Faktor Pendukung dan Penghambat Peran Pendampingan Suami Terhadap Isteri Pada Masa Kehamilan dan Persalinan

Pendahuluan; peran pendampingan suami masih menjadi masalah sosio-medis baik pada tingkat global maupun pada tingkat nasional dan lokal. Tujuan; mengkaji faktor-faktor pendukung dan penghambat peran pendampingan suami terhadap isteri pada masa kehamilan dan persalinan. Metode; metode deskriptif kualitatif, eksploratif dan studi fenomenologi. Sumber data adalah data primer dan sekunder. Teknik pengumpulan data meliputi observasi, interview dan dokumentasi. Instrumen utama penelitian adalah penulis sendiri, dengan didukung pedoman wawancara, melakukan pencatatan, perekaman dan validasi data, dan peralatan pencatatan lapangan tape recorder, kamera digital Model analisis data dilakukan secara interaktif dan berlangsung secara terus menerus sampai tuntas. Rangkaian prosesnya mencakup reduksi data, penyajian data, dan verifikasi data. Hasil; bahwa struktur sosial, aktor sosial (meliputi empati, persepsi positif, motivasi, nilai-nilai kepercayaan, sikap, kompetensi sosial, dan perilaku sosial), dukungan keluarga, perubahan-perubahan multidimensional pada isteri, kebutuhan pemecahan masalah dan konflik, kesemuanya merupakan faktor pendukung. Sedangkan waktu, ruang, pekerjaan, persepsi yang negatif, frekuensi kehamilan dan bersalin, kebijakan tempat kerja, kebijakan di pusat pelayanan kesehatan, dan perilaku isteri adalah faktor-faktor penghambat. Kesimpulan; bahwa faktor pendukung peran pendampingan suami terhadap isteri selama masa kehamilan hingga persalinan adalah: nilai dan norma sosial; faktor social, dukungan keluarga; perubahan multidimensional pada isteri; dan kebutuhan pemecahan masalah dan konflik

Effektifitas Media Audio terhadap Media Visual untuk Peningkatan Pengetahuan Mahasiswa Tentang HIV/AIDS di Ambon

Penyakit AIDS (Acquired Immunodeficiency Syndrome) merupakan suatu syndrome / kumpulan gejala penyakit yang disebabkan oleh Retrovirus yang menyerang sistem kekebalan atau pertahanan tubuh. Dengan rusaknya sistem kekebalan tubuh, maka orang yang terinfeksi mudah diserang penyakit-penyakit lain yang berakibat fatal, yang dikenal dengan infeksi oportunistik. AIDS pada anak pertama kali dilaporkan oleh Oleske, Rubinstein dan Amman pada tahun 1983 di Amerika Serikat. Untuk meningkatkan pengetahuan HIV/AIDS pada mahasiswa peneliti menggunakan media audio visual. Media audio visual gerak adalah media intruksional modern yang sesuai dengan perkembangan zaman (kemajuan ilmu pengetahuan dan teknologi) karena meliputi penglihatan, pendengaran dan gerakan, serta menampilkan unsur gambar yang bergerak.Metode yang digunakan didalam penelitian ini adalah metode Penalitian Qusi eksperimen. Metode yang digunakan didalam penelitian ini adalah metode Penalitian Quasi eksperimen. Pada penelitian ini dilibatkan tiga kelas yang dibandingkan, yaitu kelas B (Audio) dan kelas C (Visual). Populasi dalam penelitian ini adalah mahasiswa Jurusan Keperawatan Politeknik Kesehatan Kemenkes Maluku yang berjumlah 352 orang. Dan sampelnya dalam penelitian ini adalah mahasiswa tingkat I semester I Jurusan Keperawatan Kemankes Maluku. Yang berjumlah 80. Karena pada kelas – kelas tersebut belum pernah memperoleh materi tentang HIV/AIDS. Media Audio dan Visual mempunyai pengaruh yang besar untuk meningkatkan pengatahuan mahasiswa dengan hasil uji t diperoleh thitung= 13,980 > ttabel (2.048) yang berarti H1 diterima. Sehingga dapat disimpulkan bahwa terdapat pengaruh yang signifikan antara hasil belajar siswa sebelum dan sesudah menggunakan media audio dan visual (Video) dalam belajar Materi Penyakit HIV/AIDS. Media Visual mempunyai pengaruh terhadap peningkatan pengetahuan mahaiswa dengan dari hasil uji t diperoleh thitung= 10,370 > ttabel (2.048) yang berarti H1 diterima. Sehingga dapat disimpulkan bahwa terdapat pengaruh yang signifikan antara hasil belajar siswa sebelum dan sesudah menggunakan media visual (gambar dan hand out) dalam belajar Materi Penyakit HIV/AIDS. Media Audio mempunyai pengaruh untuk meningkatkan pengatahuan mahaiswa dengan hasil uji t diperoleh thitung= 13,552 > ttabel (2.048) yang berarti H1 diterima. Sehingga dapat disimpulkan bahwa terdapat pengaruh yang signifikan antara hasil belajar siswa sebelum dan sesudah menggunakan media audio (tape recorder) dalam belajar Materi Penyakit HIV/AIDS

Franghiz Alizadeh’s Composition ‘Wahe’ (‘Oasis’) for String Quartet and Tape Recorder

The article examines the chamber-instrumental work of Franghiz Alizadeh, a prominent representative of the modern Azerbaijani school of composition, People’s Artist, awarded the honorary title of ‘Artist of Peace’ by UNESCO. The article also highlights the characteristics of the musical and harmonic language, original timbre combinations, unusual dynamics, methods of using modern musical techniques of chamber-instrumental works of Franghiz Alizadeh, which is an area of her creative work that combines East-West music synthesis. The article analyzes Franghiz Alizadeh’s composition ‘Oasis for tape recorder and string quartet and gives specific features of the work. The article emphasizes that Franghiz Alizadeh’s presentation of Oriental thought in a synthesis of modern methods in the composition ‘Oasis’ is a unique feature of the work. The purpose of the research is to analyze the composition of Franghiz Alizadeh’s ‘Oasis’ and to determine the individual stylistic features of the composer. The interpretation of important innovations in Franghiz Alizadeh’s chamber-instrumental work and the discovery of its connection with modern music culture is especially emphasized. The basis of the research is the involvement of Franghiz Alizadeh, a prominent representative of the modern Azerbaijani school of composition, in the research work of the composition ‘Oasis’, which has not been subjected to scientific and theoretical analysis. The research methodology is based on music-analytical, theoretical, and historical analysis. It was noted that Franghiz Alizadeh’s chamber-instrumental work was formed in the context of the development of modern music, and modern technical methods were manifested uniquely. At the same time, the methodological basis of the article is based on the scientific-theoretical principles and research of Azerbaijani and foreign musicologists. The scientific novelty of the research is that for the first time, the general features of Franghiz Alizadeh’s chamber-instrumental creative work were studied within the framework of Azerbaijani music science, and the composer’s composition ‘Oasis’ was analyzed in detail. At the same time, based on the analysis, the article presents a detailed scientific study of the composition ‘Oasis’, which is of great importance in the work of the composer. Conclusions. The comprehensive analysis of Franghiz Alizadeh’s chamber-instrumental work and especially the composition ‘Oasis’ in the presented article allows drawing important conclusions about the features of the composer’s creative style. Franghiz Alizadeh is a modern Azerbaijani composer distinguished by her original creative style, and it was noted that the deep content of her works, distinguished by her unusual style of performance, is important in our national music art. It was noted that the East-West synthesis is dynamically manifested in the composer’s work, and this feature is directly felt like her works. From this point of view, F. Alizadeh’s camera-instrumental work is distinguished by the difference of modern writing techniques with rich images, and she has achieved great success not only in her native Azerbaijan but also far beyond its borders. It should be noted that Franghiz Alizadeh’s works, which combine East-West synthesis, have been performed in many countries and met with success. From this point of view, the composition of ‘Oasis’ differs by its rhythmic structure, artistic content, and texture form. It is especially emphasized that the unusual performance of the composition ‘Oasis’ was used to reveal a certain image. It is noted that the composition has a different musical language, along with deep content and non-traditional features. The combination of serial technique and mugam elements gives the composition ‘Oasis’ originality. It is noteworthy that the tape was used as an integral part of the camera-instrumental work. It was noted that the composition "Oasis", as a work of synthesis of theatre and music, has a theatrical effect. Franghis Alizadeh is currently living the period of wisdom in her work and enriches the professional music of Azerbaijan with her unusual works of modern type, which combine East- West synthesis.

Fill dynamics and sample mixing in the AirCore

The AirCore is a long coiled tube that acts as a “tape recorder” of the composition of air as it is slowly filled or flushed. When launched by balloon with one end of the tube open and the other closed, the initial fill air flows out during ascent as the outside air pressure drops. During descent atmospheric air flows back in. We describe how we can associate the position of an air parcel in the tube with the altitude it came from by modeling the dynamics of the fill process. The conditions that need to be satisfied for the model to be accurate are derived. The extent of mixing of air parcels that enter at different times is calculated, so that we know how many independent samples are in the tube upon landing, and later when the AirCore is analyzed.

“Avoiding the consequences of being famous”: An interview with the Queen of Rwandan Karaoke, Jane Uwimana

Karaoke is the act of singing to prerecorded music. Put differently, karaoke is an exhibition of some sort of scripted simulation (Adams, 1996). The literature on karaoke performance is extensive across the globe. In Africa, however, this literature is non-existent. This is so in spite of the rampancy of the category in Rwanda‘s provinces where a karaoke fever brews, a near-absent nightlife notwithstanding. Having witnessed the popularity of karaoke in the country firsthand, and towards addressing the curious gap in the extant literature, Isought audiences with a selection of leading karaoke performers in contemporary Rwanda. Jane Uwimana is a blogger, a radio presenter and the acclaimed queen of Rwandan karaoke. This paper presents excerpts from a semi-structured interview with Ms. Uwimana held at her residence in Kigali. The interview session which was recorded using a tape recorder lasted about one hundred minutes. This was subsequently transcribed for purposes of presentation.

Equatorial belt vapour measurements in the upper TTL under superpressure balloon during STRATEOLE 2 pre-campaign: tape recorder effect, role of waves and deep convection.

<p>STRATEOLE 2 is a French-American project based on superpressure balloon borne measurements to study dynamics and processes in the TTL and the lower stratosphere of equatorial regions. One single flight of these balloons (of a duration of about 80 days) can make several turns of the Earth.</p><p>Here we present water vapour measurements by the Pico-SDLA infrared laser spectrometer on-board the TTL 2 gondola. The float altitude was of about 19 km during the technical campaign of STRATEOLE 2, providing measurements at the top of the TTL or the lower stratosphere. In this presentation, we analyse the tape recorder signal at a constant altitude during the 80 days of flight. We compute an anomaly of the <em>in situ</em> water vapour measurements with respect to a regional/temporal satellite-borne mean climatology from Aura MLS. It allows to analyse the local measurements by Pico-SDLA with respect to what is expected at a given position and a given time. The obtained contrast allows the positioning of observations with respect to local climatology and therefore, the identification of singular events responsible for modulation of the local water vapour content. Our analysis shows that a long wet anomaly above the Pacific Ocean is explained by the balloon “surfing” on a warm perturbation of a Kelvin wave. Concurrently, a dry anomaly is put to the fore over the Indian Ocean, associated to a packet of gravity waves cold perturbations. The balloon has flown twice above the Maritime Continent. For each passage, a short scale succession of dry and wet anomalies is shown, indicating a possible influence of local deep convection. This influence is studied further using satellite borne cloud top data.</p>

Pemberian Terapi Klenengan Gending Jawa Pada Penderita Stroke Di Desa Bandar Agung Bandar Sribawono Lampung Timur

Abstrak Dampak psikologis penderita stroke adalah perubahan mental. Setelah stroke memang dapat terjadi gangguan pada daya pikir, kesadaran, konsentrasi, kemampuan belajar, dan fungsi intelektual lainnya. Semua hal tersebut dengan sendirinya memengaruhi kondisi psikologis penderita. Tujuan Asuhan Keperawatan Komprehensif Pada Klien Stroke Dengan Terapi Komplementer Klenengan Gending Jawa Di Desa Bandar Agung Bandar Sribawono Lampung Timur Tahun 2020. Metode yang di lakukan dengan Pemberikan terapi musik mendengarkan musik kleningan gending jawa klasik memiliki tempo lambat antara 60-100 bpm (beats per menite), frekuensi 8-13 per menit, harmoni yang lambat, warna nada yang konsisten dan pitch yang rendah dengan tape recorder atau CD Player selama 10 – 15 menit sebanyak 2 kali pada waktu longgar atau istirahat. Kegiatan ini dilakukan selama 6 (enam) hari berturut – turut. Hasil asuhan keperawatan tenaga kesehatan memberikan efek yang dapat mengurangi kecemasan pada lansia dengan hipertensi dengan kedatangan tenaga kesehatan sangat membantu dalam penurunan kecemasan karena pasien merasa diperhatikan atau merasa lebih nyaman dan senang. Evaluasi pada Keluarga dengan masalah stroke teratasi dengan terapi Klenengan Gending Jawa dengan hasil efektif pada kedua pasien hanya saja kadar penurunan kecemasan dan waktu penurunan berbeda diantara kedua pasien dikarenakan intensitas nyeri antara kedua pasien, dan kadar tekanan darah kedua pasien yang berbeda, motivasi yang berbeda. Kata kunci : Stroke, Hipertensi, Terapi Musik Abstract The psychological impact of stroke sufferers is mental changes. After a stroke can indeed occur disturbances in the power of thought, awareness, concentration, learning ability, and other intellectual functions. All of these things naturally affect the psychological condition of the patient. The Purpose of Comprehensive Nursing Care for Stroke Clients with Complementary Therapy of Javanese Gending in Bandar Agung Village, Bandar Sribawono, East Lampung in 2020. The method used by providing music therapy listening to classical Javanese gending music has a slow tempo between 60-100 bpm (beats per menite ), frequency 8-13 per minute, slow harmony, consistent tone and low pitch with a tape recorder or CD player for 10-15 minutes 2 times during loose or rest periods. This activity is carried out for 6 (six) consecutive days. The results of health care nursing provide effects that can reduce anxiety in the elderly with hypertension with the arrival of health workers is very helpful in reducing anxiety because patients feel cared for or feel more comfortable and happy. Evaluation of families with stroke problems is resolved with Javanese Klenengan Gending therapy with effective results in both patients only the level of anxiety reduction and the time of decrease differ between the two patients due to the intensity of pain between the two patients, and the blood pressure levels of the two patients are different, different motivations. Keywords: Stroke, Hypertension, Music Therapy

Acoustic Analysis of English Long Vowels Produced by Pashto Speakers

The present study investigates the acoustic properties of English long vowels produced by Pashto speakers by highlighting the problematic areas for Pashto speakers learning English. The data was collected from ten Pashtun learners of English through tape recorder. The data was analyzed using PRAAT software. The spectrograms produced by the software helped us in specifying the acoustic values (formant frequencies of F1 and F2) of target vowels compared with the production of the same vowels by native speakers of English. The analysis of the collected data revealed the problematic areas of English long vowels for Pashtun learners of English. The study proved that English long vowels like /I:/ and /a:/ were more problematic for Pashtun learners. A significant difference was seen in both the height and backness of the target English vowels produced by the subjects. The English vowels like /e:/ and /o:/ produced by subjects were like those produced by the native speakers. Similarly, target vowel like /u:/ was pronounced by subjects like native speakers of English. The study recommends that Pashto speakers should be given proper training for acquiring correct pronunciation of English.