scholarly journals Transcending Modernity with Relational Thinking

2021 ◽  
Author(s):  
Pierpaolo Donati
Keyword(s):  
2021 ◽  
Vol 17 (1) ◽  
pp. 1-5
Author(s):  
Christopher M. Raymond ◽  
Roope Kaaronen ◽  
Matteo Giusti ◽  
Noah Linder ◽  
Stephan Barthel

2017 ◽  
Vol 7 (1) ◽  
pp. 71-98
Author(s):  
Roberta Ramos Marques ◽  
◽  
Liana Gesteira Costa ◽  

Abstract: This paper discusses the creative process of the street performance Motim (Mutiny) (2015) from the perspective of laughter as a bio-potent performative action. We discuss how the relational thinking emerged within the framework of a process dramaturgy (Kerkhove, 1997), conceptualizing creative thinking as a network (Salles, 2006). The collaborative creative process of Motim started with three ways of approaching the act of laughing: physicality, memory and contagion. By focusing on contagion, we will discuss how relational thinking was installed in the creative process of Motim and was powered by the investigative aspect of laughter as contagion.


Relational Thinking Styles is traced to Peirce’s phenomenology, his logic and concept of abduction. A process similar to Peirce’s descriptions of this phenomenological sort of proto-abduction is demonstrated and observed by means of the Davis Non-Verbal Assessment of inferencing styles. Noticing, or failing to notice, similarities and differences among things resides at the core of reasoning; all similarities and differences are discerned based upon the qualities of things, for there is no possibility of discernment without qualities to discern among. A mind cannot think about what it does not notice or has not previously noticed. Individuals become aware of similarities between things and ideas order and organize qualities, or properties, which distinguish one thing from another. Peirce’s practice of phenomenology as a whole comprises the qualitative core of reasoning. Since these three universal categories underlie the structure of Peirce’s philosophy as a whole, they underlie his logic as well. In particular, these phenomenological categories are essential for understanding his concept of abduction and, therefore, Peirce’s Logic.


2020 ◽  
pp. 291-291
Author(s):  
Michael Della Rocca

In making the Parmenidean Ascent, one transcends metaphysical distinctions and is freed from the illusions of relational thinking. This freedom from the burden of attempting to make our words and sentences match or correspond to an independent reality and to invest our thoughts with metaphysical significance promises to enable us finally to see the world aright as Wittgenstein would put it. This chapter—which is as far as possible freed from any distinctions— is an imperfect attempt to exhibit the spirit of play that comes with the freedom from relational metaphysical explanation.


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