scholarly journals ANALISA MEDIA SIBER ZINETFLIX SEBAGAI MEDIA ALTERNATIF TENTANG FILM DI ERA DIGITAL

2021 ◽  
Vol 20 (3) ◽  
pp. 327-336
Author(s):  
Idhar Resmadi
Keyword(s):  

Perubahan teknologi digital membuat setiap media mesti berkonvergensi mengikuti perkembangan zaman. Zines adalah sebuah media cetak alternatif yang tumbuh dan berkembang dalam ranah subkultur atau komunitas. Zines dianggap sebagai sebuah media alternatif yang banyak memberikan informasi di luar jalur media massa mainstream. Karakteristik zines yaitu sabagai sebuah media berbasis komunitas, anti-mainstream, dan menawarkan format yang eksperimen dibandingkan dengan media konvensional. Zinetflix merupakan sebuah platform media zines digital yang dibuat oleh Netflix melalui pemanfaatan media sosial Instagram. Dalam hal ini, Zinetflix merupakan upaya komunikasi Netflix untuk bisa membangun interaksi dengan pelaku industri film di Indonesia dalam menyajikan informasi seputar film Indonesia terutama di era digital sekarang. Penelitian ini menggunakan metode penelitian kualitatif dengan pendekatan studi kasus. Studi kasus yang akan diangkat yaitu “Zinetflix” yang dirancang oleh penyedia konten film Netflix. Proses pengambilan data yaitu melalui observasi, wawancara, dan studi literatur. Hasil yang ingin dibahas dari penelitian ini yaitu bagaimana transformasi media siber Zinetflix yang memanfaatkan zines yang inovatif di media sosial dalam menyebarkan informasi tentang film di Hari Film Nasional 2020.   Kata kunci: Netflix, Zines, Zines Digital, Media Siber     

2013 ◽  
Author(s):  
Christo Sims ◽  
Rachel Cody Pfister ◽  
Michael Cole ◽  
Robert Lecusay ◽  
Ivan Rosero ◽  
...  
Keyword(s):  

2011 ◽  
Author(s):  
Alexander Spradlin ◽  
John P. Bunce ◽  
L. Mark Carrier ◽  
Larry D. Rosen
Keyword(s):  

2020 ◽  
Vol 237 (10) ◽  
pp. 1172-1176
Author(s):  
Charlotte Schramm ◽  
Yaroslava Wenner

AbstractThe digital media becomes more and more common in our everyday lives. So it is not surprising that technical progress is also leaving its mark on amblyopia therapy. New media and technologies can be used both in the actual amblyopia therapy or therapy monitoring. In particular in this review shutter glasses, therapy monitoring and analysis using microsensors and newer video programs for amblyopia therapy are presented and critically discussed. Currently, these cannot yet replace classic amblyopia therapy. They represent interesting options that will occupy us even more in the future.


CCIT Journal ◽  
2020 ◽  
Vol 13 (1) ◽  
pp. 20-31
Author(s):  
Untung Rahardja ◽  
Ani Wulandari ◽  
Marviola Hardini

Digital content is content in various formats, whether written, image, video, audio or combination so that it can be read, displayed or played by a computer and easily sent or hared through digital media. Digital content has abundant benefits, especially in the field of promotion. Where when a place of business or a body wants to introduce a product or service that is owned, it definitely requires content such as images as a promotional media. However, if you have to distribute posters to everyone you meet, it is not in line with current technological advancements because you are still using a conventional process. Therefore, to overcome this problem, social media can be used to process digital content easily and quickly. In this study, there are 3 (three) problems that will be overcome by 2 (two) methods, and 3 (three) solutions are produced. The advantage of digital content in social media is that it can be accessed anytime and anywhere, so it is concluded that the use of digital content in social media is able to overcome problems and is a creativepreneur effort found in the promotion system of a journal publisher.   Keywords—Digital Content, Creativepreneur, ATT Journal, Social Media


Author(s):  
Jesse Schotter

Hieroglyphs have persisted for so long in the Western imagination because of the malleability of their metaphorical meanings. Emblems of readability and unreadability, universality and difference, writing and film, writing and digital media, hieroglyphs serve to encompass many of the central tensions in understandings of race, nation, language and media in the twentieth century. For Pound and Lindsay, they served as inspirations for a more direct and universal form of writing; for Woolf, as a way of treating the new medium of film and our perceptions of the world as a kind of language. For Conrad and Welles, they embodied the hybridity of writing or the images of film; for al-Hakim and Mahfouz, the persistence of links between ancient Pharaonic civilisation and a newly independent Egypt. For Joyce, hieroglyphs symbolised the origin point for the world’s cultures and nations; for Pynchon, the connection between digital code and the novel. In their modernist interpretations and applications, hieroglyphs bring together writing and new media technologies, language and the material world, and all the nations and languages of the globe....


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