Architectural Concept of Dynamic is the Origin, still is the Carrier

2011 ◽  
Vol 368-373 ◽  
pp. 3598-3601
Author(s):  
Zhang Rui ◽  
Qiao Zheng

This article analyzes the causes of "longevity building" and "ephemeral building" in architectural design practice. From the perspective of system theory proposed that the essence of architectural design is dynamic and dynamic process. Static factors only as a carrier of the existence of dynamic factors, establish framework for wisdom architectural design, provide new approach for architectural design.

Author(s):  
Charles Spence

Abstract Traditionally, architectural practice has been dominated by the eye/sight. In recent decades, though, architects and designers have increasingly started to consider the other senses, namely sound, touch (including proprioception, kinesthesis, and the vestibular sense), smell, and on rare occasions, even taste in their work. As yet, there has been little recognition of the growing understanding of the multisensory nature of the human mind that has emerged from the field of cognitive neuroscience research. This review therefore provides a summary of the role of the human senses in architectural design practice, both when considered individually and, more importantly, when studied collectively. For it is only by recognizing the fundamentally multisensory nature of perception that one can really hope to explain a number of surprising crossmodal environmental or atmospheric interactions, such as between lighting colour and thermal comfort and between sound and the perceived safety of public space. At the same time, however, the contemporary focus on synaesthetic design needs to be reframed in terms of the crossmodal correspondences and multisensory integration, at least if the most is to be made of multisensory interactions and synergies that have been uncovered in recent years. Looking to the future, the hope is that architectural design practice will increasingly incorporate our growing understanding of the human senses, and how they influence one another. Such a multisensory approach will hopefully lead to the development of buildings and urban spaces that do a better job of promoting our social, cognitive, and emotional development, rather than hindering it, as has too often been the case previously.


2012 ◽  
Vol 450-451 ◽  
pp. 1365-1368
Author(s):  
Yan'an Liu ◽  
Ying Li

This paper mainly aims at researching the process of the development and evolution in the practice of construction project. It discusses the static changing process from the aspect of system theory and establishes the framework of wisdom dynamic construction project, providing a new approach for positive development of construction project.


2012 ◽  
Vol 33 ◽  
pp. 162-166 ◽  
Author(s):  
Rongguang Li ◽  
Wenjie He ◽  
Hongda Han ◽  
Wei Wu ◽  
Xianxian Meng

2015 ◽  
Vol 172 ◽  
pp. 635-642 ◽  
Author(s):  
Nima Norouzi ◽  
Maryam Shabak ◽  
Mohamed Rashid Bin Embi ◽  
Tareef Hayat Khan

2016 ◽  
Vol 161 ◽  
pp. 1504-1508
Author(s):  
Grzegorz Baliński ◽  
Krystyna Januszkiewicz

2015 ◽  
Vol 13 (2) ◽  
pp. 123-135 ◽  
Author(s):  
Katarina Andjelkovic

This paper presents the findings, conclusions and results of my PhD research entitled, "The spatial context of the cinematic aspect of architecture". The purpose of this paper is to present the possibilities of adopting the cinematic qualities of architecture as an approach to tracing current modifications in contemporary architectural discourse in relation to the paradigmatic change of perception of urban space towards a movement perspective. The design process tradition, which comprises a standard series of procedural exercises aided by new technology, is in contrast to the experimental architectural research of the last decade that has clearly demonstrated the tendency to enrich the limited traditional approach in order to extend human vision beyond what is perceivable. Accordingly, I propose that we can test the cinematic aspect of architecture, first having harmonized the relationship between architecture and film through their common methodological and didactic approaches. To verify the cinematic aspect of architecture in theory, practice and education, and to maintain the level of creativity present in design practice, I initiated a reassessment of current design practice and proposed alternative architectural design strategies.


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