Zutot ◽  
2008 ◽  
Vol 5 (1) ◽  
pp. 141-148
Author(s):  
Rachel Rojanski
Keyword(s):  

AJS Review ◽  
2014 ◽  
Vol 38 (1) ◽  
pp. 1-28
Author(s):  
Gil Ribak

This article examines how communal activists, leaders, intellectuals, and the Yiddish press understood and reacted to charges regarding purported Jewish criminality, which accusers often linked to the need to curtail immigration to America. The Jewish self-image as a nonviolent people proved to be quite resilient, and one of the ways to reconcile the existence of Jewish criminals with that self-perception was to put the blame on the surrounding (American) influence, or to evoke generalized negative images of gentiles as a foil for applauding Jewish qualities. New York Jews construed their relations with the larger non-Jewish society as a continuation of old-world patterns of Jewish-gentile relations rather than a change or reversal of them. The criminal episodes demonstrated how a cultural net of transnational meanings shaped Jews' understanding and reaction to allegations against them.


Author(s):  
Saul Noam Zaritt

Anna Margolin is a Yiddish poet of the first half of the twentieth century, and though she produced only a single volume of poetry, Margolin is often considered one of the most important and influential Yiddish modernists. Born Rosa Lebensboym in the Lithuanian town of Brisk, she travelled widely and restlessly between eastern and western Europe, Palestine and the USA, before settling in New York in 1913. While reporting on women’s issues for the Yiddish press, including the urgent issue of women’s suffrage, she began contributing to Yiddish literary journals of the time under the pseudonym Anna Margolin, which she would later adopt as her own name. Her poetry, at times impressionist, symbolist and post-symbolist, imagist and expressionist was difficult to categorize for the critics of the period and as a result she was both praised and harshly criticized by her contemporaries.


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