Narrative and Counter-Narrative : Dominican and Muslim Preaching in Medieval Iberia

Author(s):  
Linda G Jones
Author(s):  
Kathryn A. Sloan

Popular culture has long conflated Mexico with the macabre. Some persuasive intellectuals argue that Mexicans have a special relationship with death, formed in the crucible of their hybrid Aztec-European heritage. Death is their intimate friend; death is mocked and accepted with irony and fatalistic abandon. The commonplace nature of death desensitizes Mexicans to suffering. Death, simply put, defines Mexico. There must have been historical actors who looked away from human misery, but to essentialize a diverse group of people as possessing a unique death cult delights those who want to see the exotic in Mexico or distinguish that society from its peers. Examining tragic and untimely death—namely self-annihilation—reveals a counter narrative. What could be more chilling than suicide, especially the violent death of the young? What desperation or madness pushed the victim to raise the gun to the temple or slip the noose around the neck? A close examination of a wide range of twentieth-century historical documents proves that Mexicans did not accept death with a cavalier chuckle nor develop a unique death cult, for that matter. Quite the reverse, Mexicans behaved just as their contemporaries did in Austria, France, England, and the United States. They devoted scientific inquiry to the malady and mourned the loss of each life to suicide.


Author(s):  
Jim Donaghey

Punk’s resonance has been felt strongly here. Against the backdrop of the Troubles and the “post-conflict” situation in Northern Ireland, punk has provided an anti-sectarian alternative culture. The overarching conflict of the Troubles left gaps for punk to thrive in, as well as providing the impetus for visions of an “Alternative Ulster,” but the stuttering shift from conflict to post-conflict has changed what oppositional identities and cultures look like. With the advent of “peace” (or a particular version of it at least) in the late 1990s, this space is being squeezed out by “development” agendas while counterculture is co-opted and neutered—and all the while sectarianism is further engrained and perpetuated. This chapter examines punk’s positioning within (and against) the conflict-warped terrain of Belfast, especially highlighting punk’s critical counter-narrative to the sectarian, neoliberal “peace.”


2018 ◽  
Vol 36 (3) ◽  
pp. 267-285
Author(s):  
Aleksandra Bartoszko

This article offers a counter narrative to the current ethnographic studies on treatment with buprenorphine, in which notions of promised and experienced normality dominate. In some countries, introduction of buprenorphine led to a perceived “normalisation” of opioid substitution treatment, and this new modality was well received. However, in Norway the response has been almost the opposite: patients have reacted with feelings of disenfranchisement, failure, and mistrust. Based on ethnographic fieldwork in Norway, this article offers comparative insight into local experiences and subjectivities in the context of the globalisation of buprenorphine. By outlining the ethnographic description of the pharmaceutical atmosphere of forced transfers to buprenorphine-naloxone, I show that the social history of the medication is as significant as its pharmacological qualities for various treatment effects. An analysis of the reactions to this treatment modality highlights the reciprocal shaping of lived experiences and institutional forces surrounding pharmaceutical use in general and opioids in particular.


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