East-West Artistic Transfer through Rome, Armenia and the Silk Road

2021 ◽  
Author(s):  
Christiane Esche-Ramshorn
Keyword(s):  
Author(s):  
Valerie Hansen

The Silk Road refers to all the overland routes connecting the major oasis kingdoms of Central Asia including Dunhuang, Turfan, Khotan, and Samarkand to their neighbors: the Chinese landmass, the Mongolian grasslands, the Iranian plateau, and the Indian subcontinent. The best-known routes ran east-west, but the north-south routes to the nomadic states of the Asian grasslands were also important. In the popular view of the Silk Road, extensive camel caravans carried goods over long distances, but this was rarely the case. Usually peddlers carried mostly local goods short distances. Government shipments to provision armies profoundly affected the region’s economy, because they involved much larger quantities than in the peddler trade. Rulers regularly exchanged envoys who carried gifts, exchanges that continued even when private trade fell off. Whatever the reason for an individual’s trip, almost everyone—whether envoy, missionary, artist, craftsman, or refugee—bought and sold goods to pay for travel along the Silk Road. Silk was not the primary commodity traded on these routes. Goods traveling east included ammonium chloride, paper, silver, gold, glassware, and aromatics such as spices, incense, and fragrant woods. Goods traveling west out of China included bronze mirrors, other metal goods, and paper, in addition to silk. Between 300 and 1000 ce, the most important function of silk was as a currency, not as a trade good, although it remained an important export throughout the period. A vibrant series of cultural exchanges occurred alongside these commercial exchanges. Technologies, medicine, plants, music, and fashion all moved in both directions across Central Asia. Multiple religions also entered China during this time. The term Silk Road may not be the most accurate term for these commercial and cultural exchanges, but, despite its flaws, the term has secured a firm place in both scholarly works and the popular mind.


2019 ◽  
Vol 10 (1) ◽  
pp. 3-10 ◽  
Author(s):  
Magnus Marsden ◽  
Till Mostowlansky

The introduction to the Special Issue explores the relevance of the concept of West Asia for understanding connections between East Asia, Eurasia, and the Middle East. It seeks to go beyond the tendency in much scholarly work concerning regional connectivity in Asia to fixate on various permutations of the “Silk Road” or East–West ties more generally. We bring attention, rather, to the simultaneous significance of dense North–South connections that enable the interpenetration of varying parts of Asia and argue that West Asia is analytically helpful in bringing definition to such ties.


2019 ◽  
pp. 3-18
Author(s):  
Reinhard Strohm

The introduction first explains the relationship of the book to the discourse of the ‘Silk Road’, the western half of which is discussed here. It is differently related to Europe than the eastern one. The ‘music road’ metaphor emphasizes the historical and geographical flux of cultures across this region, justifying the keywords of diversity and yet, coherence in musical developments. The topics covered in the book are then gathered under three cultural paradigms: mobility, transmission in time, East–West imagination. The last-named is proposed as a more sensitive term for attitudes formerly subsumed under ‘orientalism’. An extended survey of the topic of all individual chapters reveals many different forms of transfers, connections, bridges and also disruptions in the musics of this special world region.


Diogenes ◽  
1995 ◽  
Vol 43 (171) ◽  
pp. 25-33
Author(s):  
James Hamilton
Keyword(s):  

Afghanistan ◽  
2019 ◽  
Vol 2 (2) ◽  
pp. 171-194
Author(s):  
Warwick Ball

The Silk Road as an image is a relatively new one for Afghanistan. It appeals to both the pre-Islamic and the perceived Islamic past, thus offering an Islamic balance to previous identities linked to Bamiyan or to the Kushans. It also appeals to a broader and more international image, one that has been taken up by many other countries. This paper traces the rise of the image of the Silk Road and its use as a metaphor for ancient trade to encompass all contacts throughout Eurasia, prehistoric, ancient and modern, but also how the image has been adopted and expanded into many other areas: politics, tourism and academia. It is argued here that the origin and popularity of the term lies in late 20th century (and increasingly 21st century) politics rather than any reality of ancient trade. Its consequent validity as a metaphor in academic discussion is questioned


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