Social and Cultural Contexts of Single Young Men’s Heterosexual Relationships: A View From Metro Manila

Author(s):  
Romeo B. Lee
1996 ◽  
Vol 17 (2) ◽  
pp. 249-273 ◽  
Author(s):  
ERMA JEAN LAWSON ◽  
AARON THOMPSON

The divorce rate among Blacks in the United States has increased significantly in recent years. Consequently, an increasing number of Black men confront problems associated with adjusting to divorce. Using data from in-depth interviews, we identify factors that working-class/middle-class Black men perceive to cause significant stress following divorce and we examine strategies that they use to reestablish their lives. The results show that Black men confront the following divorce-related stressors: (a) financial strain, (b) noncustodial parenting, (c) child-support stressors, and (d) psychological as well as physiological distress. The findings suggest that divorced Black men experience profound postdivorce psychological distress. The data further indicate that Black men employ the following strategies to cope with the stress of marital dissolution: (a) reliance on family and friends, (b) involvement in church-related activities, (c) participation in social activities, and (d) establishment of intimate heterosexual relationships 1 year after divorce. These findings indicate that postdivorce adjustment should be scrutinized within relevant social-cultural contexts.


2004 ◽  
Author(s):  
X. T. Wang ◽  
Elena A. Savina

2010 ◽  
Author(s):  
Susan Chuang ◽  
Gena Robertson ◽  
Edith Lai ◽  
Maria Cabral

2006 ◽  
pp. 351-373
Author(s):  
Maciej Kubicki

This article describes the circumstances in which a German crew shot a film in the Warsaw Ghetto in May and June 1942. The author employs visual materials and eyewitness' accounts of Warsaw Ghetto Jews. They are an important counterpoint, revealing the background and the persuasive dimension of the Nazi message. The text is aimed at an understanding of the propagandistic intention, rooted in the specifically Nazi techniques of persuasion. To do this, the author refers to the sources of anti-Semitic imaginarium and the modes of depiction of the Jew as an enemy figure. The reconstruction of the image of the Jewish community in this film is reinforced by references to broader ideological and socio-cultural contexts.


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