AI and the Movies

The history of science fiction (SF) in the movies is reviewed in depth. At this point in the Big Moon Dig story series, an artificial intelligence (AI) is needed placed in the new settlement on the Moon. Designing electronics for operation in space is difficult and two major AIs on Earth support this design effort. The question of whether or not the Earth-bound AIs can be considered the parents of the space-based AI is a key point of discussion. The story in this chapter, “Caterpillars on the Moon,” features the landing of an inflatable habitat section on the Moon and its movement, caterpillar fashion, into position.

2020 ◽  
pp. 35-48
Author(s):  
Joshua Grimm

Ex Machina plays against type extremely well, and it is, in part, particularly effective because of the genre tropes are relatively consistent. There’s really only one term to cinematically describe a reclusive, temperamental genius working on a project he hopes will change humanity: the mad scientist. In the history of science fiction film, the mad scientist has traditionally either been directly responsible for a crisis (potential or realized) by creating the problem, or indirectly responsible by trying to control something so powerful that no one could possibly control it. The latter was used largely in the 1950s and 1970s by reflecting the two perceived threats during those eras: atomic/nuclear power and pollution, respectively. But in these films, the extent of the power being studied must be balanced against what that scientist is trying to accomplish. In Ex Machina, Nathan’s portrayal is a fascinating one, embodying the Silicon Valley, “work hard, play hard” bro-culture we see in the U.S. tech industry, and he’s able to completely detach his own actions/desires from his work, a cognitive dissonance that allows him to create a line of slaves at the same time he tries to reproduce artificial intelligence. This chapter will place Nathan within the larger context of science fiction’s history of mad scientists, analyzing similarities and determining what those differences mean.


Author(s):  
Paul Grimstad

This essay traces a literary history from Poe’s tales and essays in which imaginative speculation and rationalist explanation are fused to create an effect of verisimilitude. Poe’s pioneering prose techniques had a decisive influence on the emerging history of science fiction as a genre, which this essay considers in relation to Jules Verne, Raymond Roussel, the pulp magazine Amazing Stories, Isaac Asimov, Alan Turing, and the emerging philosophy of artificial intelligence, Philip K. Dick, and the filmmaker Ridley Scott.


Lithos ◽  
1993 ◽  
Vol 30 (3-4) ◽  
pp. 207-221 ◽  
Author(s):  
Stuart Ross Taylor
Keyword(s):  
The Moon ◽  

Author(s):  
Bradley L. Jolliff

Earth’s moon, hereafter referred to as “the Moon,” has been an object of intense study since before the time of the Apollo and Luna missions to the lunar surface and associated sample returns. As a differentiated rocky body and as Earth’s companion in the solar system, much study has been given to aspects such as the Moon’s surface characteristics, composition, interior, geologic history, origin, and what it records about the early history of the Earth-Moon system and the evolution of differentiated rocky bodies in the solar system. Much of the Apollo and post-Apollo knowledge came from surface geologic exploration, remote sensing, and extensive studies of the lunar samples. After a hiatus of nearly two decades following the end of Apollo and Luna missions, a new era of lunar exploration began with a series of orbital missions, including missions designed to prepare the way for longer duration human use and further exploration of the Moon. Participation in these missions has become international. The more recent missions have provided global context and have investigated composition, mineralogy, topography, gravity, tectonics, thermal evolution of the interior, thermal and radiation environments at the surface, exosphere composition and phenomena, and characteristics of the poles with their permanently shaded cold-trap environments. New samples were recognized as a class of achondrite meteorites, shown through geochemical and mineralogical similarities to have originated on the Moon. New sample-based studies with ever-improving analytical techniques and approaches have also led to significant discoveries such as the determination of volatile contents, including intrinsic H contents of lunar minerals and glasses. The Moon preserves a record of the impact history of the solar system, and new developments in timing of events, sample based and model based, are leading to a new reckoning of planetary chronology and the events that occurred in the early solar system. The new data provide the grist to test models of formation of the Moon and its early differentiation, and its thermal and volcanic evolution. Thought to have been born of a giant impact into early Earth, new data are providing key constraints on timing and process. The new data are also being used to test hypotheses and work out details such as for the magma ocean concept, the possible existence of an early magnetic field generated by a core dynamo, the effects of intense asteroidal and cometary bombardment during the first 500 million–600 million years, sequestration of volatile compounds at the poles, volcanism through time, including new information about the youngest volcanism on the Moon, and the formation and degradation processes of impact craters, so well preserved on the Moon. The Moon is a natural laboratory and cornerstone for understanding many processes operating in the space environment of the Earth and Moon, now and in the past, and of the geologic processes that have affected the planets through time. The Moon is a destination for further human exploration and activity, including use of valuable resources in space. It behooves humanity to learn as much about Earth’s nearest neighbor in space as possible.


Author(s):  
Jared S. Buss

This chapter follows Ley during his early twenties, when he became an intermediary between specialized experts and the general public. Ley constructed his persona as a freelance writer and journalist, who could translate complex concepts for a broader audience in Weimar Germany. This chapter explores Ley’s entrance into rocketry clubs, amateur science, and circles of journalists during Weimar’s rocketry fad. It concludes with an analysis of his role in the ground breaking science fiction film, Woman in the Moon (1929).


Dune ◽  
2019 ◽  
pp. 115-117
Author(s):  
Christian McCrea

This chapter examines the unexpected longevity of David Lynch's Dune, a film that was for many deemed dead on arrival. It assesses Dune's lasting legacy from absurd tie-in merchandise to incredible comic translations to the videogames that changed game history in significant ways. It also emphasizes how Lynch's Dune demands the attention like no other film as it unfolds ceremonially into a dream already in motion. The chapter discusses how Dune remains a focused, singular vision that startles and delights in its difference in the history of science-fiction cinema. It reviews every dashed hope and upraised hand of anguish that believed Dune's literary universe could be adapted if given the right conditions. It talks about how Dune represents so much to so many in search of parables of failure, promise, corrupt systems and ineffable creative possibility.


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