scholarly journals Playful You in the Zhuangzi and Six Dynasties Literati Writing

2019 ◽  
Vol 8 (2) ◽  
pp. 1-28
Author(s):  
Xiaofan Ami Li

This essay explores the notion of you 游in the Zhuangzi and Six Dynasties literati writing through a comparative reading. Used interchangeably with its variant you 遊, you 游has various uses and meanings, from the more literal “swim in water”, “move in an unobstructed way”, “wander”, and “travel afar”, to its extended meanings including “ramble in a carefree way”, “travel playfully”, “travel into foreign or unknown space”, or “enjoy a leisurely activity”. You is also, significantly, combined with other characters to form compound expressions specifying different playful activities, e.g. youxi 游戲: “play and frolic”, “amuse oneself”, or “game”; youwan 游玩: “play outdoors” (with an emphasis on movement); and lüyou 旅游: “travelling for leisure”, or “tourism”—which have very different connotations from lüxing 旅行, “journey”, or “travel (the main purpose of which is not pleasure)”. In these different uses and expressions of you, in both classical and modern Chinese, what we find in common is the connotation of an unhindered, playful movement that is closely connected to its spatial context. In the context of the Zhuangzi and Six Dynasties literature, therefore, can we find articulations of you as a playful activity? If yes, in what specific ways is you playful, especially in regard to the space and context in which it occurs? Finally, what do the differences and similarities between the Zhuangzi and Six Dynasties writing say about the evolution of the notion of you within the Daoist and Neo-Daoist discourse? At time of publication of this article, the journal operated under the old name. When quoting please refer to the citation on the left using British Journal of Chinese Studies. The pdf of the article still reflects the old journal name; issue number and page range are consistent.

1989 ◽  
Vol 119 ◽  
pp. 631-634
Author(s):  
Christopher B. Howe

Professor Kenneth R. Walker died on 28 July 1989 at the age of 57. He was a pioneer of modern Chinese studies in Britain. His achievements were outstanding as a scholar, teacher, developer of the field and as a contributor to this journal.


2019 ◽  
Vol 8 (1) ◽  
pp. 92-126
Author(s):  
Scott A. W. Brown

Fox and Godement’s (2009) Power Audit of EU-China Relations grouped the EU’s member states into four categories based on their national approaches to relations with, as well as their preferences for, the EU’s policies towards China. In this typology, the UK, at the time governed by New Labour, was deigned an “Ideological Free Trader”—seeking to facilitate greater free trade while continuing to assert its ideological position, namely in the areas of democracy and human rights. Since the Conservative Party took the reins of power in 2010 (in coalition with the Liberal Democrats until 2015), China’s prominence on the UK’s foreign policy agenda has arguably increased. This paper examines the direction of the UK’s China policy since 2010, and asks whether the label “Ideological Free Trader” remains applicable. Through qualitative analysis of the evolving policy approach, it argues that while early policy stances appeared consistent with the descriptor, the emphasis on free trade has grown considerably whilst the normative (ideological) dimension has diminished. Consequently, the UK should be redefined as an “Accommodating Free Trader” (an amalgamation of two of Fox and Godement’s original groups—“Accommodating Mercantilist” and “Ideological Free Trader”). At time of publication, the journal operated under the old name. When quoting please refer to the citation on the left using British Journal of Chinese Studies. The pdf of the article still reflects the old journal name; issue number and page range are consistent. Picture credit: Georgina Coupe


2019 ◽  
Vol 9 (2) ◽  
pp. iv-vi
Author(s):  
Gerda Wielander ◽  
Heather Inwood

Publication of issue 9.2 is an important moment for the journal, which launches with a new name on a new platform. Here, the editors explain the role of the journal as fully open access, academic journal promoting Chinese studies in the UK and beyond.


2019 ◽  
Vol 10 (2) ◽  
pp. 144-176
Author(s):  
Rui-wen Wu

This paper analyses the different phonological strata of first division unrounded finals of the Xiè Rhyme Group (蟹攝),specifically the Xai rhyme and Tài rhyme, in the finals system of proto-Min and explores the distinction between double rhymes in old Jiangdong dialects. Norman (1981) reconstructed five finals for Xai rhyme and Tài rhyme. They are:*əi for Xai 菜咍栽咍來咍 *oi for Xai 袋咍 *ɑi for Tài 帶泰蔡泰蓋泰 *uəi for Xai 改咍 *yəi for Xai 開咍 According to Norman’s reconstruction, there are four finals for the Xai rhyme but there is only one final for the Tài rhyme. Therefore, some issues need to be clarified. To begin with, what is the time sequence of those four forms of Xai? Additionally, three forms are reconstructed by one cognate in proto-Min. It is highly doubtful to regard those forms as a single stratum individually. Furthermore, the double rhymes, Xai and Tài, could be distinct in the Qieyun system but merged in most modern Chinese dialects. However, some southern dialects retain the distinction (refer to Cao et al. 2000, Wang 2004 and Wu 2005). How is the distinction of double rhymes expressed in proto-Min? It is worth examining those questions in depth.The methodology of this paper is the comparative method. We would like to expand Min dialectal material and find more reliable cognates to reexamine Norman’s finals of Xai and Tài. From the perspective of historical development, proto-Min has several different phonological strata. After thoughtful and cautious analysis, those strata could be an important reference for the reconstruction of both Middle Chinese and Old Chinese. An important aim of this paper is to reconstruct the Jiangdong dialect, a southern Chinese dialect used in the Six Dynasties period, using proto-Min and related common dialect systems.In conclusion: 1. both Xai and Tài could be reconstructed as two forms in the finals system of Proto-Min. In brief, *-əi and *-oi are for Xai; *-ɑi and *-ai are for Tài. 2. from a diachronic development viewpoint,the pattern *-oi: *-ai reveals the distinction of Xai and Tài, i.e. double rhyme, in the Six Dynasties Jiangdong dialect. 3. Relatedly, the pattern *-əi: *-ɑi could be traced to differences between the Zhi group (之部) and Jì group (祭部) in Old Chinese.


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