From Ober Ost to Ostland?

2018 ◽  
pp. 245-262
Author(s):  
Vejas Gabriel Liulevicius

Igor Narskij examines the experience of Russian soldiers on the eastern front, an experience significantly different from that undergone by soldiers on the western front because of the vast area of the eastern theater of war and the fact that it was largely fought as a mobile war, not a static one. Maintaining that prevalent arguments put forward by historians to explain Russia’s failure in the war―including the alleged backwardness of the country’s peasant soldiers and the lack of adequate supplies―have been overstated, the chapter posits that the war actually had a significant civilizing and disciplining effect. The chapter also argues that because for Russia the First World War segued into internal dissension in the Revolution of 1917 and the Civil War of 1918–1920, Russians never completely integrated the experience of the world war into its cultural memory.

2017 ◽  
Vol 6 (1) ◽  
pp. 37-56
Author(s):  
Dario Vidojković

This article deals with the cinematic representations of warfare violence and with its aestheticization in early films. It argues, in particular, that the patterns and narrative structures of (anti-)war movies were laid out during the First World War. Among the first films establishing those patterns and rules were D.W. Griffith's The Birth of a Nation, a film on the American Civil War, and Hearts of the World, showing the war on the western front, produced in 1918. Films such as these offered the main elements that would mark, henceforth, how anti-war movies would portray violence. With the up-coming of sound, moviegoers would be able not only to see, but also to hear what a war sounded like. Lewis Milestone's All Quiet on the Western Front (1930), one of the first sound films, exposed the audiences to a series of (calculated) audio/visual distortions, including explosions, screams, and the monotone sound of machinegun fire.


Author(s):  
Andrew Glazzard

Holmes’s words to Watson at the end of ‘His Last Bow’ (1917) express an idea of warfare that sits uneasily with our contemporary perception of the First World War. Today we are accustomed to associate that war with the horrors of the Western Front: the battles of the Somme (1916) and Passchendaele (1917) loom large in our cultural memory as paradigms of unnecessary bloodshed and strategic incompetence. But this was not how Conan Doyle saw it – and he saw the Western Front at first hand, while both his brother, Brigadier-General Innes ‘Duff’ Doyle, and his son Kingsley were in the thick of the action. At the invitation of the War Office, Doyle toured the British, Italian and French Fronts in 1916, and the Australian Front in 1918, using his authority as Deputy Lieutenant of Surrey to don an improvised khaki uniform ‘which was something between that of a Colonel and Brigadier, with silver roses instead of stars or crowns upon the shoulder-states’.1


In the collective memory, the concept of the First World War is pervaded by the trauma of the modern technologized war on the western front, whereas the events and battles on the eastern front of 1914–1915, other than the battle of Tannenberg, have shifted into the background. Thus, the phrase “all quiet on the eastern front” offers a succinct description of the lack of scholarly research on the first two years of the war on the German eastern front. This volume aims to correct that deficiency, presenting essays by professional historians from eight countries discussing the eastern theater of war in terms of operations, mindset, and cultural-historical issues.


This book presents research on the eastern front of World War I, a subject comparatively eclipsed by scholarly study of the western front. Focusing on the first two years of the war, the volume concentrates primarily on elements of the conflict between the Central Powers (specifically Germany and its ally Austria-Hungary) and pre-revolutionary Russia. The book approaches topics of interest through a tripartite structure, addressing the operational conduct of the war, the combatants’ cultural conceptions of themselves and the enemy, and how the conflict has been understood and commemorated in the years since the end of the war. The volume concludes with a chapter that brings together themes studied throughout the book in a discussion of the potential continuities between the German conduct and perception of war from the First World War to the Second.


Author(s):  
S. V. Novikov ◽  

The article is devoted to the study of the circumstances of coming to power in the anti-Bolshevik Omsk of Admiral A. V. Kolchak. He concentrated in his hands the executive, legislative, judicial and military power becoming the Supreme Ruler of Russia and the Supreme Commander-in-Chief. The author comes to the conclusion that the appearance of A.V. Kolchak in Omsk was a consequence of the contradictions between British and French politicians, and the admiral himself, relying on the British, was a victim of a redivision of the world following the First World War


Author(s):  
James Muldoon

The German council movements arose through mass strikes and soldier mutinies towards the end of the First World War. They brought down the German monarchy, founded several short-lived council republics, and dramatically transformed European politics. This book reconstructs how participants in the German council movements struggled for a democratic socialist society. It examines their attempts to democratize politics, the economy, and society through building powerful worker-led organizations and cultivating workers’ political agency. Drawing from the practices of the council movements and the writings of theorists such as Rosa Luxemburg, Anton Pannekoek, and Karl Kautsky, this book returns to their radical vision of a self-determining society and their political programme of democratization and socialization. It presents a powerful argument for renewed attention to the political theories of this historical period and for their ongoing relevance today.


Author(s):  
Gregory A. Barton

After the death of Gabrielle Howard from cancer, Albert married her sister Louise. Louise had been pressured to leave Cambridge as a classics lecturer as a result of her pro-peace writings during the First World War. After working for Virginia Wolf, she then worked for the League of Nations in Geneva. Louise was herself an expert on labor and agriculture, and helped Albert write for a popular audience. Albert Howard toured plantations around the world advocating the Indore Method. After the publication of the Agricultural Testament (1943), Albert Howard focused on popularizing his work among gardeners and increasingly connected his composting methods to issues of human health.


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