scholarly journals Rethinking the Crit

2019 ◽  
pp. 74-75
Author(s):  
Patrick Flynn ◽  
Miriam Dunn ◽  
Mark Price ◽  
Maureen O’Connor

Assessment in architecture and creative arts schools has traditionally adopted a ‘one size fits all’ approach by using the ‘crit’, where students pin up their work, make a presentation and receive verbal feedback in front of peers and academic staff. In addition to increasing stress and inhibiting learning, which may impact more depending on gender and ethnicity, the adversarial structure of the ‘crit’ reinforces power imbalances and thereby ultimately contributes to the reproduction of dominant cultural paradigms. Our collaboration on an alternative to the traditional model was supported by the Teaching & Learning National Seminar Series fund which helped us organise an international symposium to debate the ‘crit’ in 2016. We have recently been awarded further funding which has allowed us to pilot alternative feedback methods.

2020 ◽  
pp. 176-187
Author(s):  
Patrick Flynn ◽  
Miriam Dunn ◽  
Mark Price ◽  
Maureen O'Connor

Assessment in architecture and creative arts schools has traditionally adopted a ‘one size fits all’ approach by using the ‘crit’, where students pin up their work, make a presentation and receive verbal feedback in front of peers and academic staff. In addition to increasing stress and inhibiting learning, which may impact more depending on gender and ethnicity, the adversarial structure of the ‘crit’ reinforces power imbalances and thereby ultimately contributes to the reproduction of dominant cultural paradigms. Our collaboration on an alternative to the traditional model was supported by the Teaching & Learning National Seminar Series fund which helped us organise an international symposium to debate the ‘crit’ in 2016. We have recently been awarded further funding which has allowed us to pilot alternative feedback methods.


Author(s):  
Patrick Flynn

This paper critically examines the role of the standard method of assessment for architectural students internationally, known as the ‘crit’. It examines the pedagogical theory underlying this approach whereby students pin up their work and make a presentation on it, and receive verbal feedback on it, in front of a room of their peers and academic staff. Recent critiques of this hundred-year old approach are also discussed, and the reality of the ‘crit’ is examined through analysis of practice. This leads into a discussion of a semester-long piece of action research in this academic year in which academic staff have piloted new methods of formative and summative student-centred assessment without a ‘crit’. Feedback from students and academic staff has been extremely positive, and is discussed along with the lessons learned from this pilot semester. The next steps in this ongoing piece of action research are also briefly outlined.


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