Introduction
The study of American music by serious scholars who were willing to consider the producers, products, and consumers of music without hierarchical bias, snobbish condescension, or fealty to the canons of nineteenth-century concert-hall culture is a relatively recent development in the United States. Over twenty years ago Richard Crawford traced the historiography of American music in the hands of such writers as William Hubbard, Louis T. Elson, and John Tasker Howard in ...
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2015 ◽
Vol 9
(4)
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pp. 477-484
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1983 ◽
Vol 10
(1)
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pp. 69-86
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