Those of us who work with medieval illustrated manuscripts are often guilty of ignoring the major contributions by medieval Jewish scribes and illuminators or the manuscripts produced for Jewish consumers. To remedy this situation, Milivia Bollati, Flora Cassen, and Marc Michael Epstein
here present the most impressive Lombard Haggadah, both by examining its background, purpose, design, and by providing a complete facsimile of the manuscript. Famous Christopher de Hamel (Cambridge) adds a pleasant introduction in which he emphasizes the considerable degree of overlap
of Christian and Jewish manuscript production. The Lombard Haggadah is the earliest stand-alone Haggadah and is one of only three illustrated medieval Haggadot still privately owned (Sandra Hindman, 8). This manuscript was on public display in New York in April 2019, and was for sale.
<?page nr="510"?>It is not clear to me whether any buyer acquired it.
