Bergson on the immediate experience of time

2021 ◽  
pp. 55-71
Author(s):  
Yaron Wolf
Keyword(s):  
Experience Of Time ◽  
Immediate Experience

scholarly journals Time Distortions: A Systematic Review of Cases Characteristic of Alice in Wonderland Syndrome

2021 ◽  
Vol 12 ◽  
Author(s):  
Jan Dirk Blom ◽  
Nutsa Nanuashvili ◽  
Flavie Waters
Keyword(s):  
Case Reports ◽  
Slow Motion ◽  
Individual Case ◽  
Common Category ◽  
Ovid Medline ◽  
Alice In Wonderland ◽  
Experience Of Time ◽  
Original Case ◽  
Time Distortion ◽  
Immediate Experience

Of the perceptual distortions characteristic of Alice in Wonderland syndrome, substantial alterations in the immediate experience of time are probably the least known and the most fascinating. We reviewed original case reports to examine the phenomenology and associated pathology of these time distortions in this syndrome. A systematic search in PubMed, Ovid Medline, and the historical literature yielded 59 publications that described 168 people experiencing time distortions, including 84 detailed individual case reports. We distinguished five different types of time distortion. The most common category comprises slow-motion and quick-motion phenomena. In 39% of all cases, time distortions were unimodal in nature, while in 61% there was additional involvement of the visual (49%), kinaesthetic (18%), and auditory modalities (14%). In all, 40% of all time distortions described were bimodal in nature and 19% trimodal, with 1% involving four modalities. Underlying neurological mechanisms are varied and may be triggered by intoxications, infectious diseases, metabolic disorders, CNS lesions, paroxysmal neurological disorders, and psychiatric disorders. Bizarre sensations of time alteration—such as time going backwards or moving in circles—were mostly associated with psychosis. Pathophysiologically, mainly occipital areas appear to be involved, although the temporal network is widely disseminated, with separate component timing mechanisms not always functioning synchronously, thus occasionally creating temporal mismatches within and across sensory modalities (desynchronization). Based on our findings, we propose a classification of time distortions and formulate implications for research and clinical practice.

Schopenhauer and Hume on Will and Causation

2020 ◽  
pp. 160-174
Author(s):  
Severin Schroeder
Keyword(s):  
Intentional Action ◽  
Voluntary Action ◽  
Material Objects ◽  
Full Understanding ◽  
The World ◽  
Immediate Experience

One aspect of Schopenhauer’s doctrine that the world is will, which can be assessed independently of his more ambitious metaphysical ideas, is the claim that our own agency provides us with a full understanding of causation which then permeates and structures our experience of the world in general. In this chapter, the author argues that this claim can be defended against Hume’s well-known objections because they are based on a volitional theory of voluntary action, which Schopenhauer rightly rejected. Schopenhauer quite plausibly located an immediate experience of causation between at least some kinds of motives and our consequent actions. However, he was wrong in suggesting that this experience might be the source of our understanding of causation since intentional action already presupposes that understanding and cannot provide it. It is more plausible to argue that an understanding of causation is derived from our bodily encounters with material objects.

Time and Temporality

2020 ◽  
pp. 458-480
Author(s):  
Benedict Taylor
Keyword(s):  
Nineteenth Century ◽  
Subjective Experience ◽  
Human Life ◽  
Temporal Experience ◽  
Intimate Connection ◽  
Experience Of Time ◽  
Temporal Course ◽  
Nature Of Time ◽  
Poetic Metaphor ◽  
Century Thought

For the nineteenth century, music was commonly characterized as the “art of time,” and provided a particularly fertile medium for articulating concerns about the nature of time and the temporal experience of human life. This chapter examines some of the debates around music and time from the period, arranged thematically around a series of conceptual issues. These include the reasons proposed for the links between music and time, and the intimate connection between our subjective experience of time and music; the use of music as a poetic metaphor for the temporal course of history; its use by philosophers as an instrument for the explication of temporal conundrums; its alleged potential for overcoming time; its various forms of temporal signification across diverse genres; and the legacy of nineteenth-century thought on these topics today.

Transference and Immediate Experience

1957 ◽  
Vol 11 (2) ◽  
pp. 277-292
Author(s):  
Benjamin Wolstein
Keyword(s):  
Immediate Experience

scholarly journals Elegy

2016 ◽  
Vol 6 (4) ◽  
pp. 6-9
Author(s):  
David L. Ulin
Keyword(s):  
San Francisco ◽  
San Francisco Bay ◽  
San Francisco Bay Area ◽  
Early Adulthood ◽  
Bay Area ◽  
Experience Of Time

Traversing the kaleidoscope of memory of early adulthood in the San Francisco bay area, David Ulin describes the places as he remembers them with picturesque account: Andrew Molera State Park, Fort Mason, Marin Headlands, Old Waldorf, and Sutro Tower, with the particulars, and what happened to his experience of time in those places that summer of 1980. Experienced as a series of fleeting memories, joining together with others who lived there for a time. They left, and so did the author, experiencing the power of temporality or “abandon” both in and from this place.

scholarly journals A pandemic of jokes? The Israeli COVID-19 meme and the construction of a collective response to risk

2021 ◽  
Vol 34 (2) ◽  
pp. 229-257 ◽  
Author(s):  
Tsafi Sebba-Elran
Keyword(s):  
Sense Of Belonging ◽  
Group Cohesion ◽  
Comparative Perspective ◽  
Public Response ◽  
Hybrid Nature ◽  
Everyday Practices ◽  
Collective Response ◽  
News Announcements ◽  
Experience Of Time ◽  
Current Article

Abstract The COVID-19 pandemic that broke out in Israel in February 2020 prompted widespread public response, which included a deluge of humorous memes. The current article discusses the main meme cycles of the pandemic with the aim of uncovering the functions of the humorous meme, and particularly its singular language, which incorporates the universal and the particular, the global and the local, the hegemonic and the subversive. The memes are examined in their immediate context, as responses to news announcements, restrictions, and rumors relating to the pandemic, and from a comparative perspective, with emphasis on the various functions of disaster jokes and the use of folklore in response to previous epidemics, crises, or risks. Alongside the hybrid nature of the genre, these meme cycles demonstrate that COVID-19 is not just a threatening virus but a new reality that undermines our experience of time and space, evoking old beliefs and new, and threatening to change everyday practices. These narratives not only reflect the incongruities evoked by the virus, but also give vent to anxieties and aggressions brought on by the pandemic and convey a communal need to protect and foster group cohesion and a local sense of belonging.

The causal involvement of the right supramarginal gyrus in the subjective experience of time: A hf-tRNS study

2021 ◽  
Vol 404 ◽  
pp. 113157
Author(s):  
Giulia Prete ◽  
Chiara Lucafò ◽  
Gianluca Malatesta ◽  
Luca Tommasi
Keyword(s):  
Subjective Experience ◽  
Supramarginal Gyrus ◽  
Experience Of Time ◽  
The Right
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