Heterotopic and Neo-Victorian Affinities: Introducing the Special Issue on Neo-Victorian Heterotopias

The introduction to this special issue on Neo-Victorian Heterotopias investigates the affinities between the spaces designated by Michel Foucault’s ambivalent and protean concept of ‘heterotopia’ and the similarly equivocal, shifting, and adaptable cultural phenomenon of ‘neo-Victorianism’. In both cases, cultural spaces and/or artefacts prove deeply intertwined with chronicity, at once juxtaposing and blending different temporal moments, past and present. Socially produced sites of distinct emplacement are exposed not just as culturally and historically contingent constructs, but simultaneously enable forms of resistance to the prevailing ideologies that call them into being. The fertile exercise of considering heterotopias and neo-Victorianism in conjunction opens up new explorations of the Long Nineteenth Century and its impact on today’s cultural imaginary, memory and identity politics, contestations of systemic historical iniquities, and engagements with forms of difference, non-normativity, and Otherness.

Examining politeness in the explanation of English and Tshivenda apologies and greetings

Proficiency in English politeness is an invaluable tool in maintaining effective communication. Differences in beliefs, culture and customs, values and norms exist between English and other languages. Non-native English speakers encounter difficulties when making apologies and greetings in the language. The research examined politeness of English and Tshivenda apologies and greetings. The research paper adopted a qualitative research approach designed to build a holistic narrative description concerning social or cultural phenomenon. Formal and informal interviews were carried out ethnographically to collect data from selected 15 historical experts at Phawe, Zoutpansberg in Limpopo Province, South Africa. Data were quantified, simplified, organised, and interpreted using an 'emic' approach because they were interpreted from the perspective of the population under study. The research found that some Vhavenda people could narrate stories around politeness in their society. The research recommends the continuous practice of apologies and greetings to preserve the Vhavenda culture and custom.

O zakopiańskich rezydentkach

The residents of Zakopane are the group of permanent inhabitants who were not born in the Podhale region, but it was their choice to connect themselves to it. The formation of this group is the result of the social-demographic changes in the Tatra mountains at the beginning of the 20th century and in the interwar period. It is a group that is diversified and therefore difficult to define. It figures as a link between the highlanders who are ingrained into the space of Podhale and those who treat it in a pragmatic and utilitarian way. The residents constitute the cultural phenomenon present in literary works as well as in the cultural life of Zakopane during the end of 19th and the beginning of the 20th century. The main subject of the article is a portrayal of the residents — historical figures and literary heroines — taking into account their functions in the society of Zakopane of those times: the groups which have been highlighted are schoolgirls, the women who provide accommodation to the tourists, and the organizers of literary saloons.

Laughter as a Semiotic Problem

Purpose. The article is aimed to substantiate the view on the phenomenon of laughter as a subject of semiotic analysis, which leads to the following tasks: to reveal the possibilities of semiotics application in the study of laughter nature; to analyze the phenomenon of laughter as a cultural and natural phenomenon, as a sign and as an attribute; to consider the place of laughter in culture, which is understood as a sign system. Theoretical basis. The semiotic approach proceeds from the fact that human lives in the world of signs, all the surrounding reality can be interpreted as a sign system. The basic concept of semiotics is the concept of a sign. The theoretical basis of the article is understanding the culture as a sign-symbolic system. Laughter is considered as a phenomenon ontologically rooted in human culture. At the same time, laughter is on the edge of culture. The research is based on the work of semiotic authors, cultural researchers, and the researchers of laughter. Originality. The originality lies in the application of the semiotic method to the research of laughter phenomenon, consideration of the dialectics of natural and cultural, signedness and non-signedness, manifested in the phenomenon of laughter. Conclusions. Laughter is considered as a psychophysiological phenomenon (attribute) and as a cultural phenomenon (sign). Laughter acts as an emotional manifestation, a physiological reaction, but socially and culturally mediated. In any case, laughter indicates an emotional or cognitive state of a human. Laughter acts as a process and result of the interpretation of a sign, a reaction to a sign. Laughter is a form and a means of communication. Being a natural phenomenon, in the process of social evolution, laughter acquires signedness, is integrated by culture as a sign system, and, at the same time, maintains a connection with nature. Thus, laughter occupies an ambivalent position between nature and culture. In the phenomenon of laughter, the dual state of human is revealed. In laughter, boundaries are blurred, the unity and opposition of natural and cultural, biological and social, soul and body, thought and feeling, sign and attribute are manifested.

A Critique of Sanskritization from Dalit/Caste-Subaltern Perspective

Students and social scientists concerned with caste studies will agree to a socio-cultural phenomenon called Sanskritization among people of caste communities that are not recognized as belonging to castes primarily affiliated to either of the three varnas of Brahman, Kshatriya and Vaishya. What is Sanskritization? Following M. N. Srinivas, who put forward the concept of Sanskritization in Religion and Society among the Coorges of South India (1952) to explain upward social movement (?) among Hindu tribal groups or ‘lower’ caste groups imitating and gradually incorporating ‘upper’ caste people’s social, cultural behaviour, rituals, customs, and religious practices, there exist an array of works deliberating upon this collective behavioural instance called Sanskritization (Beteille, 1969; Gould, 1961; Patwardhan, 1973; Sachchidananda, 1977; Lynch, 1974). These studies have generally accepted Sanskritization as an effective tool for cultural integration between different caste groups by ensuring movements of people across caste barriers; in other words, Sanskritization spells a common idiom of social mobility (Beteille, 1969, p. 116). This paper does not support the view that Sanskritization has been an effective socio-cultural instrument in moving towards a society that does not swear by caste-principles. Rather, Sanskritization, a concrete social fact among the ‘lower’ castes people, seems to obliquely prove the productive logic of caste through the imitation of the Brahmin. Following Gramsci’s conceptualisation of the necessity of a subaltern initiative in any counter-hegemony project, the paper further argues that Sanskritization is regressive to the extent that it is antithetical to any such subaltern political initiative against caste.

Features of positioning of German university libraries on official websites

The problem of space music as a special cultural phenomenon requires scientific understanding. The purpose of the article is to study the features of the emergence and development of space rock as a specific trend in modern popular culture using the history of the “HAWKWIND” group as an example. The chronology of sound recordings of the “HAWKWIND” group as one of the founders of the “Space Rock Music” is established. The role of Dave Broсk, Bob Kalvert and other group participants in the creation of creative music programs is noted. It is proved that these musicians are the principles of the historical phenomenon, which received popularity as “Space Rock”. For the first time, the analysis of “HAWKWIND” sound documents through the prism of the history of space music development has been proposed.

Space music in socio-cultural retrospective: information analysis of the phonographic heritage of “Hawkwind”

The problem of space music as a special cultural phenomenon requires scientific understanding. The purpose of the article is to study the features of the emergence and development of space rock as a specific trend in modern popular culture using the history of the “HAWKWIND” group as an example. The chronology of sound recordings of the “HAWKWIND” group as one of the founders of the “Space Rock Music” is established. The role of Dave Broсk, Bob Kalvert and other group participants in the creation of creative music programs is noted. It is proved that these musicians are the principles of the historical phenomenon, which received popularity as “Space Rock”. For the first time, the analysis of “HAWKWIND” sound documents through the prism of the history of space music development has been proposed.

War in the Young Russians Language Consciousness: An Associative Experiment

The article is focused on the analysis of the stimulus The Great Patriotic War based on the data of both directed and free associative experiments, held among the young Russians aged 18-23, the students of the Philological faculty of RUDN University. The aim of this research is to study the ordinary language consciousness of common speakers of the Russian linguoculture through the prism of their attitude to the Great Patriotic War as a cultural phenomenon. The scientific novelty of the work lies in the fact that the experimental data allow us conclude about the mediated perception of the Great Patriotic War by young Russians, who have knowledge about the war from secondary sources: fiction and documentary films, history and literature textbooks. On the material of these associative experiments, the experimental associative fields are formed, which could potentially become a part of the associative dictionary of the contemporary Russian younger generation. In the course of the study, semantic crossings are revealed between the lexical units of the formed associative fields and the data from Russian associative dictionaries. A comparative analysis of the data from RAD and the two experiments is conducted, demonstrating minimal matching of reactions (12.5%) in the RAD and the experiments, with a higher percentage of matching reactions in the directed and free experiments (56.6%). The reactions to the stimulus Great Patriotic War obtained as a result of the experiment are semantically grouped, and their further interpretation represents a fragment of the young Russian's language consciousness regarding the events of the Great Patriotic War. Thus, semantic analysis allows us to distribute the received reactions into several semantic groups: evaluation of the events of the past; WWII as part of family history; WWII as the distant past; WWII as a reason for pride; WWII as a joint social phenomenon in the cultural context; the events and realities of that war.

Regional Russian Books of Memory as a Form of Preservation and Transfer of Cultural-Historical Memory about the Afghanistan War of 1979-1989

The historical memory of the Soviet military intervention in Afghanistan (1979-1989) is studied through the prism of memory books dedicated to the participants of the war and those who died in it. The present paper is the first study of the Afghan books of memory that were published over the past decades in different regions of Russia. The first part of this paper analyzes the regional books of memory published in various regions of the Russian Federation from 1991 to the present day; the second part analyzes the books of memory published in small cities of Russia as a separate cultural phenomenon. In conclusion, the author describes the main features of regional Afghan books of memory, emphasizing that the memory books are published with the active participation of various regional organizations - from local archives to representatives of municipalities - revealing that the publication of these books is part of cultural policy in the regions. Many memory books have been reprinted, which indicates the continued collection and processing of information about the military casualties in Afghanistan. The regional books of memory are one of the most important forms of preserving and transmitting the historical memory of the Afghanistan war.

BILINGUALISM AS A PSYCHOSOCIAL AND SOCIO-CULTURAL PHENOMENON IN THE MODERN EDUCATIONAL ENVIRONMENT

The multidimensional studies of bilingualism problems in the framework of pedagogy, psychology, sociolinguistics are considered. It was found that bilingualism is, first of all, a socio-cultural phenomenon that needs to be studied in various aspects, first of all in sociolinguistic, psycholinguistic, and, in fact, linguistic. It was found that today there is an ambiguous attitude to bilingualism: sociologists assess it mostly negatively, arguing that bilingualism within the borders of one country leads to social instability; psychologists draw our attention to the negative impact of bilingualism on the child's psyche. In defense of bilingualism, there arises the argument, that a bilingual personality is a personality with two language codes, two language tools, two tools of thinking that enhance the capabilities of the individual, increase the intellectual level of the individual, his/her culture under the condition of the right educational conditions and means of achieving the bilingualism itself or the educational environment.