Tang Teaching Museum and Art Gallery Saratoga Springs, New York, USA Antoine Predock Architect

2015 ◽  
Vol 1 ◽  
Author(s):  
Francesco Spampinato

During the past few years, New York has seen the restaging of two groundbreaking underground art exhibitions, originally organized in 1980 by Lower East Side-based collective Colab: The Real Estate Show and The Times Square Show. The former, which took place illegally on New Year’s Eve in a vacant, city-owned building at 125 Delancey Street—and was shut down by the police after few hours—was restaged in Spring 2014 at four Downtown venues: James Fuentes Gallery, Cuchifritos, The Lodge Gallery, and ABC No Rio. The latter was organized in a disused Times Square massage parlor and restaged in Fall 2012 at Hunter College’s Bertha and Karl Leubsdorf Art Gallery.


Alive Still ◽  
2019 ◽  
pp. 59-70
Author(s):  
Cathy Curtis

In 1956, Nell joined the new Poindexter Gallery. Reviewers praised her first show. The following year, she was awarded a residency at Yaddo (the artists’ colony in Saratoga Springs, New York), meeting poets Jane Mayhall and May Swenson. Afterward, she traveled to Mexico City and Oaxaca, where she worked at night by the light of an oil lamp. On her return, she spent several weeks at the MacDowell Colony in New Hampshire, followed by another stay at Yaddo in December, when her fellow residents were poets Barbara Guest and Jean Garrigue. Nell spent the summer of 1958 in a rented studio in Gloucester. It was there that ARTnews writer Lawrence Campbell visited her to write a major piece about her work on Harbor and Green Cloth, illustrated with photographs by her friend Rudy Burckhardt. A second version of this painting was purchased by the Whitney Museum of American Art.


Collections ◽  
2017 ◽  
Vol 13 (2) ◽  
pp. 91-102
Author(s):  
Janet Butler Munch

A popular photographic exhibit on childhood, originally featured in the Lehman College Art Gallery in the Bronx, New York, was brought to life two decades later through a library digitization grant. The website Childhood in the Bronx ( http://www.lehman.edu/library/childhood-bronx/home.htm ) features 61 photographs of boys and girls with family or friends, at play, on streets, and in parks, schools, shelters, hospitals, and other locales. Oral history sound excerpts about their childhood, not heard in the original exhibit, complement the 18 vintage photographs shown. The combination of images with the spoken word enhances the user's sensory experience with deeper meaning and enjoyment. This article discusses how the project was accomplished and what can be learned from the Lehman digitization team's experience.


1969 ◽  
Vol 44 (9-10) ◽  
pp. 656-657
Author(s):  
Ralph Gosse
Keyword(s):  
New York ◽  

2021 ◽  
Author(s):  
Jennifer Roger

In 1975, two landscape photography exhibitions were held concurrently in upstate New York; Era of Exploration: The Rise of Landscape Photography in the American West, 1860-1885, at Buffalo's Albright-Knox Art Gallery and New Topographics: Photographs of a Man-altered Landscape, at the International Museum of Photography at the George Eastman House, in Rochester (now The George Eastman International Museum of Photography and Film). Era of Exploration treated nineteenth-century landscapes of the American West while New Topographics addressed contemporary landscape practices. Though applying fundamentally different approaches to their subject matter, each exhibition proved to be extremely important to the understanding and development of not only landscape photography, but also the genre's place in photographic history. This thesis examines the essential literature relating to these two landmark exhibitions, through the construction of two extensive annotated bibliographies. Each bibliography comprises nine sections that present and evaluate significant materials, published both before and after the exhibition, relating to the exhibitions and their publications, the included photographers, and the exhibitions' influence as revealed in subsequent specialized studies and general histories of photography. The bibliographies' chronological listing allows readers to re-construct the exhibitions, and to trace the development of historical and curatorial interest in the exhibitions, the photographers, and American western landscape photography. The thesis describes the process of compiling and annotating this literature and offers reflections on how these two important exhibitions, while employing very different curatorial approaches, influenced the aesthetics, methodologies and concepts of landscape photography.


Author(s):  
Stephen Monteiro

Robert Rauschenberg’s White Paintings have been interpreted as enigmatic “blank slates” that question the meaning of painting and the gallery experience. First shown in New York in 1953, at the same time that widescreen cinema was launched with the CinemaScope film The Robe, the White Paintings created a dialogue between movie theatre and art gallery as places of popular spectacle. Despite the competing aesthetic claims of modernist painting and widescreen cinema in mid-twentieth-century America, both addressed the spectator as active participant. Ideas of “action painting” competed with attempts at producing screen action requiring a ranging eye. This chapter demonstrates how, at the moment Hollywood sought to promote movie-going as a “serious”, engrossing art form through widescreen picture formats, Rauschenberg sought to relegate painting to a supporting role in the activity of the everyday as shadows of the surrounding world would move across it screen-like surface.


2015 ◽  
Vol 7 ◽  
pp. 89-92
Author(s):  
Gábor Takács
Keyword(s):  
New York ◽  

Bánó, András. 2013. Észbontó élet: Kövesdy Pál regényes története. A ’30-as évek megpróbáltatásaitól kezdve az ukrajnai szörnyűségeken át a New York-i galériáig (A Ravishing Life – the Novelized History of Pál Kövesdy from the 1930s Tribulations, through Horrors in The Ukraine, to his New York Art Gallery). Budapest: Scolar Kiadó. 160 pp.Reviewed by Gábor Takács, art historian, Budapest


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