Foreign Languages and the Arts

2017 ◽  
pp. 121-132
Author(s):  
Joanna Wojdon
Keyword(s):  
2021 ◽  
pp. 136-147
Author(s):  
Thomas E. Schindler

This chapter reviews Esther Lederberg’s life in music. Researchers who study multiple intelligences have observed an overlap between musical and linguistic intelligence. Esther Lederberg’s mastery of foreign languages would have given her confidence to independently master the recorder. Her enthusiasm for music resonated with her French colleagues, Jacob and Monod, at the Institut Pasteur. Probably the most famous musician/scientist of the twentieth century was Albert Einstein, who admitted that if he hadn’t become a physicist, he would have become a musician. In the 1960s, Early Music—of the Renaissance and Baroque eras—enjoyed an international revival. In 1962, Esther Lederberg and some like-minded amateur musicians founded the Mid-Peninsula Recorder Orchestra (MPRO). She performed with the MPRO for over forty years. This shift in her social circle marked a new phase of personal growth toward music and the arts. Drawn together by a shared passion for music, Matthew Simon and Esther Lederberg married in 1993.


1997 ◽  
Vol 22 (1) ◽  
pp. 34-37
Author(s):  
Olga Sinitsyna

Confronted by enormous financial problems in the late 1980s, many Russian libraries were obliged to find ways of earning money in order to survive and to maintain their collections. The State Library for Foreign Literature was one of the first to break out of the stranglehold imposed by Lenin’s ideal, ‘Libraries - free of charge for everyone’. The Arts Department led the way to the introduction of paid services, over and above basic library services which remain free. Paid services include picture research, special loans, and photocopying, but also classes for children in foreign languages and art to supplement education in school, and courses for trainee teachers. Fees are reduced or even waived to ensure that services are accessible to those on low incomes.


Author(s):  
Cecil E. Hall

The visualization of organic macromolecules such as proteins, nucleic acids, viruses and virus components has reached its high degree of effectiveness owing to refinements and reliability of instruments and to the invention of methods for enhancing the structure of these materials within the electron image. The latter techniques have been most important because what can be seen depends upon the molecular and atomic character of the object as modified which is rarely evident in the pristine material. Structure may thus be displayed by the arts of positive and negative staining, shadow casting, replication and other techniques. Enhancement of contrast, which delineates bounds of isolated macromolecules has been effected progressively over the years as illustrated in Figs. 1, 2, 3 and 4 by these methods. We now look to the future wondering what other visions are waiting to be seen. The instrument designers will need to exact from the arts of fabrication the performance that theory has prescribed as well as methods for phase and interference contrast with explorations of the potentialities of very high and very low voltages. Chemistry must play an increasingly important part in future progress by providing specific stain molecules of high visibility, substrates of vanishing “noise” level and means for preservation of molecular structures that usually exist in a solvated condition.


PsycCRITIQUES ◽  
2007 ◽  
Vol 52 (31) ◽  
Author(s):  
Paul J. Silvia
Keyword(s):  

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