Multiple ‘Ways of Telling’ in the LL at the Second World War Japanese American Internment Camp Memorial Cemetery in Rohwer, Arkansas

Author(s):  
Yasushi Onodera
2021 ◽  
Vol 30 (1) ◽  
pp. 45-61
Author(s):  
Jill Felicity Durey

This article illuminates two short stories by John Galsworthy through examining them with the help of his diaries and letters, a handful of unpublished letters by his nephew from an internment camp and secondary historical sources. It argues that the stories, when read in conjunction with these sources, are highly revealing about human nature during Second World War and also about Galsworthy’s prescient fears concerning a second twentieth-century world war, which he did not live to see.


Author(s):  
Nicolangelo Becce

Seven decades after Japanese Americans were interned during the Second World War, former journalist and internment survivor Gene Oishi published Fox Drum Bebop (2014). The protagonist, Hiroshi, had been introduced in Oishi’s previous memoir, In Search of Hiroshi (1988), as “quasi-fictional” and “neither American nor Japanese, but simply me”. Yet, in the same memoir, Oishi had also described his inability to write about ‘Hiroshi’, thus settling on ‘Gene’ as a main character and waiting 28 more years before publishing a book about his true self. A comparison between the two books highlights that In Search of Hiroshi was written as an attempt at telling a story that would implicitly support the ‘model minority’ myth by offering an account of the internment experience as a direct response to the sociopolitical constraints related to the request by Japanese Americans for redress from the U.S. government. On the other hand, the more recent Fox Drum Bebop represents a fictional retelling of Oishi’s memoir which reveals the limits of the collective memory of the internment as developed during the redress years by openly defying the ‘model minority’ stereotype while at the same time once more denouncing the injustices suffered by the Japanese American community during the war. This essay focuses on Oishi’s double narrative as a reassessment of the collective memory of the internment experience and of its lasting effects on Japanese Americans.


Author(s):  
Karin Alejandra Rosemblatt

This chapter focuses on Collier and the US Indian Service (IS). Collier brought applied anthology into the Indian Service so as to develop culturally appropriate policies—an innovation he claimed was inspired by what he saw in Mexico. Collier drew on examples of indirect colonial rule, including Spanish colonialism in New Spain, to further a scientific democratic governance of cultural and racial differences. Collier and others sought to promote and use democratic forms of Native leadership. During and after the Second World War, Collier, along with Laura Thompson and other academics, extended what they had learned regarding the management of ethnic difference to the Japanese-American internment camp at Poston, Arizona, which was run by the Indian Service, and, later, to U.S. “dependencies” abroad and “minorities” at home. This chapter charts the shift toward a more universalizing view of modernization and its application to diverse groups.


Author(s):  
Samuel O. Regalado

This chapter examines the scope of Nikkei baseball in the aftermath of the Second World War. Re-entry into mainstream society proved challenging for much of the Nikkei community, particularly as anti-Japanese sentiments were still smoldering in the wake of the conflict. For a time Nikkei baseball came to a virtual halt as the Japanese American community attempted to rebuild their lives. Yet both the sport and the Nikkei community would undergo a dramatic shift as the postwar years wore on, such as Jackie Robinson's entry into the Major League as its first black player. Nikkei baseball would soon thrive again, and with its revival came several prominent Nikkei baseball players who would finally build that longed-for bridge between the Japanese American community and the rest of the nation.


2020 ◽  
Vol 38 (4) ◽  
pp. 699-717
Author(s):  
Wendy Cheng

In 1942, Los Angeles newspaper publisher Elias Manchester Boddy purchased the nursery stock of at least three Japanese-owned nurseries. Two grower families, the Yoshimuras and the Uyematsus, were forced to sell their life’s work prior to their indefinite incarceration by the U.S. government during the Second World War. These plants, including rare and unique breeds of camellias, became the basis of what is now Descanso Gardens, a celebrated public garden. In this article, I examine Boddy’s transactions as an instance of racial plunder: a morally and affectively inflected act of theft structured by racism that is as much about the act’s preconditions and afterlives as it is about the act itself. Using archival research, oral histories, and interviews with family members, I foreground the experiences and perspectives of the Japanese American families across multiple generations and landscapes, rather than a single perspective and defining moment. In doing so, a story emerges involving alternative worldviews forged through and superseding racism and dispossession as well as heterogenous relationships to land not dictated by capitalist logics. In detailing the specifics of the transactions, this work also challenges the silences and misrepresentations that exculpate those who benefited from Internment.


Author(s):  
Martin Löschnigg

Winner of the Alfred Döblin Preis in 1999, the novel Die englischen Jahre by the Austrian novelist Norbert Gstrein deals with internment and exile in Britain dur- ing and after the Second World War. It centres on the (fictitious) character of Gabriel Hirschfelder, a writer and refugee from Nazi-occupied Austria who is detained, with oth- er ‘enemy aliens,’ in a camp on the Isle of Man. There, Nazi sympathisers are interned together with Jewish and political refugees, and the central chapters in the novel depict the conditions and resulting conflicts in the internment camp. Hirschfelder dies in exile at Southend-on-Sea, having confessed shortly before his death that he killed a fellow inmate. This confession as well as reports of a transport of internees sunk off the coast of Scotland in 1940 incite a young Austrian woman to try to solve the mystery surrounding Hirschfelder and his allegedly lost autobiography The English Years. The paper discusses how Gstrein combines different genres like the historical novel/historiographic metafic- tion and the whodunit as well as using multiple narrative perspectives and refractions to pinpoint questions of shifting identities and allegiances, and of belonging and alienation in the wake of internment and exile.


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