Adult Education Theory and Practice – A Feminist Critique*

2017 ◽  
pp. 76-89
Author(s):  
Ilhan Kucukaydin ◽  
Patricia Cranton

Formal courses in adult education are most often housed within schools or faculties that include other disciplines such as teacher education, psychology, or training and development. Adult educators teaching these courses may feel obligated to follow the procedures and practices of the institution as well as of the programs with which they are associated. This creates a set of paradoxes and conflicts that are rarely addressed. Adult educators working in formal contexts teach about critical pedagogy and democratic practices without engaging in those practices themselves. This article advocates a participatory learning model based on the historical foundations of adult education theory and practice. The authors explore teaching as a subversive activity, hegemony, critical pedagogy, and power relations. The authors then discuss implications for practice in formal contexts.


2014 ◽  
pp. 1865-1877
Author(s):  
Ilhan Kucukaydin ◽  
Patricia Cranton

Formal courses in adult education are most often housed within schools or faculties that include other disciplines such as teacher education, psychology, or training and development. Adult educators teaching these courses may feel obligated to follow the procedures and practices of the institution as well as of the programs with which they are associated. This creates a set of paradoxes and conflicts that are rarely addressed. Adult educators working in formal contexts teach about critical pedagogy and democratic practices without engaging in those practices themselves. This article advocates a participatory learning model based on the historical foundations of adult education theory and practice. The authors explore teaching as a subversive activity, hegemony, critical pedagogy, and power relations. The authors then discuss implications for practice in formal contexts.


1993 ◽  
Vol 83 (6) ◽  
pp. 352-354
Author(s):  
PG Bashook

Residency education has an interesting history in the US that speaks clearly about some of the cherished beliefs still perpetuated in today's residency training programs. The history also provides a foundation for considering how the current knowledge of adult education theory and practice can be incorporated into residency education programs. The author presents a brief overview of the history of residency education in the US followed by a recommendation for applying a conception of adult learning to residency education.


2019 ◽  
Vol 11 (1) ◽  
Author(s):  
Margaret Kovach ◽  
Harpell Monty Montgomery

This article begins with a critical examination of adult education theory and practice and its engagement (or lack) with Indigenous knowledges and communities. In doing so, the article reveals the contradictions of early citizenry adult education that sought to bring educational programs to the people without a critical examination of the western hegemonic orientation of such programming. The critique then moves to a discussion of transformative learning within adult education emerging in the late 1970s. In tracing the evolution of adult education theory and practice, the critique asks the questions: “Access to what kind of adult education?, and” “For what purposes?” The article then moves to the present and explores contemporary distance education, with an emphasis on online learning that may be aimed at Indigenous adult learners. In particular, the article explores the possibilities of online distance learning to not only bring educational programming to Indigenous communities and thereby building upon the social justice imperative of accessibility, but also to design decolonizing curricula that engages Indigenous knowledges and upholds oral culture. 


2017 ◽  
Vol 34 (3) ◽  
pp. 259-276
Author(s):  
Ana Luísa Veloso

This study aims to provide new insights on the nature of the embodied and collaborative processes related to the emergence of new musical ideas that occur when children are composing in groups.Data was obtained by participant observation of the teacher/researcher and by ten videotaped one-hour musical sessions dedicated to the development of a music composition by two groups of children, all of whom were eight years old.It was found that when composing in groups a) children use embodied processes to transform what they experience on diverse realms of their existence into musical ideas, and that b) while creating music, children engage in several improvisatory moments where new ideas emerge through the diverse ways they enact the surroundings where the activity is occurring. Findings suggest a conception of music composing as a multidimensional phenomenon that entails cognitive processes that are distributed across and beyond the physical body. Findings also suggest that composing music in collaboration with others nurtures a set of creative possibilities that would otherwise, not occur. Considerations for music education theory and practice are addressed in the last section of the article.


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