Jewish Identity, Discrimination and Anti-Semitism in Three Countries

2019 ◽  
pp. 211-231
Author(s):  
Monica Savulescu-Voudouris ◽  
Camil Fuchs
Author(s):  
Robert Aaron Kenedy

Through a case study approach, 40 French Jews were interviewed revealing their primary reason for leaving France and resettling in Montreal was the continuous threat associated with the new anti-Semitism. The focus for many who participated in this research was the anti-Jewish sentiment in France and the result of being in a liminal diasporic state of feeling as though they belong elsewhere, possibly in France, to where they want to return, or moving on to other destinations. Multiple centred Jewish and Francophone identities were themes that emerged throughout the interviews.


Author(s):  
Irmina Jaśkowiak

Identity construction is one of the fundamental human needs. The process takes place in two areas simultaneously: internal, self-reflexive and external, associated with a sense of belonging to a particular group. The Jews, until the beginning of the nineteenth century constituted quite uniform society voluntarily separating themselves from other communities. As a result of emancipation and assimilation processes, various influences affect their identity. As a consequence the Jews faced two difficulties. The first one was the dilemma between own nation and territorial homeland while the other was the progressing deep internal divisions. At present Jewish identity is most of all national and ethnical identity strongly reinforced by historical memory and fight with anti-Semitism. After the period of the twentieth century crisis and in the light of the western world secularization it has become also cultural identity.Identity construction is one of the fundamental human needs. Theprocess takes place in two areas simultaneously: internal, self-reflexiveand external, associated with a sense of belonging to a particulargroup. The Jews, until the beginning of the nineteenth century constitutedquite uniform society voluntarily separating themselves fromother communities. As a result of emancipation and assimilation processes,various influences affect their identity. As a consequence theJews faced two difficulties. The first one was the dilemma betweenown nation and territorial homeland while the other was the progressingdeep internal divisions. At present Jewish identity is most of allnational and ethnical identity strongly reinforced by historical memoryand fight with anti-Semitism. After the period of the twentieth centurycrisis and in the light of the western world secularization it hasbecome also cultural identity.


Author(s):  
Gavin D'Costa

Chapter 5 examines the confusion in Catholic teachings regarding mission to the Jewish people. The chapter establishes various reasons for this confusion: lack of a consensual reading of St Paul on this matter; concern that Catholics show sensitivity to a long history of anti-Semitism; distancing of Catholic approaches from recent aggressive evangelical approaches to Judaism; and the recognition that destroying Jewish identity in conversion is unacceptable. On this basis, drawing on recent Vatican documents, it is argued that Hebrew Catholic communities are a witness to the non-eradication of Jewish identity while following Jesus. This view will be problematic for Catholics and Jews but is already grounded in the Church’s new and emerging position.


Author(s):  
Janice Ross

A Russian dancer and choreographer, Leonid Veniaminovich Yakobson choreographed for the Kirov and Bolshoi ballets from 1930 to the early 1970s, during which time he emerged as a powerful voice of Soviet ballet modernism. Based in St. Petersburg, his creative roots stretched back to the 1920s, a period of artistic experimentation when classical ballet developed exciting new movement vocabularies. He continued to explore and extend these influences until the 1970s, creating numerous short-format works—called ballet miniatures—that often used grotesque, athletic, or pantomimic movements to address social, dramatic, or erotic subjects with narrative clarity and concision. He favored original music, often in a contemporary style, believing that distinctive forms of music elicited an individual choreographic response. Among his most notable works were his full-length Spartacus (1956/1962)—which discarded the lifts and pointe work of traditional ballet language and featured characters who were fully developed psychologically—and Exercise XX (1972), a dance that verged on abstraction. In 1969, he founded Choreographic Miniatures, the first Soviet ballet company since the 1920s with a repertoire of original choreographic works by a single choreographer. Jewish by birth, Yakobson held onto his Jewish identity culturally as religious observance was effectively prohibited. During years of aggressive anti-Semitism, he created six ballets on Jewish themes; the first, Jewish Dance (1949), he created at a time when Jews were being actively persecuted.


2020 ◽  
Vol 35 (2) ◽  
pp. 175-203
Author(s):  
Hilla Dayan ◽  
Anat Stern ◽  
Roman Vater ◽  
Yoav Peled ◽  
Neta Oren ◽  
...  

Yael Berda, Living Emergency: Israel’s Permit Regime in the Occupied West Bank (Stanford, CA: Stanford Briefs, 2018), 152 pp. Paperback, $14.00. Randall S. Geller, Minorities in the Israeli Military, 1948–58 (Lanham, MD: Lexington Books, 2017), 238 pp. Hardback, $100.00. eBook, $95.00. Yaacov Yadgar, Israel’s Jewish Identity Crisis: State and Politics in the Middle East (Cambridge: Cambridge University Press, 2020), 226 pp. Paperback, $26.99. Kindle, $16.99. Ian S. Lustick, Paradigm Lost: From Two-State Solution to One-State Reality (Philadelphia: University of Pennsylvania Press, 2019), 232 pp. Hardback, $27.50. Ilan Peleg, ed., Victimhood Discourse in Contemporary Israel (Lanham, MD: Lexington Books, 2019), 222 pp. Hardback, $90.00. Sarah S. Willen, Fighting for Dignity: Migrant Lives at Israel’s Margins (Philadelphia: University of Pennsylvania Press, 2019), 344 pp. Hardback, $89.95. As’ad Ghanem and Mohanad Mustafa, Palestinians in Israel: The Politics of Faith after Oslo (Cambridge: Cambridge University Press, 2018), 206 pp. Paperback, $29.99. Daniel G. Hummel, Covenant Brothers: Evangelicals, Jews, and U.S.-Israeli Relations (Philadelphia: University of Pennsylvania Press, 2019), 352 pp. Hardback, $49.95. Cary Nelson, Israel Denial: Anti-Zionism, Anti-Semitism, and the Faculty Campaign Against the Jewish State (Bloomington: Indiana University Press, 2019), 658 pp. Hardback, $45.00. Kindle, $7.99. Letters to the Editors


Author(s):  
Camille Naish

This chapter takes as its point of departure a curious scene in Sodom and Gomorrah in which a fountain maliciously drenches a society lady, almost raping her in the sight of a bluff, guffawing Grand Duke. Critics have long pondered the significance of the incident. So far, no one has suggested as a possible influence the title of Machaut’s La Fonteinne Amoureuse, an edition of which appeared in Paris in 1908 just as Marcel Proust was beginning work on the texts that developed into In Search of Lost Time. While this hypothesis cannot be proved beyond all doubt, one cannot fail to be struck by a number of similarities between the Proust and Machaut texts: both feature insomniac first-person narrators who produce self-fertilizing narratives displaying a high degree of reflexivity. Both narrators must overcome modest backgrounds as they seek to rise in society. The chapter suggests that Proust, intrigued by the idea of an “amorous” fountain, half-remembered and literalized it—but then occluded the fascinating source, inhibited by a complicated nexus of feelings involving his gay, half-Jewish identity, his addiction to onanism, Machaut’s occasionally anti-semitic diatribes and the rampant anti-semitism of Paris society in the Dreyfus era.


2021 ◽  
pp. 89-116
Author(s):  
Doris Kadish

This chapter considers how Rahv’s Marxism and anti-Stalinism shaped his timid response to fascism. It presents the loosening of his ties with Marxism and move toward the American identity manifest in “Paleface and Redskin,” which divided American writers into plebian redskins (Steinbeck, Dreiser) and patrician palefaces (Eliot, James). The muted response to the Holocaust by major newspapers, the Roosevelt administration, and Jewish groups sets the stage for a discussion of how Partisan Review responded, including publishing Eliot despite his alleged anti-Semitism. A discussion of the complexities of Rahv’s marital status and military record is followed by a consideration of “Under Forty,” essays on Jewish identity by eleven young Jewish writers which Rahv published as editor of Contemporary Jewish Record in February 1944 and which reflected his evolving identity as an American Jew. The chapter closes with reactions to the Holocaust—by Rahv, New York intellectuals, and in my own life.


Author(s):  
Carolyn J. Dean

This chapter discusses the general effort of French intellectuals after the 1980s to define victims and the experience of victimization in a new cultural context. Among many scholars and critics in France, Jews, the particularity of whose sufferings under the Vichy regime and in the Holocaust were only belatedly recognized, have been increasingly associated with victims and a hyperbolic rhetoric of victimization. The sustained attention paid in the last two decades both to Vichy's crimes against Jews and to the Holocaust itself in speeches, commemorative rituals, trials, and television shows led not only to an association of Jewish identity with collective injury, but also, to a French backlash against too much Jewish memory. French journalist and writer Nicolas Weill uses the term “Holocaust Fatigue” to describe the same phenomenon, and views it as the “probable cause” of public apathy when anti-Semitism allegedly resurged in France between 2000 and 2002.


1999 ◽  
Vol 1 (2) ◽  
pp. 175-194 ◽  
Author(s):  
Peter L. Rudnytsky

Freud's case of Little Hans occupies a crucial position in his elaboration of the Oedipus complex. This paper calls into question the universality of Freud's paradigm from the standpoint of race by excavating submerged countertransferential features of the text. A 1942 paper by Max Graf, Little Hans's father, reveals both that Freud gave the boy a birthday gift of a rocking horse and was responsible for the decision to raise him as a Jew (and hence to have him circumcised). Freud's gift bears an obvious connection to Hans's phobia, but he makes no mention of it in his case history. Nor does he disclose that the boy is Jewish; only in a footnote does he touch on the theme of Jewishness when he ascribes anti-Semitism to the castration complex. Freud's effacing of Hans's Jewish identity is an attempt to efface his own, but when Freud calls the Oedipus complex his ‘shibboleth,’ his choice of a Greek hero as the representative of humanity is undercut by the reminder of Jewish difference.


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