein Bansky's identity is constructed. Banksy's identity is of particular interest because he is an anonymous figure, and he actively abstains from social media. This examination of how he is constructed online sheds light on the agency that individuals have in constructing their identity in digital spaces. The insight from this investigation should be of great relevance for all professionals as they consider the non-professional writing they do, or chose not to do, beyond their office walls, within the public domain.


2018 ◽  
Vol 20 (2) ◽  
pp. 191-206 ◽  
Author(s):  
Monica Nehemia-Maletzky ◽  
Tiko Iyamu ◽  
Irja Shaanika

PurposeThis study aims to examine how both activity theory (AT) and actor network theory (ANT) can be complementarily applied in information system (IS) studies.Design/methodology/approachThe interpretivist approach was followed, within which the qualitative methods were used. Existing literature was gathered as data. The analysis was done by following the interpretive approach.FindingsBased on the analysis and discussion, a guide for complementary use of both AT and ANT in IS studies was developed. The guide is divided into two parts, which helps to achieve the objectives of the study: complimentary use of AT and ANT in an IS study and order-of-use of both theories in a study, as depicted in the framework.Originality/valueThis study is original in that it has not previously been published in part or full. The results of the study is intended to be of value to both IS postgraduate students and researchers.


Author(s):  
Veronika Pöhnl

Based on the increased interest in ANT in Media Studies, this paper discusses similarities and differences in the epistemological premises of ANT and German Media Studies, and in particular, Media Aesthetics. Proceeding from well received ANT investigations on the transformational processes of scientific research and the discussion of their importance and suitability for media aesthetic approaches, basic operations and metaphors of the ANT are identified and questioned. By juxtaposing the epistemological premises of ANT and those of techno-philosophically informed approaches of media theory, profound resemblances as well as fundamental differences are outlined.


2016 ◽  
Vol 71 (4) ◽  
pp. 221-227 ◽  
Author(s):  
Sören Becker ◽  
Antje Otto

Abstract. This editorial introduces different theoretical strands in political ecology both in English and German speaking contexts. Comparing Marxist with more relational and "new materialist" approaches, it is argued that the various theoretical approaches chosen induce different ways of how the relationship between society and nature, between material and culture is conceptualized. The dialectical perspective derived from Marxism is thereby contrasted with the more emergent, and relativist understandings of actor network theory and assemblage thinking. Besides, the six single contributions in this Special Issue are introduced and five areas for further research are laid out: (1) the multiplicity of materiality, (2) the opposition between dialectic and relativist thinking, (3) the tension between elements and entire socio-material configurations, (4) materiality in the production of space and (5) issues of materiality and power.


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