Boundaries I: Comics and/as literary magazines

2021 ◽  
pp. 93-102
Author(s):  
Neale Barnholden
Keyword(s):  
Literary Magazines

Ireland, Literature, and the Coast

2020 ◽  
Author(s):  
Nicholas Allen
Keyword(s):  
Nineteenth Century ◽  
James Joyce ◽  
William Butler Yeats ◽  
Historical Study ◽  
Irish Literature ◽  
Late Nineteenth Century ◽  
Seamus Heaney ◽  
Literary Magazines ◽  
Cultural Experience ◽  
Late Nineteenth

The islands of Ireland are shaped by their relationships with land and sea. This book is a study of the various and changing ways in which literature has drawn the coast in lines that shape the contours of cultural experience. The literary and historical study of the sea has swelled in the last decade, as has an interest in the littoral and the archipelagic. Beginning with the early works of William Butler Yeats, this book travels through the diverse hydroscapes of Irish literature from the late nineteenth century to the present, framing writers and artists from James Joyce to Anne Enright in liquid, and maritime contexts. In doing so it suggests new planetary frames through which to read literature’s relationships with the sea and its margins. With readings of contemporary writers, including Eiléan Ní Chuilleanáin, Kevin Barry, Seamus Heaney, Sinead Morrissey, and John Banville, and literary magazines, including The Bell, Atlantis, and Archipelago, this book is the first sustained study of Irish coastal literature.

scholarly journals Spirit Which Refuses to Die

1978 ◽  
Vol 7 (1) ◽  
pp. 3-5
Author(s):  
Sipho Sepamla
Keyword(s):  
South Africa ◽  
Short Stories ◽  
South African ◽  
Cape Town ◽  
Black Writers ◽  
Black Consciousness ◽  
Literary Magazines

One of the most interesting of South African poets, Sipho Sepamla recently published his third collection of verse, The Soweto I Love (Rex Collings, London and David Philip, Cape Town). A teacher by training, he now works for an East Rand company; apart from poetry he also writes short stories and edits two literary magazines. In an interview with the novelist Stephen Gray, broadcast last June by the African Service of the BBC, Sepamla discussed the problems of presentday Black writers in South Africa, showing why poets have now become the chief spokesmen for Black consciousness, represented in earlier years by writers of fiction.

scholarly journals Slovak literary periodicals of the “Thaw”: relevance of the creative heritage

2020 ◽  
pp. 234-250
Author(s):  
Liudmila F. Shirokova ◽  
Keyword(s):  
Public Attitudes ◽  
Reform Movement ◽  
Cultural Issues ◽  
Literary Magazines ◽  
Literary Periodicals

During the period of political “Thaw”, which ended with the defeat of the reform movement in Czechoslovakia, the role of mouthpieces of changing public attitudes and a platform for discussing acute cultural issues became the literary magazines “Mladá tvorba” (1956-1970) and “Kultúrny život” (1946-1968). Focused on a different range of readers and a range of issues, they have remained relevant and authoritative publications throughout their existence, the value of the traditions of which is still preserved.

Murry, John Middleton (1889–1957)

2018 ◽  
Author(s):  
Shawna Ross
Keyword(s):  
Middle Class ◽  
Literary Criticism ◽  
Radical Politics ◽  
Katherine Mansfield ◽  
Literary Magazines ◽  
Lower Middle Class ◽  
Internal Revenue ◽  
Non Fiction ◽  
John Middleton Murry

John Middleton Murry, born in Peckham, London on 6 August 1889, was a prolific English writer best known today as the husband and literary executor of Katherine Mansfield. The son of an internal revenue clerk, determined to overcome his lower-middle-class surroundings, Murry won a scholarship to Christ’s Hospital, Sussex, and another to Brasenose College, Oxford, where he graduated with a first in Classics. He founded the journal Rhythm, beginning the editorial and critical labours that defined his reputation during his life. Murry edited a succession of literary magazines—most influentially, the Athanaeum. He steadily produced volumes of literary criticism, politics, religion, and other non-fiction until his death, drawing attention (and often ire) for his radical politics and his critical disagreements with T.S. Eliot.

Stimmungen, Spannungen, Visionen

2019 ◽  
Vol 60 (1) ◽  
pp. 339-371
Author(s):  
Max Graff
Keyword(s):  
World War I ◽  
Human Body ◽  
Great War ◽  
World War ◽  
Literary Magazines ◽  
Western Front ◽  
Military Surgeon ◽  
The Great War ◽  
Poetic Visions

Wilhelm Klemm, Expressionist poet and military surgeon on the Western front during World War I, published approximately 60 war poems, both in his collection Gloria! (1915) and in several literary magazines such as Franz Pfemfert’s Aktion. Some of them were soon hailed as eminently critical of common, glorifying poetic visions of war. This is certainly adequate; a closer scrutiny of the entire corpus of Klemm’s war poems, however, reveals a peculiar diversity which requires an awareness for their ambivalences. The article therefore considers three fields of inquiry: the poems’ depiction of the human body, their relation to lyrical paradigms focussed on nature and Stimmung, and ways of transcending both these paradigms and naturalistic representations of war and its effects. It thus identifies Klemm’s different modes of perceiving, interpreting and processing the experience of the Great War.

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