Black Box Music Simona Steena- Andersena – warstwa wizualna jako czynnik determinujący dźwięk. Eksploracja możliwości rozwojowych

Kwartalnik Młodych Muzykologów UJ ◽

10.4467/23537094kmmuj.20.015.12857 ◽

2020 ◽

pp. 115-133

Author(s):

Iga Batog

Keyword(s):

Creative Process ◽

Modern Technology ◽

Black Box ◽

Musical Object ◽

Determining Factor

Black Box Music by Simon Steen-Andersen: a Visual Layer as a Sound-Determining Factor. An Exploration of Possibilities for Development The article attempts to summarise the work of Simon Steen-Andersen in order to date and describe his work titled Black Box Music in the context of fusing visual and musical experiences. It has been examined how modern technology influences the composer’s creative process. His achievements and understanding of audiovisuality and musical object with the assumptions of Pierre Schaeffer’s concept of acusmatic listening have also been compared.

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Black Box Music by Simon Steen-Andersen: The Visual Layer as a Sound-Determining Factor. An Exploration of Prospects for Development

Kwartalnik Młodych Muzykologów UJ ◽

10.4467/23537094kmmuj.20.040.13913 ◽

2020 ◽

pp. 109-127

Author(s):

Iga Batog

Keyword(s):

Creative Process ◽

Modern Technology ◽

Black Box ◽

Determining Factor

The article attempts to summarise the work of Simon Steen-Andersen and describe his composition titled Black Box Music in the context of fusing visual and musical experiences. I have examined how modern technology influences the composer’s creative process. His achievements and understanding of audiovisuality and the music object have also been compared with Pierre Schaeffer’s concept of acousmatic listening.

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Re-imagining Operatic "Objects": Commentary on Neumann's Phenomena, Poiesis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera

Empirical Musicology Review ◽

10.18061/emr.v12i3-4.5957 ◽

2018 ◽

Vol 12 (3-4) ◽

pp. 272

Author(s):

Georgia Volioti

Keyword(s):

Creative Process ◽

Process Analysis ◽

Cultural Practice ◽

Valuable Contribution ◽

Performance Profiling ◽

The Past ◽

Metropolitan Opera ◽

Musical Object ◽

Musical Works ◽

And Performance

Objects come in all sorts of shapes, sizes and forms. The notion of musical works as objects, represented by their written scores, has proved to be effete and limiting to the study of music as diverse social-cultural practice and performed craft. The past two decades have witnessed considerable efforts to renew conceptual and methodological tools, and Neumann's study makes a valuable contribution to this effect. This commentary responds to some issues raised by Neumann's article in relation to the notion of musical "object". Specifically, I retrace the shift from a score-based to a process-oriented musicology geared towards performances, placing the concerns of contemporary opera studies within this broader disciplinary change. I consider some implications of technology in mediating new operatic objects for discourse. Finally, I reflect on some of the inherent dangers of objectifying performance in empirical analyses.

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HEURISTIC POTENTIAL OF THE DIALOGUE (ON THE MATERIAL OF THE CULTURAL CREATION PROJECT U. EСO AND J.-C. CARRIÈRE "DO NOT HOPE TO GET RID OF BOOKS!")

UKRAINIAN CULTURAL STUDIES ◽

10.17721/ucs.2017.1.15 ◽

2017 ◽

pp. 69-74

Author(s):

E. I. Onishchenko

Keyword(s):

Creative Process ◽

Emotional State ◽

Practical Importance ◽

Interdisciplinary Approach ◽

Theoretical Research ◽

Aesthetic Theory ◽

Cultural Issues ◽

Cultural Phenomenon ◽

Art And Architecture ◽

Determining Factor

The article analyzes the culture-creative project by J.-C. Carrière and U. Eco "Do not hope to get rid of books!" The aim is to study the heuristic potential of the dialogue and to reveal the specifics of the creative process based on it. The methodology of the study includes the use of an interdisciplinary approach that relies on the achievements of cultural studies, aesthetic theory by both Ukrainain and foreign authors. Theoretical and practical parity personified by U. Eko and J.-C. Carrière leads to organic and almost imperceptible, the transition of the interlocutors from one topic to another, prompting the reader to reflect on certain "cultural issues", which, at times, are more than paradoxical. The scientific novelty lays in the disclosure of the specifics of a book as a cultural phenomenon, accentuating significantly. The potential of dialogue for understanding the dynamics and specifics of the creative process, the emotional state of the artist, the stimulilation of his creativity, the phenomenon of fantasy. The theoretical possibilities discovered in the process of analysis of this phenomenon stimulated exploration of the specificity of the transition from the language of the figurative types of art and architecture to the language of literature, mainly "fitting" the extrasis in the field of semiotic issues. This, in turn, led to the speculation regarding the reproduction of one type of art by means of another, thus revealing new aspects in the study of synthesis and sinews. Observations that are expressed in the pages of the "Do not Expect toGet Rid of Books!" dialogs not only expand, but also, to a large extent, change the angle of the analysis of the extrasis. The interpretation, which formally conflicts with the authentic principle, actually plays animportant cultural role. It is on this correlation of the authentic and interpretative and emphasizes U. Eko's attention, considering it as the determining factor of the extrasis. The practical importance of the dialogue "Do not expect to get rid of books!", except for the cultural worth, has a powerfulstimulating start, and its analysis is able to activate theoretical research, expanding, and sometimes - updating the range ofmodern Ukrainian humanitaristics.

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Performance of maturity method for estimation of concrete strength based on cubic specimens

Technobius ◽

10.54355/tbus/1.4.2021.0008 ◽

2021 ◽

Vol 1 (4) ◽

pp. 0008

Author(s):

Rauan Lukpanov ◽

Shyngys Zharassov ◽

Timoth Mkilima ◽

Aliya Aldungarova

Keyword(s):

Concrete Strength ◽

Protective Layer ◽

Modern Technology ◽

Reinforced Concrete Structure ◽

Factors Affecting ◽

Linear Relationships ◽

Strength Based ◽

Actual Strength ◽

Determining Factor

To assess the condition of the structures of buildings and structures, a comprehensive analysis of the factors affecting their performance characteristics - concrete strength, protective layer, and rebar diameter, thermal conductivity and moisture content of concrete, adhesion of protective and facing coatings, frost resistance and water resistance of concrete - is required. However, with all the variety of monitored parameters the control of concrete strength has a special place because when assessing the condition of the structure the determining factor is the compliance of the actual strength of concrete to the design requirements. This paper presents studies on the determination of concrete strength based on modern technology, wireless sensor as well as instrumentation IPS. These methods are particularly effective in the case of non-linear relationships between different system parameters, as in the behavior of concrete parameters. They can also provide rapid measurements by continuously monitoring the internal condition of the reinforced concrete structure. The features of each method are given, as well as an analysis of the convergence of the results.

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