The geopolitical context

2021 ◽  
pp. 30-54
Author(s):  
Spyros Katsoulas
Keyword(s):  
2021 ◽  
pp. 47-57
Author(s):  
Maksim Vaskov

The purpose of the article is to consider various historical and political aspects that form the geopolitical context of Russian-Armenian relations. The author tried to take into account the factors that appeared as the consequences of Azerbaijan's aggression and the results of the Second Artsakh War. Using the methods of factorial and system analysis the article studies various combinations of interaction between states, both directly located in the region and being global political players for which political processes in the Transcaucasia are only a part of more global political projects. The existing system of political relations is distinguished by instability and the formation of a new system of political and military risks. All participants in political relations have reasons to seek complications in Russian-Armenian relations. There are also threats for them in the context of the domestic policy of Russia and Armenia. Overcoming these negative phenomena is a condition for the preservation and development of statehood in both Russia and Armenia. The development of a negative scenario will lead to new military conflicts and systemic crises of the entire Greater Caucasus.


Author(s):  
Linnie Blake

This chapter engages with the geopolitical context of the Gothic’s migration from the periphery to the fast-beating heart of popular culture – specifically the rise to economic and cultural predominance of global neoliberalism. I contend that the Gothic texts of the neoliberal age can be seen to undertake the same kind of cultural work that was carried out by the Gothic mode in earlier periods of socio-economic turbulence. And, as in earlier periods, we can see a variety of ideological allegiances at play in Gothic texts of the neoliberal age – ranging from the revolutionary to the radical to the downright reactionary. The chapter ranges across texts and media including novels – i.e. Justin Cronin’s The Passage (2010), Hemlock Grove (2013–15), The Strain (2012–17), True Blood (2008–14), World War Z (2006) and In the Flesh (2013–14).


Author(s):  
P.J. Blount

This chapter argues that the Outer Space Treaty contains, in addition to its legal content, ethical content. The chapter then analyzes the text of the treaty to reveal this ethical content and connect it to the twin goals of the peaceful uses of outer space (found in international space law) and the maintenance of international peace and security (found in general international law). The analysis contends that, while the ethical content of the Outer Space Treaty does not create hard legal obligations, it does inform the nature of the legal content of the norms set out by the treaty. Finally, this chapter will also evaluate how the ethics deployed by the treaty have fared in the contemporary geopolitical context.


Author(s):  
Cameron D. Jones

Chapter two focuses on the events surrounding the Juan Santos Atahualpa Rebellion. Specifically, it examines how the viceregal government ultimately failed to support Ocopa against the rebels. It narrates the initial expulsion and murder of the Ocopa friars and the unsuccessful attempt by local militia to end the rebellion quickly. The chapter then looks at the larger geopolitical context of the rebellion examining how the Lima earthquake and tsunami ultimately shaped the viceroy’s decision to abandon attempts to dislodge Juan Santos from Ocopa’s missions. At the same time, chapter two uncovers the role that Ocopa’s support for one of their former missionaries, Friar Calixto, played in kindling the viceroy’s animosity toward the College. It ultimately argues that the viceroy ordered military efforts against Juan Santos abandoned, not because of strategic concerns, but to limit the influence of Ocopa, which he saw as a threat to royal authority.


ARTMargins ◽  
2019 ◽  
Vol 8 (3) ◽  
pp. 97-114
Author(s):  
Hiba Kalache

The series of drawings, Encounters – ongoing stems from chance meetings on leisurely road trips around the mountains of Lebanon. The drawings act as markers of my conversations with landowners, farmers, and people directly working in the fields. The formal particularities of drawing, and specifically the use of ink washes, allows for an approach that is both intuitive and intentional. This approach reproduces the spontaneity of these accidental or brief exchanges with people who have a vested interest in Lebanese land. Each conversation is represented by a simple tree branch, or a fragment of a (flowering) plant, belonging to the site and moment the encounter took place. This fragment indexes an encounter in which the farmer's story, experience, or relationship to the land and its borders was shared. Excerpts from our exchanges are also hand-written in Arabic on the picture plane. In the directness of the creative process, and the abstraction of the conversations, this project alludes to, and yet blurs, the sectarian divisions upon which the ownership of land is based, as well as a present geopolitical context. What I share is the marking of unplanned encounters through the representations of fragmented personal accounts along specific terrains and borders.


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