scholarly journals Nonhuman Presence and Ontological Instability in Twenty-First-Century New York Fiction

2021 ◽  
pp. 71-88
Author(s):  
Lieven Ameel
Author(s):  
Tayler Zavitz ◽  
Corie Kielbiski

Popular media, both literature and film, provide a location in which animal suffering, resistance and solidarity are finally visible. An examination of Bong Joon-ho’s award-winning film Okja (2017) and Karen Joy Fowler’s New York Timesbest-selling novel We Are All Completely Beside Ourselves (2013) reveals complex media representations of animals that highlight the significance of twenty-first century media in depicting the animal in the human world.


Sign in / Sign up

Export Citation Format

Share Document