Transformative Learning through Creative Life Writing

Author(s):  
Celia Hunt
2009 ◽  
Vol 14 ◽  
Author(s):  
Éva Antal

This paper discusses issues of autobiography, or life-writing, that is, the writing of (a) life/self, focusing on two images: the stony statue and the sealing, melting wax that appear in the readings of narcissistic Pygmalions and their prosopopoeia. Although the apropos of this reading is provided by the 'blind statue' of Rousseau and Pygmalion, I cannot help writing about Narcissus, who as a wax-figure or, rather, 'as a reverant ghost' keeps reappearing. While the text is concerned with the question of self/life-writing and life work in literary criticism, I also pay attention to the self-reflexive, life-giving and all-demanding irony of postmodern reading theories. Although the analysis centres on Rousseau's works (Narcissus, Pygmalion), the central classical Ovidian figure is Pygmalion, whose creative 'life-giving' story is often alluded to in Anglophone deconstructive critical writings.


Author(s):  
Leni Van Goidsenhoven ◽  
Anneleen Masschelein

AbstractThis chapter investigates how-to books on creative “life writing” for therapy, transformative learning, and personal development, in short, therapeutic writing. This subgenre of writing advice is situated in two different domains with psychology and pedagogy on the one hand, and life writing and creative writing on the other hand. After a brief overview of the history of therapeutic writing, we focus on Jessica Kingsley Publishers (JKP), a leading international niche publisher in the field of neurological and cognitive differences. JKP offers a combination of popular-science books, memoirs, and self-help publications, as well as a series of how-to books on writing for therapy or personal development. By this specific grouping of genres and formats, JKP turns its readers into writers and also guides the process of writing by setting out standards for narratives about neurological illness and disability, both in content and form. Combining both textual and contextual analysis, we examine the advice oeuvres of three JKP authors, Gillie Bolton, Kate Thompson, and Celia Hunt, to see how they relate to the therapeutic and self-help ethos as well as to more literary forms of creative writing, and how they negotiate the ideas of becoming a writer through craft, therapy, and self-expression.


2019 ◽  
Vol 20 (2) ◽  
pp. 167-174
Author(s):  
Jennifer Takhar

This in utero tale deconstructs the consumption and marketing of assisted reproductive technologies (ARTs). It aims to highlight the deep ambivalence and phantasmagoria that accompany such transbiological procedures which, though undertheorised by marketing scholars, especially through an introspective lens, are reshaping markets and fundamental understanding of life, death, health, kin, progress, hope, sex, capital and cure. The story also advances extant marketing research on autobiography and consumer introspection theory (CIT) by introducing ‘autobiological writing’, a genre of self-reflexive, creative life writing which foregrounds lived, biological and medicalised experiences, therefore exposing the emotional ‘truths’, ‘authentic voices’, volatile bodies and experiential insights that often prove difficult to access and capture for consumer researchers. As liberatory narratives for the writers themselves and the researchers who extrapolate meaning from them, autobiological accounts offer unique critical cultural perspectives, in this case, on complex reprogenetic consumption.


1974 ◽  
Vol 19 (3) ◽  
pp. 246-246
Author(s):  
MAVIS HETHERINGTON
Keyword(s):  

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