The Analog Tape Recorder

2017 ◽  
pp. 175-193
Author(s):  
David Miles Huber ◽  
Robert E. Runstein
Keyword(s):  
2005 ◽  
Vol 15 ◽  
pp. 28-35 ◽  
Author(s):  
David Toop

The author considers the importance of the voice as a transformative instrument in 20th-century art, particularly in relation to the tape recorder and digital audio technology. He examines his collaborative work with sound poet Bob Cobbing in the 1970s and compares this with a recent gallery installation created with artist John Latham. Research from the 1970s into acoustic voice masking and resonance is contrasted with the use of analog tape process-ing and the sonic potential of computer audio software programs both in studio work and in improvised performance. Finally, the author discusses the implications of these con-frontations between body and machine.


1969 ◽  
Vol 17 (5) ◽  
pp. 224-231
Author(s):  
Shigeru TSUTSUI ◽  
Katsuji YAMASHITA ◽  
Shigeo MINAMI
Keyword(s):  

Author(s):  
Adrián García Riber

In an attempt to contribute to the constant feedback existing between science and music, this work describes the design strategies used in the development of the virtual synthesizer prototype called Sonifigrapher. Trying to achieve new ways of creating experimental music through the exploration of exoplanet data sonifications, this software provides an easy-to-use graph-to-sound quadraphonic converter, designed for the sonification of the light curves from NASA’s publicly-available exoplanet archive. Based on some features of the first analog tape recorder samplers, the prototype allows end-users to load a light curve from the archive and create controlled audio spectra making use of additive synthesis sonification. It is expected to be useful in creative, educational and informational contexts as part of an experimental and interdisciplinary development project for sonification tools, oriented to both non-specialized and specialized audiences.


2016 ◽  
Vol 13 (1) ◽  
Author(s):  
Jupriaman Jupriaman ◽  
Sri Minda Murni

The objectives of this study were to describe the classroom discourse structure, to describe how the classroom discourse is realized by teacher and students and the reasons for the realizations of the ways they are. The source of the data was English teacher and the students while the data are verbal and non verbal utterances of students and teachers. The instruments for collecting data were video tape recorder and researcher’s field note. The data were collected by observing and recording the utterances uttered by the teacher and students. The findings showed that the classroom discourse structures were dominantly realized by Initiation and Response (IR) structure. It was reflected in teacher direct, elicit and information exchanges was found that the classroom discourse structures. The other exchanges occur are boundary (framing and focusing move), directive, informing, check, accept, react, reply, nomination, marker, bid and conclusion acts. The reasons why the realization as the ways they are (1) teacher as a centre of interaction, (2) teacher gives some questions without any caring to the evaluation, appreciation and feedback without any feedback to make dialogue, (3) students have been disciplined not to speak in classes without a teacher’s direction, and most of them are unwilling to speak English.   Keywords: Classroom Discourse Structures, Initiation and Response, Sinclair and Coulthard Theory


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