Romanesque Art

2021 ◽  
pp. 191-226
Author(s):  
Marilyn Stokstad
Keyword(s):  
Romanesque Art

scholarly journals «Arte románico y epigrafía romance. Las primeras imágenes de la lengua vulgar en Italia, Francia y España»

1970 ◽  
Vol 27 ◽  
pp. 131-160
Author(s):  
Daniel Rico Camps
Keyword(s):  
Close Connection ◽  
Vernacular Language ◽  
Romanesque Art ◽  
The Church ◽  
Different Levels

Resumen: En este ensayo se analizan las primeras inscripciones en lengua vulgar de lla Europa románica. Se trata de un pequeño corpus de trece inscripciones o unidades epigráficas de los siglos xi y xii, once de las cuales fueron concebidas y realizadas en estrecha articulación con motivos o programas iconográficos. El autor trata de dilucidar la imagen (voluntaria o involuntaria) de la lengua romance que hay detrás de cada una de ellas, llegando a distinguir hasta tres niveles de uso de la lengua por parte de la Iglesia, a los que califica respectivamente de «neutro o utilitario», «expresivo sin función pastoral» y «expresivo con función pastoral». En conjunto, el debut epigráfico de las lenguas romances fue muy limitado, pero también muy creativo y experimental, en consonancia con el propio arte románico en cuyo marco se produjo.Palabras clave: Epigrafía vulgar. Lenguas romances. Arte románico.Abstract: This essay explores the first vernacular inscriptions in Romance Europe. These are a small corpus of thirteen inscriptions or epigraphic units from the Eleventh and Twelfth Centuries, of which eleven were designed and carried out in close connection with iconographic programs or motifs. The author tries to elucidate the conscious or unconscious image of the vernacular language that there is behind each of them, and he comes to distinguish three different levels of using the vernacular by the Church, which are respectively defined as «neutral or utilitarian», «expressive without pastoral function», and «expressive with pastoral function». On the whole, the epigraphic debut of the vernacular languages proved to be very limited, but it was also really creative and experimental, in line with the artistic framework in which it was produced, Romanesque art.Keywords: Vernacular epigraphy. Vernacular languages. Romanesque art.

Romanesque Art in Belgium

1972 ◽  
Vol 54 (2) ◽  
pp. 203
Author(s):  
Eric G. Carlson ◽  
Andre Courtens ◽  
J. A. Kennedy
Keyword(s):  
Romanesque Art

Romanesque Reassembled in England: A ReviewEnglish Romanesque Art 1066-1200.

Gesta ◽  
1985 ◽  
Vol 24 (1) ◽  
pp. 77-86 ◽  
Author(s):  
Elizabeth Parker McLachlan ◽  
Malcolm Thurlby ◽  
Charles T. Little
Keyword(s):  
Romanesque Art

Romanesque Art: The Art Museum of Catalonia. Jean Eduardo Cirlot

Speculum ◽  
1958 ◽  
Vol 33 (3) ◽  
pp. 383-383
Author(s):  
Kenneth John Conant
Keyword(s):  
Art Museum ◽  
Romanesque Art

scholarly journals La portada de la navidad en la iglesia románica de Santo Domingo De Silos (Burgos): análisis de un programa iconográfico románico inspirado por la liturgia hispana = The Christmas Portal in the Romanic Church of Santo Domingo de Silos (Burgos): Analysis of a Romanesque Iconographic Program Inspired by the Hispanic Liturgy

2020 ◽  
pp. 343
Author(s):  
Rodrigo Antolín Minaya
Keyword(s):  
Santo Domingo ◽  
Romanesque Art ◽  
The Way

La puerta septentrional de la iglesia románica de Silos, hoy desaparecida, contaba con un programa decorativo único en el arte románico. El presente trabajo pretende analizar la forma en la que la antigua liturgia hispana fue capaz de condicionar su mensaje iconográfico. Para esto se propondrán relaciones entre los relieves y los manuscritos hispanos que, finalmente, nos permitirán considerar el ciclo de la Navidad del antiguo rito como la inspiración del programa decorativo.AbstractThe north entrance of the Romanesque church of Silos, now disappeared, had a unique decorative programme in Romanesque art. The present work seeks to analyze the way in which the ancient Hispanic liturgy was able to condition its iconographic message. To this end, we propose relationships between the sculptures and Hispanic manuscripts, which will finally allow us to consider the Christmas cycle of the ancient rite as the inspiration for the decorative programme.

Justice, Conflict, and Dispute Resolution in Romanesque Art: The Ecclesiastical Message in Spain

Gesta ◽  
2018 ◽  
Vol 57 (1) ◽  
pp. 5-22
Author(s):  
James F. Powers ◽  
Lorraine C. Attreed
Keyword(s):  
Dispute Resolution ◽  
Romanesque Art

scholarly journals «Descubrir» y «descubrirse» en el románico: un ejemplo catalán de patrimonio de la humanidad

CEM ◽  
2020 ◽  
pp. 108-126
Author(s):  
Maria Garganté Llanes
Keyword(s):  
19Th Century ◽  
World Heritage ◽  
World Heritage Site ◽  
Heritage Site ◽  
The World ◽  
National Movements ◽  
Romanesque Art ◽  
Symbolic Value ◽  
The 19Th Century

The aim of this work is to present a case study on the identification between Romanesque art and national identity in Catalonia, an association that emerged in the framework of the emergence of national movements at the end of the 19th century, but that was recovered a century later when the process for the declaration of the Romanesque churches of the Boí Valley as a world heritage site by UNESCO began. The identification of the Romanesque with a «national art» is reinforced in this case because it is a Romanesque art located in the heart of the Pyrenees, with the strong symbolic value of the mountain as the «cradle» of the Catalan nation. We will analyse the World Heritage process and its effects in the context of a small territory, with a scarce population and dependent to a great extent on the seasonality of tourism.

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