The ICC negotiations of war rape and forced marriage

Author(s):  
Hannah Baumeister
Keyword(s):  
2018 ◽  
Vol 74 (6) ◽  
Author(s):  
Dzhansarayeva Rima Yerenatovna ◽  
Malikova Sholpan Baltabekovna ◽  
Atakhanova Gulzagira Makhatovna ◽  
Tlepbergenov Orynbasar Nusupaliyevich ◽  
Omarova Sholpan Bekmuratovna ◽  
...  

2021 ◽  
pp. 1-23
Author(s):  
ÁNGEL ALCALDE

Abstract By examining the experience of rape in Spain in the 1930s and 1940s, this article explains how the Spanish Civil War and Franco's dictatorship dramatically increased the likelihood of women becoming victims of sexual assault. Contrary to what historians often assume, this phenomenon was not the result of rape being deliberately used as a ‘weapon of war’ or as a blunt method of political repression against women. The upsurge in sexual violence was a by-product of structural transformations in the wartime and dictatorial contexts, and it was the direct consequence, rather than the instrument, of the violent imposition of a fascist-inspired regime. Using archival evidence from numerous Spanish archives, the article historicizes rape in a wider cultural, legal, and social context and reveals the essential albeit ambiguous political nature of both wartime and post-war rape. The experience of rape was mostly shaped not by repression but structural factors such as ruralization and social hierarchization, demographic upheavals, exacerbation of violent masculinity models, the proliferation of weapons, and the influence of fascist and national-Catholic ideologies. Rape became an expression of the nature of power and social and gender relations in Franco's regime.


Religions ◽  
2021 ◽  
Vol 12 (5) ◽  
pp. 310
Author(s):  
Alicia Izharuddin

What accounts for the endurance of forced marriage (kahwin paksa) narratives in Malaysian public culture? How does one explain the ways popular fascination with forced marriage relate to assumptions about heteronormative institutions and practices? In a society where most who enter into marriages do so based on individual choice, the enduring popularity of forced marriage as a melodramatic trope in fictional love stories suggests an ambivalence about modernity and egalitarianism. This ambivalence is further excavated by illuminating the intertextual engagement by readers, publishers and booksellers of Malay romantic fiction with a mediated discourse on intimacy and cultural practices. This article finds that forced marriage in the intimate publics of Malay romance is delivered as a kind of melodramatic mode, a storytelling strategy to solve practical problems of experience. Intertextual narratives of pain and struggle cast light on ‘redha’ (submission to God’s will) and ‘sabar’ (patience), emotional virtues that are mobilised during personal hardship and the challenge of maintaining successful marital relations. I argue that ‘redha’ and ‘sabar’ serve as important linchpins for the reproduction of heteronormative institutions and wifely obedience (taat). This article also demonstrates the ways texts are interwoven in the narratives about gender roles, intimacy, and marital success (or lack thereof) and how they relate to the modes of romantic melodrama.


2021 ◽  
pp. 1-18
Author(s):  
Núria Torres ◽  
Carolina Villacampa
Keyword(s):  

1994 ◽  
Vol 35 (7) ◽  
pp. 2-2
Author(s):  
David M Schneider
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document