scholarly journals Western Message Petroglyphs indicate historic beaver presence in a San Francisco Bay Area watershed

2021 ◽  
Vol 107 (2) ◽  
pp. 89-98
Author(s):  
Leigh Marymor ◽  
Richard Burnham Lanman

Recent museum, archaeological, and observer record evidence suggests that North American beaver (Castor canadensis) were historically native to the watersheds of California’s coast, including San Francisco Bay. A wide variety of animals are abundantly represented in Native American petroglyphs and pictographs with their representations fulfilling intentions ranging from the mundane to ceremonial and mythological purposes. However, beaver symbols are poorly represented in California rock art and absent from the San Francisco Bay Area. A novel record, in the form of Western Message Petroglyphs, suggests that a beaver lodge was present in the late nineteenth century in the Alameda Creek watershed, potentially the last evidence of beaver prior to their extirpation in the region by the fur trade.

Author(s):  
Sheigla Murphy ◽  
Paloma Sales ◽  
Micheline Duterte ◽  
Camille Jacinto

2020 ◽  
Vol 14 (2) ◽  
pp. 44-66
Author(s):  
José Ramón Lizárraga ◽  
Arturo Cortez

Researchers and practitioners have much to learn from drag queens, specifically Latinx queens, as they leverage everyday queerness and brownness in ways that contribute to pedagogy locally and globally, individually and collectively. Drawing on previous work examining the digital queer gestures of drag queen educators (Lizárraga & Cortez, 2019), this essay explores how non-dominant people that exist and fluctuate in the in-between of boundaries of gender, race, sexuality, the physical, and the virtual provide pedagogical overtures for imagining and organizing for new possible futures that are equitable and just. Further animated by Donna Haraway’s (2006) influential feminist post-humanist work, we interrogate how Latinx drag queens as cyborgs use digital technologies to enhance their craft and engage in powerful pedagogical moves. This essay draws from robust analyses of the digital presence of and interviews with two Latinx drag queens in the San Francisco Bay Area, as well as the online presence of a Xicanx doggie drag queen named RuPawl. Our participants actively drew on their liminality to provoke and mobilize communities around socio-political issues. In this regard, we see them engaging in transformative public cyborg jotería pedagogies that are made visible and historicized in the digital and physical world.


2016 ◽  
Vol 6 (4) ◽  
pp. 6-9
Author(s):  
David L. Ulin

Traversing the kaleidoscope of memory of early adulthood in the San Francisco bay area, David Ulin describes the places as he remembers them with picturesque account: Andrew Molera State Park, Fort Mason, Marin Headlands, Old Waldorf, and Sutro Tower, with the particulars, and what happened to his experience of time in those places that summer of 1980. Experienced as a series of fleeting memories, joining together with others who lived there for a time. They left, and so did the author, experiencing the power of temporality or “abandon” both in and from this place.


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