scholarly journals Artists from Primorsky Krai at the New York’s exhibition facilities

2020 ◽  
pp. 105-120
Author(s):  
Y.I. Volkogonov
Keyword(s):  
New York ◽  
Art Criticism ◽  
Primorsky Krai ◽  
Jersey City ◽  
Russian Culture ◽  
Russian Art ◽  
American Press ◽  
The Creation

The article describes the conditions and prerequisites for the creation of the Center for Contemporary Russian Culture and the Museum of Contemporary Russian Art in Vladivostok. The chronology of personal and group exhibitions at the sites of New York and Jersey City (USA), with the participation of artists from the Primorsky Krai, is indicated. The article describes the activities of Alexander Glezer and Alexander Gorodny in organizing exhibitions in Russia and abroad. The author gives an overview of the personal exhibitions of Alexander Pyrkov, Ilyas Zinatulin, Lilia Zinatulin, Fernan Zinatulin, Evgeny Makeev, Vladimir Ganin, Valery Shapranov, Anatoly Zaugolnov. Fragments of statements by art criticism and assessments of the works of Primorye artists by the American press are given. В статье изложены условия и предпосылки создания в г. Владивостоке Центра современной русской культуры и Музея современного русского искусства. Указана хронология персональных и групповых выставок на площадках Нью-Йорка и Джерси-Сити (США) с участием художников Приморского края. Описана деятельность Александра Глезера и Александра Городнего по организации выставок в России и за рубежом. Дан обзор персональных выставок Александра Пыркова, Ильяса, Лилии и Фернана Зинатулиных, Евгения Макеева, Владимира Ганина, Валерия Шапранова, Анатолия Заугольнова. Приведены фрагменты высказываний арт-критики и оценок творчества приморских художников американской прессой.

scholarly journals Lithuanian Ballet. The Beginning of the Formation of the National Repertoire

2020 ◽  
Vol 5 (2) ◽  
Author(s):  
Alexandras Jankauskas
Keyword(s):  
National Identity ◽  
Cultural Context ◽  
Art Criticism ◽  
Scientific Work ◽  
Russian Art ◽  
History Of ◽  
The Creation ◽  
Post War

The restoration of the ballet and the classical repertoire in the post-war period was one of the most difficult in the history of Lithuanian ballet. However, with the appearance of ballet master in chief V. Grivickas, his quests and development of a heroic theme in Lithuanian ballet, bringing ballets “Ant marių kranto” (On the Seashore, 1953) and “Audronė” (Audrone, 1957) to the national repertoire laid the foundation for the formation of national art.The purpose of this research was to identify, analyze and bring into the art science the stages of the formation of the national repertoire of the Lithuanian ballet that were not previously actualized.Research methodology. The phenomenon of Lithuanian ballet is considered as a multidimensional subject, which includes the actual stage form, musical and choreographical lexicon, the problems of the formation of the performing school, as well as the historical and cultural context of the creation of stage choreography works in Lithuania 1928–1987. The research uses the principles developed by Russian art criticism to describe and analyze artistic processes and works of choreographic art.This article is a part of the first scientific work of such scale, dedicated to the performances of the national repertoire of the Lithuanian ballet and the problems of its national identity.

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