scholarly journals 5th International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018, Modern Science

2018 ◽  
Keyword(s):  
Social Sciences ◽  
Modern Science

scholarly journals Digital music art through the prism of interdisciplinarity

2020 ◽  
pp. 25-39
Author(s):  
Elena Nikolaevna Piryazeva
Keyword(s):  
Social Sciences ◽  
Electronic Music ◽  
Modern Science ◽  
Digital Art ◽  
Digital Music ◽  
Scientific Disciplines ◽  
Interdisciplinary Knowledge ◽  
The Subject ◽  
Chaotic Nature ◽  
Scientific Framework

  The processes taking place in modern science tend to integrate various scientific disciplines in studying any scientific phenomenon. This explains the search of methodology based on the techniques of different sciences involved in formation of the subject of research, which in this article is represented by the digital music art. Interpreted as a branch of music art with digital specificity, digital music art incorporates electronic music presented by specific, algorithmic, and electronic music. A signature characteristic of digital music art consists in its interdisciplinarity, which suggests the combined effect of separate parts of the system and leads to self-organization, which corresponds with the scientific tasks of synergetics. This substantiates the relevance for elaboration of interdisciplinary methodology for studying digital music art in the context of research mechanisms developed within synergetics. The scientific lies in the analysis of digital art through the prism of the qualities inherent to synergetics. The disciplines united by digital art (mathematics, set theory, probability theory, information theory, combinatorics, game theory, cybernetics, computer science, acoustics, sociology, communication, and biology) are interdisciplinary, which means that in ensemble with other disciplines they form a complex interdisciplinary knowledge of structure of digital music art. At the same time, the disciplines that comprise scientific framework of digital music art are attributed to different sciences: humanities, natural sciences, mathematics, social sciences, and technical sciences. In this context, the research of digital music art is simultaneously of interdisciplinary and multiscientific nature. The author established a peculiar impact of interdisciplinarity upon digital art, which generates the qualities inherent to synergetics – nonlinearity, disequilibrium, openness, chaotic nature, entropy, indeterminacy, and dissipation.  

scholarly journals KONTRIBUSI ILMU KALAM/FILSAFAT ISLAM DALAM PEMBANGUNAN KARAKTER BANGSA

2016 ◽  
Vol 13 (2) ◽  
pp. 97
Author(s):  
Muhammad Amin Abdullah
Keyword(s):  
Social Sciences ◽  
Character Development ◽  
Modern Science ◽  
Islamic Philosophy ◽  
Social Sciences And Humanities ◽  
The Past ◽  
Nation States ◽  
The Social ◽  
The Future

The trend of Islamic sciences in the future, especially kalam Science/Islamic philosophy is a religion sciences that haveto interact and dialogue with modern science, the social sciences and humanities. If scientific Kalam and IslamicPhilosophy felt enough with himself (al-muhafadzah ala al-qadim al-shlih), refusing to touch and connect with otherscientific (wa al-akhdz bi al- jadid al-ashlah), then there is no future can be expected, morever their contribution to thedevelopment of the nations character. This paper describes the themes of what is required to form the new religious(Islamic) worldview that can contribute to the development of the nations character. Islamic sciences requires freshijtihad to deal with the contemporary of life, it is not enough just to repeating the experience of the past without lookinghow the development of the present and the future. Past (al-turts) is still needed, but also needed a paradigm shifttowards the present (al-hadtsah) in view of the contemporary religious and solve problems, especially those related tothe issue of character development in the format state of the nation (nation-states).

scholarly journals INTER-Encyclopedia: Interaction. Interview. Interpretation

Inter ◽  
2020 ◽  
Vol 12 (3) ◽  
pp. 92-105
Author(s):  
Victoria V. Semenova ◽  
Elena Yu. Rozhdestvenskaya
Keyword(s):  
Social Sciences ◽  
Qualitative Research ◽  
Modern Science ◽  
General Concept ◽  
Qualitative Sociology ◽  
Primary Data ◽  
Interpretive Paradigm ◽  
The Social ◽  
Context Of Use

The work is an attempt to generalize the scientific interpretation of fundamental concepts in the framework of a qualitative paradigm, such as interaction, interview and interpretation. These terms are usually used in a broader sociological theoretical and methodological literature, and have their own history within the social sciences. Though, in modern science, these categories are already embedded in the terminology and semantics of the interpretive paradigm, and they have acquired additional meanings and context of use in the thesaurus of the qualitative sociologist. Therefore, the goal is to describe them in more details, in the genre of dictionary entries, as terms embedded and interpreted in the field of qualitative sociology; as concepts used during the construction of the methodological design of qualitative research, and in the practice of fieldwork or analysis of primary data. Moreover, these three terms define the general concept and configuration of our journal “Interaction. Interview. Interpretation”.

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