March 1997, Jerzy Grotowski and Thomas Richards in Polish Theatre in Wrocław: Seven hours of informing, clarifying, elucidating, specifying, and explaining themselves

2021 ◽  
pp. 83-132
Author(s):  
Juliusz Tyszka
Keyword(s):  
Jerzy Grotowski

‘Art as Vehicle’: Grotowski in Pontedera

2009 ◽  
Vol 25 (4) ◽  
pp. 333-335
Author(s):  
Carla Pollastrelli
Keyword(s):  
United States ◽  
The United States ◽  
The Creation ◽  
Jerzy Grotowski

In this testimony, Carla Pollastrelli charts the main stages leading to Grotowski's settlement in Pontedera in Italy and to the creation of the Workcenter of Jerzy Grotowski. As the Year of Grotowski, supported by UNESCO, draws to a close, her words provide a fitting tribute to a man whose influence has surpassed all geographical boundaries, whether those of his native Poland, adoptive Italy, or place of temporary refuge, the United States. Carla Pollastrelli is the co-director of the Fondazione Pontedera Teatro. Pontedera Teatro. From 1986 to 2000 she was an executive of the Workcenter of Jerzy Grotowski, which in 1996 was renamed the Workcenter of Jerzy Grotowski and Thomas Richards. She has edited translations of Grotowski's texts in Polish into Italian since 1978, and is the co-editor with Ludwig Flaszen of Il Teatr Laboratorium di Jerzy Grotowski, 1959–1969: testi e materiali di Jerzy Grotowski e Ludwik Flaszen con uno scritto di Eugenio Barba (Jerzy Grotowski's Laboratory Theatre, 1959–1969: Jerzy Grotowski and Ludwig Flaszen's Texts and Materials and a Text by Eugenio Barba (Fondazione Pontedera Teatro, 2001; second edition, La Casa Usher, 2007) and the collection of Grotowski's texts, Holiday e teatro delle fonti (Holiday and the Theatre of Sources, La Casa Usher, 2006).

scholarly journals A espetacularidade da performance ritual no Reisado do Mulungu (Chapada Diamantina - Bahia)

2007 ◽  
Vol 27 (1) ◽  
pp. 24-47 ◽  
Author(s):  
Eloísa Brantes
Keyword(s):  
Chapada Diamantina ◽  
Jerzy Grotowski

O ritual de visita do Reisado, prática religiosa do catolicismo rural, se baseia nas relações de troca material/espiritual entre o grupo de devotos e as pessoas visitadas. Os Santos de devoção abençoam as casas através da visita anual do Reisado. Este artigo sobre a dimensão espetacular do corpo nesse ritual focaliza os processos de montagem da performance analisando as interações entre devotos/santos/donos das casas. O ponto de partida é o estudo do Reisado na comunidade negra rural Mulungu (Município de Boninal - Chapada Diamantina/Bahia) desenvolvido através de pesquisa etnográfica e das conexões entre teatro/ritual, traçadas por Jerzy Grotowski no campo da Antropologia Teatral.

scholarly journals Encontro na Universidade de Roma "La Sapienza" ou Sobre o Cultivo das Cebolas

2013 ◽  
Vol 3 (1) ◽  
pp. 287-332
Author(s):  
Mario Biagini
Keyword(s):  
Jerzy Grotowski

RESUMO O texto é baseado na transcrição, revista pelo autor, de A. R. Ciamara de parte de um seminário ministrado pelo autor, no ano de 2000, na Universidade de Roma "La Sapienza". O texto se articula a partir de questões respondidas por Biagini sobre temas importantes para a compreensão do trabalho do Workcenter of Jerzy Grotowski and Thomas Richards. Trata-se a questão do legado de Grotowski, problematiza-se a questão do trabalho sem público e o conceito de ação física. O texto discute, ainda, a função dos cantos vibratórios no trabalho de Grotowski e do Workcenter e discorre sobre a dificuldade de definir e colocar em palavras determinadas dimensões do trabalho. Por fim, o texto se pergunta sobre as relações entre quem faz e quem estuda teatro e sobre o sentido do ofício de ator.

scholarly journals The fundamental concepts of cultural anthropology applied in the theory and practice of the anthropological theater

2021 ◽  
pp. 1-10
Author(s):  
Polina Mikhailovna Stepanova
Keyword(s):  
Cultural Anthropology ◽  
Modern Art ◽  
Theory And Practice ◽  
Practical Application ◽  
Social Anthropology ◽  
The Past ◽  
Practical Tool ◽  
Key Terms ◽  
Jerzy Grotowski ◽  
Experimental Stage

This article explores the classical terms and concepts of cultural anthropology, which have found practical application in the performances, paratheatrical experiments and actions of the Polish experimental stage director Jerzy Grotowski (1933–1999) and collectives of the modern anthropological theater that continue the pursuits of Grotowski of the late XX century. The methods and terms of cultural (social) anthropology by A. van Gennep, V. Turner, M. Eliade, B. Malinowski and structural anthropology by C. Levi-Strauss give a better perspective on the specific terminological apparatus of Grotowski, unique practical discoveries of his works, and conceptual basis of theatrical anthropology as one of the paramount phenomena in the development of modern art. This article is first to discuss the problems of the emergence and formation of anthropological methodology as the framework for creating a scientific apparatus for understanding ritual-theatrical forms, as well as practical tool for artistic expression in the theatrical and paratheatrical experiments. Based on the fundamental works of the school of cultural anthropology, the author reveals the key terms of modern anthropological theater. As a result of studying the methods and approaches of cultural anthropology, the author determines the new unique technique of the modern Polish theater ensembles based not on the reconstruction of theatrical forms of the past, but rather reactualization of the mythological structures in the process of creating ritual-theatrical action.

scholarly journals L’ethnoscénologie. Vers une scénologie générale

2010 ◽  
pp. 51-68 ◽  
Author(s):  
Jean-Marie Pradier
Keyword(s):  
Performance Studies ◽  
Cette Notion ◽  
Jerzy Grotowski

L’ethnoscénologie est une nouvelle ethnoscience (1995) fondée sur la nécessité de maîtriser toute forme d’ethnocentrisme dans l’étude des arts du spectacle vivant placés dans leur contexte historique, culturel et social. La spécificité de l’ethnoscénologie est définie par rapport à l’ethnomusicologie, les performance studies, la théorie de l’ethnodrame (Mars) et l’anthropologie théâtrale (Barba). La définition exploratoire est suivie de l’examen de la notion de pratique performative — dérivée du néologisme introduit par Jerzy Grotowski (1997). Cette notion constitue un outil épistémologique utile pour la constitution d’une scénologie générale. L’auteur soutient qu’il est nécessaire d’abandonner la monodisciplinarité propre aux études théâtrales, d’adopter une perspective transdisciplinaire, en incluant notamment les neurosciences et les sciences cognitives, tout en développant un dialogue entre expertises scientifiques et la connaissance des performers eux-mêmes.

scholarly journals Teoría y técnica teatral

2020 ◽  
Vol 11 (18) ◽  
pp. 234-239
Author(s):  
Mónica Patricia Falfán Carrera
Keyword(s):  
Siglo Xx ◽  
Jerzy Grotowski

Wagner, Fernando. Teoría y técnica teatral. Ciudad de México: Toma, Ediciones y Producciones Escénicas y Cinematográficas / Paso de Gato, 2017, 324 pp.En 1952, la editorial Labor de Barcelona editó, por primera vez, Teoría y técnica teatral de Fernando Wagner, quien tenía necesidad de aplicar en sus clases “lo que a diario enfrentaba en su vida profesional dentro del cine, la televisión y, por supuesto, en los escenarios”. Un “libro virtuoso por su sentido histórico natural” (Ibáñez en Wagner 9 y 11), que exponía “una rica cultura sobre todos los componentes de la puesta en escena de la primera mitad del siglo xx y de la propia historia de sus creadores” (15), desde la Poética de Aristóteles hasta Jerzy Grotowski. Su estructura era en dos partes: la primera, dedicada al trabajo del actor formal, y la segunda, a la puesta en escena de una “obra de arte total” (155) desde la práctica del director. Recibido: 19 de agosto de 2020Aceptado: 17 de septiembre de 2020

scholarly journals "Uma Vida bem Diferente"

2013 ◽  
Vol 3 (1) ◽  
pp. 348-352
Author(s):  
Ricardo Carlos Gomes
Keyword(s):  
Jerzy Grotowski

RESUMO Resenha sobre o livro Trabalho de Voz e Corpo de Zygmunt Molik: o legado de Jerzy Grotowski, composto a partir de entrevistas concedidas por Molik ao pesquisador italiano Giuliano Campo. No livro, o ator e diretor polonês faz uma reflexão sobre sua trajetória artística, pontuada pelas perguntas e observações de Campo. A resenha ressalta os elos entre o trabalho de Molik e a trajetória dos principais artistas do Teatro Laboratório de Jerzy Grotowski.

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