The Black Feminist Theatre of Glenda Dickerson

2018 ◽  
pp. 180-185
Author(s):  
Yaya Long Khalid
Keyword(s):  
Black Feminist ◽  
Feminist Theatre

scholarly journals Song as a Register for Black Feminist Theatre-Making Aesthetic

2021 ◽  
Vol 21 (1) ◽  
Author(s):  
Refiloe Lepere
Keyword(s):  
South Africa ◽  
Black Women ◽  
Everyday Life ◽  
Knowledge Production ◽  
Domestic Workers ◽  
Black Feminist ◽  
Feminist Theatre ◽  
Marginalised Groups ◽  
Women In Theatre ◽  
The Creation

This article looks at the play, Dipina tsa Monyanyako, which was made with a group of domestic workers in South Africa. The article explores how song is used as a strategy to locate ways of creating and making in South Africa. Song therefore registers a historical way of imagining and how marginalised groups; women have written themselves into history. The production is a creative conversation where song is used to express care and anger in everyday life. Current approaches to knowledge production are inadequate in capturing song, poetics, and interpreting the forms of performances black women engage. The article makes a case for song as a form of black feminist theatre-making aesthetic. Using Dipina tsa Monyanyako, I argue that songs, silence, sighs have important methodological implications for arts-based processes and research. In post-apartheid South Africa, performances are characterized by constant aesthetic reinvention. From precolonial expressions of life to protest theatre, performance aesthetics have been a way of revealing everyday life and struggles. For black women, theatre becomes the meeting place of the expression of their lives and a space of reflection and analysis of those lives, even though, historically, the presence of black women in theatre has been minimal. The creation of Dipina tsa Monyanyako allowed for the emergence of women as empowered subjects, and song became a portal for collective transformation.

Fractured Borders: Women's Cancer and Feminist Theatre

NWSA Journal ◽  
2003 ◽  
Vol 15 (2) ◽  
pp. 1-26 ◽  
Author(s):  
Mary K. Deshazer
Keyword(s):  
Feminist Theatre

scholarly journals Poetry as Praxis + “Illumination”: Toward an Epistemically Just Health Promotion for Resistance, Healing, and (Re)Imagination

2021 ◽  
Vol 22 (1_suppl) ◽  
pp. 20S-26S
Author(s):  
Ryan J. Petteway
Keyword(s):  
Climate Change ◽  
Health Promotion ◽  
Feminist Theory ◽  
Black Feminist Theory ◽  
Structural Racism ◽  
Black Feminist ◽  
Police Violence ◽  
Creative Power ◽  
Critical Scholarship ◽  
A Site

Health promotion is facing a most challenging future in the intersections of structural racism, COVID-19 (coronavirus disease 2019), racialized police violence, and climate change. Now is a critical moment to ask how health promotion might become more responsive to and representative of people’s daily realities. Also how it can become a more inclusive partner in, and collaborative conduit of, knowledge—one capable of both informing intellects and transforming hearts. It needs to feel the pulse of the “fierce urgency of now,” and perhaps nothing can reveal this pulse more than the creative power of art—especially poetry. Drawing from critical and Black feminist theory, I use commentary in prose to conceptualize and call for an epistemically just health promotion guided by poetry as praxis—not just as method. I posit that, as praxis rooted in lived realities, poetry becomes experiential excavation and illumination; a practice of community, communion, and solidarity; a site and source of healing; and a space to create new narratives of health to forge new paths toward its promotion. I accordingly suggest a need to view and value poetry as a critical scholarship format to advance health promotion knowledge, discourse, and action toward a more humanized pursuit—and narrative—of health equity.

Romantic (In)Justice: Criminal-Legal System-Impacted Black Women’s Romantic Relationship Status and Quality

2021 ◽  
pp. 155708512110194
Author(s):  
Allison E. Monterrosa
Keyword(s):  
Black Women ◽  
Working Class ◽  
Legal System ◽  
Romantic Relationship ◽  
Qualitative Interviews ◽  
Relationship Status ◽  
Black Feminist ◽  
Psychological Strain ◽  
System Data ◽  
Criminal Legal System

This study of working class, heterosexual, criminal-legal system-impacted Black women described the women’s romantic histories and current romantic relationship statuses in terms of commitment, exclusivity, and perceived quality. Using intersectional research methods, qualitative interviews were conducted with 31 Black women between the ages of 18 and 65 years who were working class, resided in Southern California, and were impacted by the criminal-legal system. Data were analyzed using an intersectional Black feminist criminological framework and findings revealed six types of relationship statuses. These relationship statuses did not live up to the women’s aspirations and yielded disparate levels of emotional and psychological strain across relationship statuses.

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