scholarly journals Mourning le Temps Perdu (Proust 1988–1990): Eating Together in Pestilence

Author(s):  
Jean Duruz
Keyword(s):  

This creative piece of non-fiction was written in response to the challenges of everyday life in the early weeks of the pandemic in Australia. I wanted to convey the emotional economy of experiences—the longing, sense of loss, traces of guilt in processes of remembering and storytelling, particularly when these feelings might seem unjustified and self-indulgent.

Author(s):  
Stefanie Van de Peer

This chapter discusses a controversial icon of women in Tunisia, Selma Baccar, Tunisia’s first lady of filmmaking, an instigator and a fiercely independent woman still celebrated for her films and politics. Her first film Fatma 75 (1975) carried an intricately political statement of feminist defiance. The film looks at the time of independence and the subsequent struggle for women to gain their rights under the first president, Habib Bourguiba. Tunisia was a land of fictions, and even though Baccar roots her films in the reality of everyday life, most of them are essay films, due to restrictions put on the filmmaker by the Tunisian censor. Baccar, an intellectual artist, identifies strongly with her heroine and places her in a detailed historical context in order to analyse and critique Tunisian attitudes. She looks at past revolutions and women’s issues and in doing so, has served as women’s national memory. Her importance as documenter of the past has become central to 2011’s so-called ‘Jasmine Revolution’, as she now sits on the Assemblée constituante (Constitution Assembly) composed of elected members who are making an attempt at re-writing the Tunisian constitution.


Author(s):  
David Thackeray

Chapter 5 considers the role that Britannic loyalism played in various facets of everyday life in the UK and the Dominions, exploring developments in the fields of advertising and market research, attempts to promote Commonwealth collaboration in non-fiction film production and distribution, and the politics of post-war patriotic trade campaigns. The dismantling of import controls in the late 1950s and early 1960s led to a revival in patriotic trade campaigns. However, such campaigns increasingly came to be seen as outmoded during these years, jeopardizing trade with growing foreign markets. Moreover, changes in the advertising and marketing industries, and the growth of market research, discouraged businesses from making undifferentiated appeals to national markets. Earlier ideas that consumers across the British World had broadly similar interests and tastes were comprehensively challenged with the expansion of segmented marketing.


2021 ◽  
Author(s):  
Karen Elizabeth Aagaard

This paper, while firmly rooted in Dyer's star image system, will also incorporate several narrative (of course, non-fiction) "scenes," based on my own experiences working with a Toronto-based documentary crew. The documentary, Peep Me, which has been produced by Chocolate Box entertainment for CBC Television, focuses, primarily, on peep culture and reality programming. Peep Me also features The Peep Diaries' author and public intellectual Hal Niedzviecki, documenting, among other events, his attempt at creating a "lifecast," and his three-day reality TV boot camp adventure in Simi Valley, California. Needless to say, my six-month internship provided me with invaluable insights into all things "peep," including reality programming, reality performers, and the Internet's answer to the reality star.


Arts ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 39
Author(s):  
Lauri Kitsnik

In his work, the filmmaker Shindō Kaneto sought to employ various, often seemingly incongruous, cinematic styles that complicate the notions of fiction and documentary film. This paper first examines his ‘semi-documentary’ films that often deal with the everyday life of common people by means of an enhanced realist approach. Second, attention is paid to the fusion of documentary and drama when reenacting historical events, as well as the subsequent recycling of these images in a ‘quasi-documentary’ fashion. Finally, I uncover a trend towards ‘meta-documentary’ that takes issue with the act of filmmaking itself. I argue that Shindō’s often self-referential work challenges the boundaries between fiction and non-fiction while engaging in a self-reflective criticism of cinema as a medium.


2021 ◽  
Author(s):  
Karen Elizabeth Aagaard

This paper, while firmly rooted in Dyer's star image system, will also incorporate several narrative (of course, non-fiction) "scenes," based on my own experiences working with a Toronto-based documentary crew. The documentary, Peep Me, which has been produced by Chocolate Box entertainment for CBC Television, focuses, primarily, on peep culture and reality programming. Peep Me also features The Peep Diaries' author and public intellectual Hal Niedzviecki, documenting, among other events, his attempt at creating a "lifecast," and his three-day reality TV boot camp adventure in Simi Valley, California. Needless to say, my six-month internship provided me with invaluable insights into all things "peep," including reality programming, reality performers, and the Internet's answer to the reality star.


Author(s):  
Rezki Amalia Wahyuni Mustakim

When in social media or everyday life rampant infidelity occurs, whether due to lifestyle, economy, and so forth. Economic demands intrigue principals to do so unnaturally. Until sometimes netizens make the acronym separate from the words of the affair, such as a beautiful interlude intact households, distractions in saturated times, a beautiful family interlude collapsed, and so forth. The perpetrators of infidelity sometimes even openly execute. Because they consider the affair is a natural thing in the present day. Infidelity sometimes happens either fiction or in a literary or non-fiction / real work. Society sometimes herded for various opinions that reflect one party. Be it both material and inmaterial matter. And this leads the author to issue words that lately often heard of the pelakor and pebinor.


2012 ◽  
Vol 15 (2) ◽  
pp. 77-84 ◽  
Author(s):  
Ketevan Mamiseishvili

In this paper, I will illustrate the changing nature and complexity of faculty employment in college and university settings. I will use existing higher education research to describe changes in faculty demographics, the escalating demands placed on faculty in the work setting, and challenges that confront professors seeking tenure or administrative advancement. Boyer’s (1990) framework for bringing traditionally marginalized and neglected functions of teaching, service, and community engagement into scholarship is examined as a model for balancing not only teaching, research, and service, but also work with everyday life.


2011 ◽  
Vol 42 (3) ◽  
pp. 225-230 ◽  
Author(s):  
Janet B. Ruscher

Two distinct spatial metaphors for the passage of time can produce disparate judgments about grieving. Under the object-moving metaphor, time seems to move past stationary people, like objects floating past people along a riverbank. Under the people-moving metaphor, time is stationary; people move through time as though they journey on a one-way street, past stationary objects. The people-moving metaphor should encourage the forecast of shorter grieving periods relative to the object-moving metaphor. In the present study, participants either received an object-moving or people-moving prime, then read a brief vignette about a mother whose young son died. Participants made affective forecasts about the mother’s grief intensity and duration, and provided open-ended inferences regarding a return to relative normalcy. Findings support predictions, and are discussed with respect to interpersonal communication and everyday life.


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