scholarly journals THE STAGES IN THE DEVELOPMENT OF ART STUDIES IN RUSSIA AND THE HISTORY OF SPANISH ART

Author(s):  
Anna Valentinovna Morozova
Keyword(s):  
Author(s):  
Kirsty Hooper

Considers how the flow of aesthetic objects, capital and knowledge between Britain and Spain was conditioned by the unequal balance of power between Britain and Spain. Traces the history of exhibiting Spanish art and the factors shaping British taste in Spanish artists, including the professionalization of knowledge about Spain and Spanish arts. Explores the dark side of cultural flows and the effects of Spanish attempts to take back control, including the controversial trade in Spanish artworks, and the exploitative fraud known as the ‘Spanish swindle’.


1999 ◽  
Vol 5 (3) ◽  
pp. 272-288 ◽  
Author(s):  
Cecily Hilsdale

AbstractMedieval Spanish art posed a particular problem for art historians due to the difficulty in reconciling strcmg formal differences between perceived Classicism on the one hand and foreign "Mozarabic" elements on the other. The connotations of such formal designations reveal much about larger perceptions of historical development at the beginning of this century. The term "Mozarabic" in early essays by Meyer Schapiro among others attained its definition solely in opposition to other earlier and later styles. It was understood in a pejorative light as the inferior counterpart to other formal idioms such as the Romanesque.


Imafronte ◽  
2020 ◽  
pp. 1-12
Author(s):  
Concepción De la Peña Velasco

El profesor Rodríguez Gutiérrez de Ceballos es una figura clave en el ámbito de la Historia del Arte Barroco. De sólida formación e impecable trayectoria docente e investigadora, comenzó a publicar en los años sesenta. Las respuestas a las preguntas formuladas en esta entrevista permiten aproximarse a una etapa histórica de importantes cambios en la disciplina, con figuras eminentes que sentaron nuevas bases para el estudio de la Historia del Arte Español. El profesor Rodríguez Gutiérrez de Ceballos habla de su familia, de su infancia en Salamanca, de sus estudios universitarios, de sus maestros, de sus compañeros y de su vínculo con conocidos hispanistas. Comenta sus aportaciones más destacadas y su reciente nombramiento como doctor honoris causa por la Universidad de Murcia. Concluye con un mensaje de ánimo para los que comienzan. Professor Rodríguez Gutiérrez de Ceballos is a key figure in the field of Baroque Art History. With a solid background and an impeccable teaching and research career, he began publishing in the 1960s. His answers to the questions raised in this interview provide an insight into a historic moment of important changes in the discipline and eminent figures who laid new foundations for the study of the History of Spanish Art. Professor Rodríguez Gutiérrez de Ceballos talks about his family, his childhood in Salamanca, his university studies, his teachers and colleagues and their links to renowned Hispanists. He comments on his best known contributions and his recent appointment as doctor honoris causa by the University of Murcia. It concludes with a message of encouragement for those starting in the profession.


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